Background
Hermann Ulrici was born at Pforten, Prussia, on the 23rd of March 1806.
(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
http://www.amazon.com/gp/product/B005G8NWSI/?tag=2022091-20
(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
http://www.amazon.com/gp/product/B00A1FJ5QE/?tag=2022091-20
(This historic book may have numerous typos and missing te...)
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1876. Excerpt: ... CHAPTER-VII. TITUS ANDRONICUS. TIMON OF ATHENS. I Class these two tragedies together for several reasons, but especially on account of a certain internal affinity between them, and because, in regard to date they most probably form the opening and the close of Shakspeare's activity in the domain of Tragedy. These two plays when compared with each other, throw a peculiar light upon the nature of Shakspeare's tragic poetry, as well as upon the tragedies which were written in the interval between them. 1. Titus Andeonicus. This was a favourite piece with the people; according to a remark of Ben Jonson in his 'Bartholomew Pair' (1604), it had been on the boards for frcm twenty-five to thirty years, and, therefore, must have been written in 1587-88.-Meres--who was not only acquainted with the dramatic art and literature of his day, but seems also to have been a personal friend of Shakspeare's--cites the play among the twelve pieces which he mentions with approbation in his work of 1598, already frequently quoted. The piece also exists in the first folio edition which was arranged by Heming and CondelL likewise friends of Shakspeare, and joint shareholders with him of the Globe Theatre. In face of historical testimonies of such weight, no critical arguments can be of any value, much less then the often petty remarks of the early English critics, who were prejudiced by a false feeling of taste, and doubted the genuineness of the piece because they considered it unworthy of Shakspeare; further, because many passages (according to Marlowe's calculation twenty) contained allusions and images from ancient mythology and history, nay, even Latin verses; again because there was not a single humorous scene, and because the lines run on in unchanging irregularity without...
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
http://www.amazon.com/gp/product/B00A01XQHS/?tag=2022091-20
( Nineteenth Century Collections Online: European Literat...)
Nineteenth Century Collections Online: European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers. The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers. European Literature, 1790-1840: The Corvey Collection includes: * Novels and Gothic Novels * Short Stories * Belles-Lettres * Short Prose Forms * Dramatic Works * Poetry * Anthologies * And more Selected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods. Additional Metadata Primary Id: B0686200 PSM Id: NCCOF0063-C00000-B0686200 DVI Collection Id: NCCOC0062 Bibliographic Id: NCCO009178 Reel: 5732 MCODE: 4UVC Original Publisher: Buchh. von C. Fr. Amelang Original Publication Year: 1833 Original Publication Place: Berlin Subjects Short stories, German -- 19th century
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(Excerpt from Geschichte der Hellenischen Dichtkunst, Vol....)
Excerpt from Geschichte der Hellenischen Dichtkunst, Vol. 2: Lyrik Das W'esen der lyrischen Kunst im ?llgemeinen Das 7vesen der Griechischen Lyrik in ihrer historischen, religiösen und kunstlerischen Be deutung. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Hermann Ulrici was born at Pforten, Prussia, on the 23rd of March 1806.
He was educated for the law, but gave up his profession on the death of his father, and devoted four years to the study of literature, philosophy and science.
In 1834 he was called to a professorship at Halle, where he remained till his death, on the 11th of January 1884. His philosophical standpoint may be characterized as a reaction from the pantheistic tendency of Hegel's idealistic rationalism towards a more pronouncedly theistic position. The Hegelian identity of being and thought is also abandoned and the truth of realism acknowledged, an attempt being made to exhibit idealism and realism as respectively incomplete but mutually complementary systems. Ulrici's later works, while expressing the same views, are largely occupied in proving the existence of God and the soul from the basis of scientific conceptions, and in opposition to the materialistic current of thought then popular in Germany.
( Nineteenth Century Collections Online: European Literat...)
(This book was originally published prior to 1923, and rep...)
(This book was originally published prior to 1923, and rep...)
(This book was originally published prior to 1923, and rep...)
(This historic book may have numerous typos and missing te...)
(Excerpt from Geschichte der Hellenischen Dichtkunst, Vol....)