Background
Hans Memling was born about 1440 in Seligenstadt, Hessen, Germany. He was a son of Hamann Momilingen and Lucka Momilingen.
Hans Memling was born about 1440 in Seligenstadt, Hessen, Germany. He was a son of Hamann Momilingen and Lucka Momilingen.
Hans Memling's early training probably took place in Cologne, Gemany. He then traveled to the Netherlands (about 1455–1460), where he probably trained in the workshop of the painter Rogier van der Weyden. The evidence for this association, however, is far from conclusive and doesn't prove a master-pupil relationship. Nothing further is known concerning the artist's early professional training.
Hans Memling was recorded as a citizen of Bruges, the Lowlands, Belgium by 1465. He established a large shop there and executed numerous altarpieces and portraits. His pictures, including Last Judgment, were purchased by an agent of the Medici.The painter was very successful in Bruges. He owned a large stone house and by 1480 was listed among the wealthiest citizens on the city tax accounts. Two years later, Hans entered the Painters' Guild.
His earliest known painting, such as the Chatsworth Triptych, commissioned by the English lord Sir John Donne of Kidwelly in 1468, displays a surprising maturity of style. Blending a figure style derived from Rogier van der Weyden with compositional motifs and other details from Jan van Eyck, Memling created the prototype of the rational and balanced design upon which he so often relied throughout his long and active career.
In 1477, the painter created by contract an altarpiece for the gild-chapel of the booksellers of Bruges, named Scenes of the Passion of Christ. For one year from 1479, Memling painted for the Hospitallers where he was sheltered and cured after being wounded at the Battle of Nancy in 1477.
Memling's search for rational order and compositional equilibrium, however, often obscures his truly progressive outlook and the many innovations found in his work. In such early paintings as the Scenes of the Passion, Hans Memling combined a bold, panoramic vista with unprecedented narrative detail. In his most famous work, the Shrine of St. Ursula, the artist further developed this closely observed anecdotal genre. The Triptych of the Mystic Marriage of St. Catherine (1479) represents Memling's highest achievement as a painter.
Hans Memling revealed his originality in portraiture as well. The Diptych of Martin van Nieuwenhove of 1484 contains a unique elaboration of the interior setting, and the famous portrait Man with a Medal (about 1480) was the first northern figure posed entirely against a landscape background.
Hans Memling was a talented and prosperous painter who contributed to portraiture by his use of landscape backgrounds.
Many Italian painters of the late 15th century were influenced by his portrait style. The traces of his technique can be found in Raphael's Portraits of Agnolo and Maddalena Doni.
Memling's works were purchased by such famous people as Cardinal Grimani and Cardinal Bembo at Venice, and the heads of the house of Medici at Florence.
Altar Triptych from the Lübeck Cathedral (detail)
The Annunciation
St. Jerome and the Lion
Madonna and Child, The Diptych of Maerten van Nieuwenhove
Triptych of Jan Floreins
The Martyrdom of Saint Ursula and Her Companions at Cologne, The Reliquary of St. Ursula
Virgin and Child in a Rose Garden with Two Angels
Adoration of the Magi: Whole Triptych
Scenes from the Passion of Christ (left side)
Christ Giving His Blessing
Portrait of a Man in a Landscape
St. Jerome
Triptych of the Family Moreel (closed)
Hell
Portrait of Gilles Joye
Altar of Saints John the Baptist and John the Evangelist
John the Baptist and St. Lawrence
Portinari Triptych (central panel)
The Virgin and Child with an Angel, St. George and a Donor
St. Stephen
Portrait of a Praying Woman
Deposition Diptych, Descent from the Cross
Madonna of Jacob Floreins
Portrait of an Old Woman
Portrait of an Old Woman
Madonna and Child Enthroned with Two Angels
Virgin and Child Enthroned with Two Angels
Central panel of the Triptych of St. John the Baptist and St. John the Evangelist
Portrait of a Young Woman
Barbara de Vlaenderberch
Portrait of a Man
Crucifixion
Virgin Enthroned with Child and Angel
Portrait of a Man at Prayer before a Landscape
St. Veronica
Portrait of a Young Man before a Landscape
Passion (Greverade) Altarpiece (left wing)
Triptych of Earthly Vanity and Divine Salvation
Scenes from the Life of Mary
St. Ursula and the Holy Virgins, the Reliquary of St. Ursula
Triptych of the Mystical Marriage of St. Catherine of Alexandria (right wing)
Portrait of a Young Man at Prayer
Diptych of Jean de Cellier (detail)
Passion (Greverade) Altarpiece (first closed position)
St. Andrew (left wing of a diptych, reverse)
Virgin and Child in a Landscape
The Reliquary of St. Ursula
Diptych of John the Baptist and St. Veronica, St. John the Baptist, the left wing
Resurrection
St. Christopher
Praying Donor with Saints
Praying Donor with St. William of Maleval
Granada Diptych (right wing)
Mystic Marriage of St. Catherine
St. Ursula and her Companions Landing at Cologne, the Reliquary of St. Ursula
Nativity
St. Ursula Shrine: Figures
The Last Judgment Triptych (central panel)
Christ Crowned with Thorns
Angel Holding an Olive Branch
Passion (Greverade) Altarpiece (right wing)
St. Ursula Shrine: Medallions
The Rest on the Flight into Egypt
Triptych of Willem Moreel (left wing)
Passion (Greverade) Altarpiece (closed)
Portrait of Benedetto di Tommaso Portinari
St. John and Veronica Diptych (reverse of the left wing)
Annunciation
St. John Altarpiece (left wing)
Head of Christ
Portrait of a Young Man
Virgin with the Child Reaching for his Toe
Portrait of a Man with an Arrow
The Departure of Saint Ursula from Basle, the Reliquary of St. Ursula
Portrait of Anthony of Burgundy
Virgin and Child
Virgin Suckling the Child
Altar Triptych from the Lübeck Cathedral (detail)
Triptych of Adriaan Reins
The Last Judgment Tiptych (right wing)
Virgin and Child with St. Anthony the Abbot and a Donor
The Triptych of the Resurrection (central panel)
Still Life with a Jug with Flowers
Allegory with a Virgin
Standing Virgin and Child
St. John and Veronica Diptych (reverse of the right wing)
The Presentation in the Temple
The Man of Sorrows in the Arms of the Virgin
Triptych of Jan Floreins (closed)
Portrait of a Man at a Loggia
Triptych of the Mystical Marriage of St. Catherine of Alexandria (inker wing)
Portrait of an Old Man
Triptych of Jan Crabbe
Marriage of St. Catherine
Man of Sorrows
Triptych of Adriaan Reins (closed)
Triptych of Willem Moreel (right wing)
The Donne Triptych
Portraits of Willem Moreel and His Wife
Church of Santa Maria la Real triptych (left hand panel)
Portrait of Jacques of Savoy
St. John Altarpiece
Mater Dolorosa
St. John Altarpiece
Portrait of a Reading Man
Tommaso Portinari and his Wife
Diptych with the Deposition
The Triptych of Willem Moreel (middle panel)
Portrait of a Man Holding a Coin of the Emperor Nero
The Archangel Michael
Madonna and Child with Angels
Diptych of Jean de Cellier (detail)
Triptych of Earthly Vanity and Divine Salvation (central panel)
The Passion
Altar Triptych from the Lübeck Cathedral (detail)
Virgin and Child
Reliquary of St. Ursula (detail)
Triptych of the Mystical Marriage of St. Catherine of Alexandria (detail))
Man with a Black Cap
Portrait of Benedetto Portinari
St. John the Baptist and St. Mary Magdalen
The Reliquary of St. Ursula
The Mourning Virgin with St. John and the Pious Women from Galilee
Young Man at Prayer
Virgin and Child Enthroned with Two Musical Angels
Bathsheba in the Bath
Portrait of Jacob Obrecht
Portrait of a Young Woman
Allegorical Representation of Two Horses and a Monkey
St. Ursula Shrine: Virgin and Child
Portrait of a Man
Church of Santa Maria la Real, Najera (central panel)
Virgin and Child with Musician Angels
The Last Judgment Triptych (right wing)
The Martyrdom of St. Sebastian
Virgin and Child Enthroned
Deposition (left wing of a diptych)
Adam and Eve
Hans Memling married Anna de Valkenaere sometime between 1470 and 1480. The family produced three children named Neelkin, Chaykin, and Hannekin. Memling's wife died in 1487.