(This decorous if provocatively titled meeting of two song...)
This decorous if provocatively titled meeting of two songbirds stars Metropolitan Opera soprano Grace Moore (“The Tennessee Nightingale”) in her film debut portraying legendary 19th-century diva Jenny Lind (“The Swedish Nightingale”). A Lady’s Morals is a prime example of highbrow-meets-hokum fluff from the early sound era. Bringing Moore’s vibrant voice and charming poise to the screen was an ambitious attempt to launch a new film star and give the new audio technology an exciting workout. The Irving Thalberg production directed by Sidney Franklin is worth the gamble alone for Moore’s elegant, clarion-toned Donizetti and Bellini arias. If the plot’s fictions (swoony composer Reginald Denny faces blindness as a result of his infatuation) creak, its one biographical nod – Lind’s intersection with showman P.T. Barnum – hits a high note when Wallace Beery barnstorms in near the end. Not a success in its day, this pleasant curio is a harbinger of the acclaim that a switch of studios (plus an Oscar nomination for One Night of Love) brought Moore three years later.
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Italo Montemezzi : L'amore Dei Tre Re ( Love of Three Kings ) - Ezio Pinza , Grace Moore ; Metropolitan Opera 2/15/41 Montemezzi, Cond. ( Eklipse Cd's )
(rare live historic performance of the Italo Montemezzi ve...)
rare live historic performance of the Italo Montemezzi verismo opera L'amore dei tre re , with the composer conducting at the Met on 2/15/41 . The complete opera in 3 acts is issued on this handsome , unavailable Eklipse import edition with 2 CD's & booklet.
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Explore Charlotte Bronte's world full of shocking secre...)
Explore Charlotte Bronte's world full of shocking secrets, captivating characters, and dark romance in Jane Eyre.
Jane Eyre is the heart-wrenching story of a young girl saddled with both a cruel aunt and a bitter upbringing at Lowood School. Despite the terrible circumstances life has given Jane, her soul not broken from these encounters, and she becomes governess to the children of the handsome Mr. Rochester.
Jane falls deeply in love with the mysterious and moody Mr. Rochester, but the dark secrets of Rochester's past and outside influence threaten to swallow their budding romance. Witness this classic, gothic romance as Jane must choose between her fast held principles and the only love she has ever known.
Complete and unabridged, Jane Eyre is an essential entry to any book lover's library. This edition comes in a lovely, cloth bound cover and has a handy elastic enclosure to keep the pages safe while you're on the go.
(This film adaptation of Gustave Charpentier's Louise was ...)
This film adaptation of Gustave Charpentier's Louise was supervised by the composer and filmed by famed director Abel Gance. The title will be of interest to both film buffs and opera lovers!
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This book introduces students to the Victorian novel an...)
This book introduces students to the Victorian novel and its contexts, teaching strategies for reading and researching nineteenth-century literature. Combining close reading with background information and analysis it considers the Victorian novel as a product of the industrial age by focusing on popular texts including Dickens's Oliver Twist, Gaskell's North and South and Hardy's The Mayor of Casterbridge.
The Victorian Novel in Context examines the changing readership resulting from the growth of mass literacy and the effect that this had on the form of the novel. Taking texts from the early, mid and late Victorian period it encourages students to consider how serialization shaped the nineteenth-century novel. It highlights the importance of politics, religion and the evolutionary debate in 'classic' Victorian texts.
Addressing key concerns including realist writing, literature and imperialism, urbanization and women's writing, it introduces students to a variety of the most important critical approaches to the novels. Introducing texts, contexts and criticism, this is a lively and up-to-date resource for anyone studying the Victorian novel.
Grace Moore, born Mary Willie Grace Moore, was an American operatic soprano and actress in musical theatre and film.
Background
Grace Moore was born on December 5, 1898, in the community of Slabtown (now considered part of Del Rio) in Cocke County, Tennessee, the first of four children of Richard L. Moore, Sr. , a Scots-Irish traveling salesman from Murphy, North Carolina, and Tessie Jane Stokely. Four years after the birth of Mary Willie Grace Moore, the family moved to Knoxville and then to Jellico, Tennessee, where her father was a partner in a dry goods company.
Education
Moore was educated in Tennessee public schools and briefly at Ward-Belmont College in Nashville. She then went to the Wilson-Greens School of Music in Chevy Chase, Maryland.
Career
After making her public singing debut in a recital program at the National Theatre, Washington, D. C. , in 1919, she left school and went to New York City, where she sang in a nightclub to pay for vocal lessons.
Following appearances in Suite Sixteen, Just a Minute, and Up in the Clouds, Moore made her Broadway debut in the 1920 edition of the revue Hitchy-Koo, which featured Jerome Kern’s music. She then sang in Town Gossip and went to Paris to train for a career on the operatic stage. Moore circulated easily in café society. When she had exhausted her funds, she returned to Broadway to star in Irving Berlin’s Music Box Revue of 1923. In 1925 she went back to France, where the opera singer Mary Garden, long her idol and now her friend, recommended her to operatic coach Richard Barthelemy. Auditioning for Giulio Catti-Casazza in 1927, Moore finally won a contract with the Metropolitan Opera.
Her Met and operatic debut occurred in February 1928, when she sang Mimi in La Bohème to a warm reception. Later she sang in Charles Gounod’s Roméo et Juliette and then made a European tour. After singing Juliette at Deauville, Moore made a highly successful Paris debut as Mimi at the Opéra-Comique in 1928. In the next few seasons at the Met she sang in Carmen, Tosca, Manon, Faust, Pagliacci, Gianni Schicchi, and others.
Moore went to Hollywood in 1930 and subsequently appeared in the films A Lady’s Morals (1930), a biography of Jenny Lind, and New Moon (1931). In 1932 she returned to Broadway in the operetta The Dubarry. Back in Hollywood she won the starring role in One Night of Love (1934), a film that features a pioneering attempt to record operatic works with full orchestra. Her other films include Love Me Forever (1935), The King Steps Out (1936), When You’re in Love (1937), and I’ll Take Romance (1937).
Moore continued in opera throughout her film career. She made her London debut at Covent Garden in La Bohème in June 1935 to tremendous ovations. She starred in a film version of Louise (1938) in France and then performed it at the Met the following year. In 1941 she sang L’amore dei tre re. Radio broadcasts and public appearances further increased her popularity. During World War II she made numerous appearances at bond rallies, benefits, and army camp shows, for which she was decorated by several governments. Her autobiography, You’re Only Human Once, appeared in 1944. Grace Moore died on January 26, 1947, in an airplane crash in Copenhagen following a command performance there.
Achievements
Grace Moore has been listed as a noteworthy soprano. by Marquis Who's Who.
Quotations:
"Analyzing what you haven't got as well as what you have is a necessary ingredient of a career. "
Membership
Grace Moore was a member of the Peabody Awards Board of Jurors from 1940 to 1942. In addition, Moore was also made a life member of the Tennessee State Society of Washington, District of Columbia.
Connections
On July 15, 1931, Grace Moore married Valentín Parera, a Spanish movie actor, in Cannes. They had no children.
Father:
Richard Lawson Moore, Sr.
Mother:
Tessie Jane Moore (Stokely)
Sister:
Estel Carver Moore
Sister:
Anna Catherine Moore
Brother:
Martin Stokely Moore
Brother:
James Leslie Moore
Brother:
Herbert Briscoe Moore
Brother:
Richard Lawson Moore, Jr.
husband:
Valentín Parera
Valentín Parera was a Spanish actor who appeared in both silent and sound films in the 1920s and 1930s.
Friend:
Mary Garden
Mary Garden was a Scottish operatic soprano with a substantial career in France and America in the first third of the 20th century.