Background
Canaletto was born in Venice on October 18, 1697.
(Dust jacket notes: "In the age of the Grand Tour and the ...)
Dust jacket notes: "In the age of the Grand Tour and the Enlightenment, it was Giovanni Antonio Canal (1697-1768), known as Canaletto, who made the limpid, radiant light of the city on the lagoon famous far beyond the frontiers of Italy. After early work as a set designer, Canaletto developed veduta painting to its finest flowering. Within Canaletto's oeuvre, these compositions occupy a place somewhere between a rational grasp of reality with impressively accurate topographical detail, and an architectonic fantasy picture. As well as numerous views of squares and canals, the artist celebrates - especially in his 'Solennita dogali', his group of city festivals - Venice's former magnificence, to which he has created a memorable monument." The book includes 106 color plates, extensive notes on the artist and his era, a chronology of his life, bibliography and a glossary of Italian terms.
http://www.amazon.com/gp/product/3829002424/?tag=2022091-20
(The Venetian old master Canaletto achieved international ...)
The Venetian old master Canaletto achieved international fame for his landscapes, vedute, which were celebrated for their masterful expression of atmosphere. His detailed paintings of Venice, London and English country homes influenced succeeding generations of landscape artists. Delphis Masters of Art Series presents the worlds first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Canalettos collected works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The collected paintings of Canaletto over 200 paintings, indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special Highlights section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged Detail images, allowing you to explore Canalettos celebrated works in detail, as featured in traditional art books * Hundreds of images in colour highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you wish to view * Includes Canaletto's published book of etchings - explore the artists varied works Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights RIO DEI MENDICANTI: LOOKING SOUTH SANTI GIOVANNI E PAOLO AND THE SCUOLA DI SAN MARCO THE PIAZZETTA: LOOKING NORTH THE STONEMASONS YARD THE ENTRANCE TO THE GRAND CANAL, VENICE THE REGATTA ON THE GRAND CANAL GRAND CANAL: FROM SANTA MARIA DELLA CARITÀ TO THE BACINO DI SAN MARCO DOLO ON THE BRENTA ROME: ARCH OF CONSTANTINE LONDON: WESTMINSTER BRIDGE FROM THE NORTH ON LORD MAYORS DAY LONDON: WHITEHALL AND THE PRIVY GARDEN FROM RICHMOND HOUSE WARWICK CASTLE WESTMINSTER ABBEY WITH A PROCESSION OF KNIGHTS OF THE BATH OLD WALTON BRIDGE ETON COLLEGE CHAPEL PIAZZA SAN MARCO LOOKING EAST FROM THE SOUTH WEST CORNER The Paintings THE COLLECTED PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Etchings THE ETCHINGS OF CANALETTO, 1697-1768 Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
http://www.amazon.com/gp/product/B01M4PWWZL/?tag=2022091-20
(The second enlarged edition of the authoritative catalogu...)
The second enlarged edition of the authoritative catalogue of the etchings by the renowned 18th Century Venetian artist. This is the essential catalogue for authenticating and dating works by the artist. All works are illustrated and there is an illustrated section on the watermarks which date the print editions.
http://www.amazon.com/gp/product/1556602146/?tag=2022091-20
Canaletto was born in Venice on October 18, 1697.
He was trained by his father, Bernardo Canal, as a designer of stage sets. Most of the theatrical productions of the period called for sets representing palace interiors or palace gardens. Such scenes usually involved an intricate recession of pillars, pediments, porticoes, balustrades, and garden statues, and thus to execute them required a knowledge of the complexities of architectural perspective. In 1719 Canaletto gave up designing stage sets and went to study in Rome.
In 1720 in Venice he was inscribed as a member of the painters' guild. From then on he was busy painting views of his native city. His most important patron was the English consul, Joseph Smith, who bought large numbers of Canalettos for resale to his countrymen. Canaletto constructed his views of Venice with painstaking care. Usually he drew the scene on the spot and then made more detailed studies in his studio. These studies were then transferred to the canvas with the help of lines cut into the prepared surface as guidelines for columns, cornices, arches, and domes. We also know that Canaletto used the camera obscura, a darkened box or chamber in which the view is caught and reflected by lenses and mirrors onto a sheet of drawing paper so that the artist can render the perspective lines accurately simply by tracing the contours of the reflected image. Pleased by his success with the English, Canaletto went to England in 1746. He stayed there off and on for a decade, but the results were disappointing. In Venice he had provided the English with scenes they considered exotic and picturesque, whereas in England he could provide them only with views of what they already knew. Back in Venice, Canaletto continued to paint views for tourists. He also won acceptance from the Venetians themselves with a new form, the architectural caprice, in which famous landmarks were combined arbitrarily or (rarely in Canaletto's case) the architecture was invented altogether. With one of these as his reception piece he was finally admitted to the Venetian Academy in 1763. Five years later, on April 20, 1768, he died.
(Dust jacket notes: "In the age of the Grand Tour and the ...)
(The Venetian old master Canaletto achieved international ...)
(The second enlarged edition of the authoritative catalogu...)
One of the many Englishmen who visited Venice in the 18th century said that Canaletto's excellence lay in painting things that fell immediately under his eye. What falls under the eye in Venice, then as now, is romantic enough. The buildings, built along canals instead of streets, seem to rise up out of the lagoon as if suspended between earth and water.