A year after graduating from Massachusetts Institute of Technology with a Bachelor of Architecture degree, Solomons moved to New York City with a "burning itch to perform and make dances" In 1962, he worked alongside other dance experimentalists at a studio in New York City.
He is a leading figure in postmodern and experimental dance. According to Solomons, quoted in Banes, they wanted to "find new forms, ways of making dances that were different from those of our mentors" Although he was interested in deconstructing forms and structures, he was also passionate about technical dancing. He performed with the companies of Pearl Language, Donald McKayle, Joyce Trisler, Paul Sanasardo, and Martha Graham, although his most significant association during this period was with the Merce Cunningham and Company from 1965 to 1968.
In 1972, Solomons founded the Gus Solomons Company/Dance, whose repertoire consisted of detailed and analytical compositions that were conceived as "melted architecture", drawing from his experience as an architecture student at Massachusetts Institute of Technology He undertook a clinical, postmodern approach to dance making that linked a fascination with puzzles and architectural design to the process of "kinetic autobiography" During an interview with Open Door, the Massachusetts Institute of Technology newspaper, Solomons compared movement design to building design in principle, with the exception that dance was not fixed in time Solomons" choreographies, of which there are more than 165, were created to suit the dancers, not vice versa, because he was concerned with how the dancers felt while executing the movement From the outset, Solomons saw the potential of integrating dance and video.
According to Solomons, one of his most exciting projects was the dual-screen video-dance CITY/MOTION/SPACE/GAME produced in 1968 by Rick Hauser at WGBH-television in Boston. This double-channel work was a collaborative work of Solomons, writer Mary Feldhaus-Weber, and composer John Morris.
CITY/MOTION/SPACE/GAME, in its half-hour duration, was an "investigation of the unique properties of the video medium that are unlike live performance: reduced scale, flattening of spatial dimensions, and accelerated visual space"
Now, forty years later, Solomons continues to make a living from dancing, choreographing, experimenting, and critiquing dance. Since 1980, he has devoted some of his time to dance criticism, and his reviews have appeared in The Village Voice, Ballet News, Attitude, Dance Magazine, and the Chronicle of Higher Education, among others
A few of his articles include:
"Good guys" The Village Voice 45:43.
31 October 2000. "Dance:King Rex" The Village Voice 43:20. 19 May 1998. "Teach-Learn Connection: Technique: Move your Feet! Merce Cunningham Technique" Dance Magazine 81:11.
November 2007. "Merce Among the Children" Dance Magazine 77:4.
April 2003.
Gus Solomons, Junior. is currently in a trio known as PARADIGM, which he founded in 1996, whose goal is to "promote and celebrate the talents of mature artists on stage" PARADIGM has toured in numerous parts of the United States, including New York, Massachusetts, Texas, California, among others and has won audience acclaim.
Gus Solomons, Junior., born and raised in Cambridge, Massachusetts, began his serious dance training in modern dance and ballet while an undergraduate architecture student at the Massachusetts Institute of Technology (Massachusetts Institute of Technology) He was a member of a local dance company called Dance Makers, and it was there where he began his experimental solo choreography.
