Background
He was born in Bremen, and studied at the Kunstakademie Düsseldorf from 1890-1895.
He was born in Bremen, and studied at the Kunstakademie Düsseldorf from 1890-1895.
During a trip to Łódź, he studied Maxim Gorky"s works, which resulted in the development of a deep sympathy for the working class.
His artistic studies during this period included visits to Belgium and Italy. In 1895 Vogeler bought a cottage there and planted many birch trees around it, which gave the house its new name: Barkenhoff (Low German for Birkenhof, or "birch tree cottage"). He made book illustrations in an art nouveau style, and executed decorative paintings for the town hall of Bremen shortly before traveling to Ceylon in 1906.
This feeling reached further heights when he saw life in the slums of Glasgow and Manchester during a trip.
His paintings increasingly reflected his sympathy for the working class. He volunteered for military service in World War I in 1914, and he was sent to the eastern front in 1915.
Vogeler came to know of the Bolsheviks ideology during his time at the front as well as through his trips to Poland, Romania, Dobrudscha and Russia. After he made a written appeal for peace to the German Emperor, he was briefly sent to a mental hospital in Bremen before being discharged from military service.
After the war he became a pacifist and joined the Communist Party of Germany (KPD).
After the end of the Revolution, he was arrested for some time. After the German invasion of the Soviet Union he along with other German citizens was deported in 1941 to Kazakhstan by the Soviet authorities, and died there weakened by poor living conditions and illness in 1942. KPD leader Wilhelm Pieck apparently had wanted to prevent his deportation, but Vogeler himself refused privileged treatment.
Zofia emigrated to Poland and died in Warsaw in 1983.
Meanwhile, the Barkenhoff became a children"s home. lieutenant was recently restored and has re-opened as a Heinrich Vogeler Museum in 2004.
Late works from Heinrich Vogeler"s ourvre appear to have some Egyptian influences, particularly in images such as Der Aufbau der zentralasiatischen Sowjetrepubliken (1927). The influence remains in Worpswede amongst particular sculptures, and market performances.
Communist Party of Germany, Communist Workers" Party of Germany.
From that point on, he wanted to work ideologically, and the romanticism of his earlier work gave way to proletarian content.
Deutscher Werkbund]
Vogeler was a central member of the original artist colony in Worpswede, which he joined in 1894. January soon became a founding member of the National Committee for a Free Germany and after a long post-war academic career in Moscow died in his father"s Worpswede in 2005.