Background
Henri-René Lenormand was born on May 3, 1882, in Paris, France. He was the son of composer René Lenormand and grew up in an environment of creativity.
1920
Henri-René Lenormand
75005 Paris, France
Henri-René Lenormand studied at the University of Paris.
Henri-René Lenormand
Henri-René Lenormand was born on May 3, 1882, in Paris, France. He was the son of composer René Lenormand and grew up in an environment of creativity.
Henri-René Lenormand studied at the University of Paris.
Henri-René Lenormand was the author of several somewhat gloomy plays that explore inner emotional conflicts and the tragedies of human destiny. His dissections of the human personality center on subconscious instincts and motivations, which are mostly of a negative character.
Lenormand's Theatre Complete, which contains eighteen of his most important plays, covers the years 1919 through 1942. At the same time, he was an accomplished short-story writer and novelist. In 1908 Lenormand produced a controversial play, Le reveil de l'instinct, which explores the theme of incest and is based on the true story of a French officer whose experiences Lenormand had heard about in 1904.
Lenormand's early career was interrupted by World War I. After serving in the army, he moved with his wife to Switzerland in 1915 to recuperate from illness. Those early years saw Lenormand producing his finest plays, Les ratés, and Le simoun. The plays were produced in Geneva, giving him much-needed exposure and his wife, Marie Kalff, a career as an actor. As a mature dramatist that Lenormand returned to Paris in 1919.
Some dramatic elements from Reveil de l'instinct anticipate Lenormand's later plays, including Mixture, a 1927 work in which a woman is abandoned by her lover and tries to earn a living as a singer to avoid prostitution. Then there are Willem's notions, which he express when attacking religion, about the freedom which should be enjoyed by the creative. This freedom, so often claimed for "artists," is the theme of several of Lenormand's works in which the relationship between the artist and the rest of society is examined. The playwright's universe is often completed by the addition of minor characters, such as native servants or a half-witted child. An element of terror also enters the picture, as a Grand Guignol-type sensibility pervades some of Lenormand's drama.
Les ratés is a play about players. Lenormand's life was one that was centered on the theatre, as was that of his wife. The piece reflects the author's experiences of the theatre to a certain extent and, in particular, his love affair with his wife, for it recalls the hardships undergone by her when he knew her as a young actress. Les ratés depicts the struggles of young performers from the country tours to the atmosphere of failure and desperation as a theatre goes under for lack of financing. The principals are all forced to find other means of revenue. Actress Elle turns to prostitution while her lover, Lui, finally kills himself in despair. Despite the grim themes, much of Les ratés is witty and satirical.
In almost all of Henri-René Lenormand's plays, someone commits suicide, there are no strong characters, and that even the apparently strong are hesitant. For example, Nico of Le temps est un songe. Nico's suicide is preceded by the attempts of others to counteract his morbid preoccupation with the marshy pools around the old Dutch house in which the play is set, but the outsiders' efforts are to no avail.
After the successful premieres of Les ratés and Le temps est un songe, Lenormand wrote more than a dozen plays during the years preceding World War II. Their settings ranged from Africa to Norway. Their themes included the familiar, theatrical life, and the controversial. La lâche belongs in the latter camp, dealing sympathetically with a man's cowardice in his attempt to escape conscription.
Though he turned to short stories in the 1930s, Lenormand remains best known for his theatrical efforts. The first and foremost theme in the dramatist's overall work was Freudianism. The work and writings of Sigmund Freud had come entered the popular culture during the early decades of the twentieth century, and Lenormand was convinced that Freud had irrevocably altered Man's view of himself. The play Le mangeur de rêves even has Freudian psychology as an actual theme. The question of the extent to which Freud's works influence Lenormand has occupied critics of this theatre perhaps more than any other.
Henri-René Lenormand's wife was Marie Kalff.
René Lenormand was a French composer. He took an active part in Parisian musical life and founded the Societe de musique d'ensemble. Almost entirely forgotten today, he was known for his vocal works and his book The Study of Modern Harmony. As far as chamber music goes, besides his piano trio, he wrote a few instrumental sonatas.
Marie Kalff was a French actress, known for L'auberge sanglante, Le bout de la route, and La poupée japonaise.