Gottlob Thormeyer

October 23, 1775 (age 66)

Dresden, Saxony, Germany

Education and early work He started to study painting in very early years at the Dresden Academy of Fine Arts under Giovanni Battista Casanova, but changed to architecture in 1791. Friedrich August Krubsacius and Gottlob August Hölzer were his professors there. Since 1800, he belonged to the royal staff as Hofbaukondukteur. Thormeyer created some well known drawings depicting sights of Dresden and its surrounding, e.g. Dom Meißen, Schloss Pillnitz and Katholische Hofkirche (drawn 1807). Many of them were later etched by Christian Gottlob Hammer. Some neo-classical buildings arose in little towns and villages around Dresden, like the Vorwerk Kleindrebnitz. Traces of the War of the Sixth Coalition King Frederick Augustus I of Saxony appointed Thormeyer royal court architect in 1812. Afterwards, Thormeyer went on a study trip, which led him e.g. to Switzerland and Italy, thus avoiding direct involvement in the War of the Sixth Coalition. The portrait above was drawn by Carl Christian Vogel von Vogelstein during Thormeyer"s stay 1813 in Rome. 1812: Etching of the decoration on occasion of the visit of Napoleon to Dresden 1814: Design of memorials for Jean Victor Moreau in Dresden and Theodor Körner in Wöbbelin 1815 - 1818: Rebuilding of Bischofswerda, burned down during occupation by Napoleonic troops. Reconstruction of Dresden After the war, Thormeyer led the demolishing of the historical fortification in Dresden as architect in-chief This reconstruction was finished in 1830, integrating the baroque city center with the surrounding and thus creating room for Dresden to grow rapidly during the following decades. In 1814, Russian governor Nikolai Grigorjewitsch Repnin Wolkonski ordered the long-planned outside-staircase to Brühl"s Terrace, Thormeyer"s best-known masterpiece. Moreover, he initiated a memorial statue of Frederick Augustus I of Saxony, finally designed by Ernst Friedrich August Rietschel.

Gottlob Thormeyer

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Background

Thormeyer was born in the Protestant Kreuzkirche parish, Dresden.

Career

Education and early work

He started to study painting in very early years at the Dresden Academy of Fine Arts under Giovanni Battista Casanova, but changed to architecture in 1791. Friedrich August Krubsacius and Gottlob August Hölzer were his professors there. Since 1800, he belonged to the royal staff as Hofbaukondukteur.

Thormeyer created some well known drawings depicting sights of Dresden and its surrounding, e.g.

Dom Meißen, Schloss Pillnitz and Katholische Hofkirche (drawn 1807). Many of them were later etched by Christian Gottlob Hammer.

Some neo-classical buildings arose in little towns and villages around Dresden, like the Vorwerk Kleindrebnitz. Traces of the War of the Sixth Coalition

King Frederick Augustus I of Saxony appointed Thormeyer royal court architect in 1812.

Afterwards, Thormeyer went on a study trip, which led him e.g. to Switzerland and Italy, thus avoiding direct involvement in the War of the Sixth Coalition.

The portrait above was drawn by Carl Christian Vogel von Vogelstein during Thormeyer"s stay 1813 in Rome. 1812: Etching of the decoration on occasion of the visit of Napoleon to Dresden

1814: Design of memorials for Jean Victor Moreau in Dresden and Theodor Körner in Wöbbelin

1815 - 1818: Rebuilding of Bischofswerda, burned down during occupation by Napoleonic troops. Reconstruction of Dresden

After the war, Thormeyer led the demolishing of the historical fortification in Dresden as architect in-chief

This reconstruction was finished in 1830, integrating the baroque city center with the surrounding and thus creating room for Dresden to grow rapidly during the following decades.

In 1814, Russian governor Nikolai Grigorjewitsch Repnin Wolkonski ordered the long-planned outside-staircase to Brühl"s Terrace, Thormeyer"s best-known masterpiece. Moreover, he initiated a memorial statue of Frederick Augustus I of Saxony, finally designed by Ernst Friedrich August Rietschel.

Achievements

About 1823, Thormeyer accomplished the classicizing tower of the Annenkirche, a church of the late baroque era.

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