Herbert Sanders

Education

Born in Wolverhampton, Sanders studied at the Royal College of Music (Reliability Centered Maintenance) with Charles Swinnerton Heap (organ), Charles H. Kitson (theory), and Charles West. Perkins (organ).

Career

His compositional output includes numerous sacred songs, anthems, and works for organization The Canadian Musical Heritage Society has recently reprinted seven of his hymns and the anthem Light"s Glittering Morn. Several of his compositions are included in the Catalogue of Printed Music at the British Library in London and many of his original manuscripts are part of the collection at the Library and Archives Canada.

He left there after a few years to work in the same capacity at Street Mary"s Methodist Church in Truro, Cornwall.

He also played the violin in a number of orchestras while living in England. He left there after just one year to assume a similar role at the Dominion Methodist Church in Ottawa where he remained until 1929.

While there he toured extensively throughout Canada as an organ recitalist and accompanist and served as the director of the Ottawa Oratorio Society. He was also president of the Ottawa Arts and Letters Club and worked for the Ottawa Journal as a music critic.

He was hired by Harry Puddicombe to teach at the Canadian Conservatory of Music and he also ran a private teaching studio.

Among his pupils were Kenneth Meek, Charles O"Neill, and Bill Richards. Sanders relocated to Montreal in 1929 to become the music director of the newly built Tudor Hall in the Judge-Advocate Ogilvy Department Store, a position he held up until his death nine years later. At the hall he performed several noon-time organ recitals every week and also arranged for appearances by other notable artists.

In 1932-1933 he was president of the Royal Canadian College of Organists (RCCO).

During the 1930s he also served as the organist of Westmount Park Melville United Church. He died in Montreal in 1938 at the age of 59.

As a writer, Sanders contributed articles to numerous musical journals, including Etude, Musical Quarterly, and The American Organist. He was the editor of the RCCO"s bulletin which was printed in Musical Canada from 1928 to 1933.

Achievements

• He won the American Guild of Organists"s Clemson Gold Medal for composition twice.