Background
Carryl was born in New York City, the first-born of author Charles Edward Carryl and Mary R. Wetmore.
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(Guy Wetmore Carryl (1872-1903), an American humorist and ...)
Guy Wetmore Carryl (1872-1903), an American humorist and poet, compiled these poems into one volume, Grimm Tales Made Gay, in 1902. Many of the poems originally appeared in Harper's Magazine, The Century, Life, The Smart Set, The Saturday Evening Post, The Home Magazine, and the London Tatler.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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( This work has been selected by scholars as being cultur...)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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(Excerpt from Zut: And Other Parisians When Hippolyte fou...)
Excerpt from Zut: And Other Parisians When Hippolyte found himself in a position to purchase the salle de coiffure, he gave evidence of marked acumen by uniting himself in the holy - and civil - bonds of matrimony with the retiring patron's daughter, whose dot ran into the coveted five figures, and whose heart, said Hippolyte, was as good as her face was pretty, which, even by the unprejudiced, was acknowledged to be forcible commendation. The installation of the new establishment was a nine days' wonder in the quartier. It is a busy thoroughfare at its western end, is the avenue de la Grande Armee, crowded with bicyclists and with a multitude of creatures fearfully and wonderfully clad, who do incomprehensible things in connection with motor-carriages. Also there are big cafes in plenty, whose waiters must be smoothly shaven: and moreover, at the time when Hippolyte came into his own, the porte Maillot station of the Metropolitain had already pushed its entrée and sortie up through the soil, not a hundred metres from his door, where they stood like atrocious yellow tulips, art nouveau, breathing people out and in by thousands. There was no lack of possible custom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(I was on the threshold, so to speak, of thirty when my Un...)
I was on the threshold, so to speak, of thirty when my Uncle Ezra gave his first evidence of being aware of my existence by leaving me a competency. He had never seen me, nor I him, and he mis-spelled my very name several times in the course of his will; but, nevertheless, he contrived, in this manner, to awaken in me what I may call a posthumous affection for him, which I have carefully cherished ever since. The justice of this sentiment will be clear when I say that by this fortuitous turn of his pen the estimable old gentleman had made practicable the most ardent desire of my heart.
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(SIDE by side, on the avenue de la Grande Armée, stand the...)
SIDE by side, on the avenue de la Grande Armée, stand the épicerie of Jean-Baptiste Caille and the salle de coiffure of Hippolyte Sergeot, and between these two there is a great gulf fixed, the which has come to be through the acerbity of Alexandrine Caille (according to Espérance Sergeot), through the duplicity of Espérance Sergeot (according to Alexandrine Caille). But the veritable root of all evil is Zut, and Zut sits smiling in Jean-Baptiste's doorway, and cares naught for anything in the world, save the sunlight and her midday meal. When Hippolyte found himself in a position to purchase the salle de coiffure, he gave evidence of marked acumen by uniting himself in the holy—and civil—bonds of matrimony with the retiring patron's daughter, whose dot ran into the coveted five figures, and whose heart, said Hippolyte, was as good as her face was pretty, which, even by the unprejudiced, was acknowledged to be forcible commendation. The installation of the new establishment was a nine days' wonder in the quartier. It is a busy thoroughfare at its western end, is the avenue de la Grande Armée, crowded with bicyclists and with a multitude of creatures fearfully and wonderfully clad, who do incomprehensible things in connection with motor-carriages. Also there are big cafés in plenty, whose waiters must be smoothly shaven: and moreover, at the time when Hippolyte came into his own, the porte Maillot station of the Métropolitain had already pushed its entrée and sortie up through the soil, not a hundred metres from his door, where they stood like atrocious yellow tulips, art nouveau, breathing people out and in by thousands. There was no lack of possible custom. The problem was to turn possible into probable, and probable into permanent; and here the seven wits and the ten thousand francs of Espérance came prominently to the fore. She it was who sounded the progressive note, which is half the secret of success. "Pour attirer les gens," she said, with her arms akimbo, "il faut d'abord les épater." CONTENTS Zut Caffiard, Deus ex Machina The Next Corner The Only Son of his Mother The Tuition of Dodo Chapuis Le Pochard A Latter-Day Lucifer Poire! Papa Labesse In the Absence of Monsieur Little Tapin
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(Guy Wetmore Carryl (1873-1904) was an American humorist a...)
Guy Wetmore Carryl (1873-1904) was an American humorist and poet. When he was only 20 years old he had his first article published in The New York Times. During his college years he had written plays for amateur performances. After graduation, in 1896 he became a staff writer for Munsey's Magazine under Frank Munsey and he was later promoted to managing editor of the magazine. Later he went to work for Harper's Magazine and was sent to Paris. While in Paris he wrote for Life, Outing, Munsey's, and Collier's, as well as his own independent writings. Some of Carryl's more well-known works were his humorous poems that were parodies of Aesop's Fables, such as The Sycophantic Fox and the Gullible Raven and of Mother Goose Nursery Rhymes, such as The Embarrassing Episode of Little Miss Muffet, poems which are still popular today. He also wrote a number of humorous parodies of Grimm's Fairy Tales, such as How Little Red Riding Hood Came To Be Eaten and How Fair Cinderella Disposed of Her Shoe. His humorous poems usually ended with a pun on the words used in the moral of the story.
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(Grimm Tales Made Gay Epic Audio Collection is an live aud...)
Grimm Tales Made Gay Epic Audio Collection is an live audio recording of performers reading the book in it's original text. This edition is part of the Epic Audio Collection of talking books.
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Carryl was born in New York City, the first-born of author Charles Edward Carryl and Mary R. Wetmore.
In 1895, at the age of 22, Carryl graduated from Columbia University.
He had his first article published in The New York Times when he was 20 years old. During his college years he had written plays for amateur performances, including the very first Varsity Show. One of his professors was Harry Thurston Peck, who was scandalized by Carryl’s famous quote “lieutenant takes two bodies to make one seduction,” which was a somewhat risqué statement for those times.
After graduation, in 1896 he became a staff writer for Munsey"s Magazine under Frank Munsey and he was later promoted to managing editor of the magazine.
Later he went to work for Harper"s Magazine and was sent to Paris. While in Paris he wrote for Life, Outing, Munsey’s, and Collier’s, as well as his own independent writings.
He also wrote a number of humorous parodies of Grimm"s Fairy Tales, such as “How Little Red Riding Hood Came To Be Eaten” and “How Fair Cinderella Disposed of Her Shoe.” His humorous poems usually ended with a pun on the words used in the moral of the story. You are only absurd when you get in the curd,
But you’re rude when you get in the whey.
—from “The Embarrassing Episode of Little Mission Muffet”
Guy Carryl died in 1904 at age 31 at Roosevelt Hospital in New York City.
His death was thought to be a result of illness contracted from exposure while fighting a fire at his house a month earlier.
(Excerpt from Zut: And Other Parisians When Hippolyte fou...)
(SIDE by side, on the avenue de la Grande Armée, stand the...)
(This book was originally published prior to 1923, and rep...)
(This book was originally published prior to 1923, and rep...)
(I was on the threshold, so to speak, of thirty when my Un...)
( This work has been selected by scholars as being cultur...)
( This work has been selected by scholars as being cultur...)
(This work has been selected by scholars as being cultural...)
( This work has been selected by scholars as being cultur...)
(Guy Wetmore Carryl (1872-1903), an American humorist and ...)
(Fables for the Frivolous Epic Audio Collection is an live...)
(Grimm Tales Made Gay Epic Audio Collection is an live aud...)
(Mother Goose For Grown-Ups By Guy Wetmore Carryl, Peter N...)
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(This book contains Grimms' tales put into humourous verse...)
(This is a pre-1923 historical reproduction that was curat...)
(This scarce antiquarian book is a facsimile reprint of th...)
(This scarce antiquarian book is a facsimile reprint of th...)
(Guy Wetmore Carryl (1873-1904) was an American humorist a...)
(This is a reproduction of a book published before 1923. T...)
Quotations: “lieutenant takes two bodies to make one seduction,”.