Background
Lindenberger, Herbert Samuel was born on April 4, 1929 in Los Angeles, California, United States. Son of Hermann and Celia (Weinkrantz) Lindenberger.
(Herbert Lindenberger was one of the first literary critic...)
Herbert Lindenberger was one of the first literary critics to call for some kind of return to historical thinking in literary criticism. His ten essays cover canon formation, the historical status of genres, and the ways that art and criticism are embedded within institutional frameworks. Lindenberger argues that, "what we label 'historical' assumes strikingly different shapes in different historical situations" and that present shape empowers new kind of knowledge. He writes, "We may well discover that our century-old form of organization within the humanities no longer fits the type of knowledge we are producing." The lively and topical essays of The History in Literature demonstrate Lindenberger's capacious and diverse knowledge, his incisive wit, and his formidable critical skills.
http://www.amazon.com/gp/product/023107252X/?tag=2022091-20
(Looking at operatic history from new and unexpected angle...)
Looking at operatic history from new and unexpected angles, this book examines the ways the operatic canon has been reshaped at key moments in the history of the form. Written with clarity and wit, it provides a richly rewarding experience for operagoers and scholars alike. Opera in History examines the achievements of composers such as Monteverdi, Handel, and Rossini, whose operas were long neglected because of changes in performance practices, audience tastes, and musical aesthetics. It also looks at such well-established works as Wagner s Ring and Verdi s Aida in unconventional ways. Thus, the Ring emerges as a product of nineteenth-century philology, Aida, as an embodiment of the new science of archaeology.
http://www.amazon.com/gp/product/0804731047/?tag=2022091-20
(Herbert Lindenberger was one of the first literary critic...)
Herbert Lindenberger was one of the first literary critics to call for some kind of return to historical thinking in literary criticism. His ten essays cover canon formation, the historical status of genres, and the ways that art and criticism are embedded within institutional frameworks. Lindenberger argues that, "what we label 'historical' assumes strikingly different shapes in different historical situations" and that present shape empowers new kind of knowledge. He writes, "We may well discover that our century-old form of organization within the humanities no longer fits the type of knowledge we are producing." The lively and topical essays of The History in Literature demonstrate Lindenberger's capacious and diverse knowledge, his incisive wit, and his formidable critical skills.
http://www.amazon.com/gp/product/0231072538/?tag=2022091-20
Lindenberger, Herbert Samuel was born on April 4, 1929 in Los Angeles, California, United States. Son of Hermann and Celia (Weinkrantz) Lindenberger.
Bachelor, Antioch College, Yellow Springs, Ohio, 1951. Doctor of Philosophy, University Washington, Seattle, 1955.
From instructor to professor English and comparative literature University California, Riverside, 1954-1966. Professor German and English, chairman program comparative literature Washington University, St. Louis, 1966-1969. Avalon professor humanities Stanford (California) University, 1969—2001, Avalon professor emeritus, since 2001, chairman program comparative literature, 1969-1982.
Director Stanford Humanities Center, 1991-1992.
(Looking at operatic history from new and unexpected angle...)
(Herbert Lindenberger was one of the first literary critic...)
(Herbert Lindenberger was one of the first literary critic...)
Fellow: American Academy Arts and Sciences (elect 2008). Member: Modern Language Association (president 1997).
Married Claire Flaherty, June 14, 1961. Children: Michael James, Elizabeth Celia.