Career
His exact birthplace is unknown, as is the place and manner of his artistic education. The first documented reference to him involves his residency in Landshut in 1510. The location of his workshop there remains a matter of speculation.
Wage receipts from 1529/30 indicate that he probably held a position similar to an official court artist.
None of the works he created in that capacity appear to have survived. He may have been the brother of Georg Lemberger, a painter and woodcut artist who also lived in Landshut, but the relationship is unclear.
His fame today rests largely upon the high altar at the Church of Saint Castulus in Moosburg an der Isar. Completed in 1514, it is the largest surviving altarpiece in Altbayern (although it was significantly modified in the 18th-Century by Christian Jorhan the Elder).
That same year, he created a statue of Albert IV for the Hofkirche, Innsbruck from a drawing provided by Albrecht Dürer.
A sign of the esteem in which he must have been held. His later works include a Madonna for the Church of Saint Martin (1516/18) and a seated figure of Saint Judoc for his namesake church (c1525) which is now in the Bayerisches Nationalmuseum.
