Background
Giuseppe Baini was born at Rome on the 21st of October 1775.
(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Saggio Sopra L'identità Dé Ritmi Musicale E Poetico, Dell'abate Giuseppe Baini; Saggio Sopra L'identità Dé Ritmi Musicale E Poetico, Dell'abate Giuseppe Baini; Giuseppe Baini Giuseppe Baini Piatti, 1820
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clergyman composer critic priest
Giuseppe Baini was born at Rome on the 21st of October 1775.
Baini was instructed in composition by his uncle, Lorenzo Baini, and afterwards by G. Jannaconi.
In 1814 Baini was appointed musical director to the choir of the pontifical chapel, to which he had as early as 1802 gained admission in virtue of his fine bass voice. His compositions, of which very few have been published, were very favourable specimens of the severe ecclesiastical style. Baini held a higher place, however, as a musical critic and historian than as a composer.
Giuseppe Baini died on the 21st of May 1844 in Rome.
Baini's composition, a ten-part Miserere, composed for Holy Week in 1821 by order of Pope Pius VII, has taken a permanent place in the services of the Sistine chapel during Passion Week. His Life of Palestrina (Memorie storico-critiche della vita e delle' opere di Giovanni Pierluigi da Palestrina, 1828) ranks as one of the best works of its class. The phrase II Principe della Musica, which has become finally associated with the name of Palestrina, originates with this biography.
(This is a reproduction of a book published before 1923. T...)