Background
Born and raised in the East End of London, he decided on a career in music after his father took him to see the Original Dixieland Jazz Band playing at the Hammersmith Palais during their famous visit to Britain in 1919–1920.
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Harry Gold
Edit ProfileEducation
He studied saxophone, clarinet, oboe and music theory under Louis Kimmel, a professor at the London College of Music, and began working professionally as a musician in the early 1920s.
Career
The eldest of six children, born to a Romanian mother, Hetty Schulman, and a German father, Sam Goldberg. Gold"s career spanned almost the whole history of jazz in Britain in the twentieth century. He played with the Metronomes, Vic Filmer, Geraldo, Ambrose and many other bands, but it was his tenure as a star tenor saxophonist with the nationally popular dance band of Roy Fox from 1932 to 1937 that brought him to wide public attention.
Playing plush London venues such as the Cafe Anglais and the Café de Paris, he watched, from the bandstand, the London nobility of the inter-war years - including the Prince of Wales - enjoying the high life.
From that time and through most of the rest of his career he was active in union activities and in efforts to promote the welfare of other musicians. In 1937, while working with Oscar Rabin, he formed a band within the Rabin orchestra, performing "break sets" as "The Pieces of Eight" and this continued throughout World World War II dodging bombs during the London Blitz and across the country.
After the war, thanks to radio broadcasts, records and incessant touring, Harry Gold and his Pieces of Eight became household names in Britain through the late 1940s and 1950s. But he continued to play, joining Dick Sudhalter"s New Paul Whiteman Orchestra in London in the 1970s and eventually reforming his Pieces of Eight.
The band was inspired by the Bob Crosby Bobcats and Laurie Gold by Eddie Miller.
In the 1980s the band toured East Germany three times and recorded a live album in Leipzig (now reissued on Civil Defense). After Peggy died in 1995 Gold carried on working and, in his late 80s and early 90s he still played occasionally, especially at the annual Clerkenwell festivals in London, several North Sea Jazz festivals, and those in Cork (Ireland): he also "guested" with other bands and travelled to the United States of America to perform. Although, by then, he had long given up the tenor saxophone he continued to feature the bass saxophone on which, over the years (and influenced by the style of Adrian Rollini) he had become one of its most graceful and melodic exponents.
Although he left an impressive back catalogue of recordings on 78 rpm discs it is sad that he did not make more records later in life.
Some long-time fans and former band members say the reformed band was not as good as the original although some performances, especially those where the front line was driven by the Bix-like trumpet of First Rate (at Lloyd's) Wynette, were memorable. Fortunately some of these were broadcast and exist on tape.
In 2000 he published his autobiography, Gold, Doubloons and Pieces of Eight, recalling eight decades as a working musician, and some of his original compositions and arrangements are published and still available.
Politics
But the contrasts in wealth and poverty that he saw reinforced his socialist convictions.
