Background
Charles Gayler was born on April 1, 1820, on Oliver Street, New York. He was the son of C. J. Gayler, a dealer in crockery and hardware and builder of fireproof safes.
(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Son Of The Night: A Drama In Three Days: And A Prologue. To Which Are Added, A Description Of The Costume, Cast Of The Characters ... And The Whole Of The Stage Business; Issue 169 Of French's Standard Drama Charles Gayler, Victor Séjour S. French, 1857
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( About the Book The romance novel, which is sometimes te...)
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Charles Gayler was born on April 1, 1820, on Oliver Street, New York. He was the son of C. J. Gayler, a dealer in crockery and hardware and builder of fireproof safes.
After attending for a few years an academy in Suffield, Connecticut, Gayler became at sixteen a school-teacher in Dayton, Ohio, pored over law books in his spare hours, was admitted to practice, and traveled the circuits in Ohio and perhaps in Indiana and Illinois.
Having little knowledge of law or aptitude for it, Gayler soon drifted into politics, obtained several minor positions in Dayton, and became an ardent supporter of Henry Clay, for whom he made stump speeches and wrote campaign songs. Then he turned to journalism for a livelihood, becoming for a short period editor of the Cincinnati Evening Dispatch.
For some reason no longer known his editorial career came to a sudden end; he is said then to have turned actor and to have performed the title roles in Hamlet, Othello, and Richelieu in Ohio theatres on the James W. Bates circuit.
His Bull Run, or The Sacking of Fairfax Courthouse, to take one instance, was produced in New York on August 15, 1861, while some Union survivors of the battle, according to a contemporary joke, were still running. Gayler, encouraged by the success of his first venture into the drama, moved to New York, which he made his headquarters for the remaining half of his life.
At one time or another, he was a theatrical manager; he wrote reviews for the Tribune and the Herald and did miscellaneous literary work for several magazines.
He usually disposed of pieces outright to the producers, his regular price being two hundred dollars a play. His total revenue from this source, he said late in life, was only $35, 000. None of his plays is now remembered.
He died after a long illness at his daughter’s home in Brooklyn and was survived by his wife and four of their eight children. He was buried in Greenwood Cemetery.
Gayler was best known as a playwright. In all, he was reputed to have written nearly four hundred tragedies, comedies, melodramas, and operettas, but the actual number was probably around two hundred. In 1849, his first play, The Buckeye Gold Hunters, was produced by Bates at the National Theatre in Cincinnati and was performed for ten weeks. Its success was due to Gayler’s exploitation of contemporary material, and that remained one of his characteristic devices. During his last years, several benefits were given for him.
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(This is a reproduction of a book published before 1923. T...)
Gayler was well liked by his journalistic and theatrical associates; he had no professional jealousy; though by no means rich he was generous to those less fortunate than himself.
He was decidedly handsome, six feet tall, erect and stalwart, with flowing hair and beard. To visitors at Pfaff’s Restaurant, he was sometimes pointed out as Walt Whitman. His home was at Bowsonville, Long Island.
In 1846, Gayler married Grace Christian.