Background
A native of Montreal who grew up in Portland, Oregon, Gorenstein started painting as a teenager at a time when women artists weren"t very well received.
A native of Montreal who grew up in Portland, Oregon, Gorenstein started painting as a teenager at a time when women artists weren"t very well received.
A reflection of the times in which she lived, she signed her work "Hilgos", an androgynous professional working name. A graduate of the School of the Art Institute of Chicago in the early 1930s, she produced more than 1,500 artworks in about 70 years including paintings in oil and acrylic, watercolors, drawings and sculpture. Hilgos pieces have been exhibited in cities across the United States and her artwork is part of private collections in the United States. and abroad.
She was a marine artist who was selected to paint twelve murals for the United States Navy"s exhibit in the Federal Building for the 1933-1934 International Exhibition Century of Progress, a World"s Fair held in Chicago.
Her frieze was composed of twelve murals depicting the influence of sea power on America, beginning with the settlement of Jamestown in 1607 when sea power first reached America and carrying through World War I. In her later years while struggling with Alzheimer"s, she stated "I remember better when I paint". With students from the Art Institute of Chicago facilitating, Hilgos began painting again.
Painting allowed Hilgos to maintain, and even regain, some of her core identity, and her extraordinary enthusiasm and energy, in the face of her affliction. Many of these late-in-life pictures, most of which are watercolors, are exceptional.
Her daughter, Berna Huebner, has written a book based on Hilgos describing how some people affected with dementia can be reconnected to themselves and their pasts with the help of art students who work with them in creating art
The Hilgos Foundation, a non-profit organization that supports the artistic creation for people who have Alzheimer’s was founded in her memory.