Background
Inbal was Born in Nahariya, Israel, and began her dance training at the studio of Ilana Kalif.
Inbal was Born in Nahariya, Israel, and began her dance training at the studio of Ilana Kalif.
After graduating high school she joined the Israel Defense Forces and worked as a graphic designer at the office of the Israel Defense Forces spokesman. Inbal was studying graphic design at Bezalel Academy of Arts and Design in Jerusalem. Her first experience as a choreographer was a collaboration with Sally-Anne Friedland for the piece "Dov Hoz 19".
She joined the Young company of Batsheva Dance Company as a dancer and then danced at the main Company.
Inbal was a participate at the IPC program at the American Dance Festival in 1997 and 1998. Inbal was creating choreography for classical Theatre plays such as Eugène Ionesco’s “The Chairs” and Shakespeare's “Romeo and Juliet". in 1992 Inbal founded the Inbal Pinto and Avshalom Pollak Dance Company and together they created not only Dance Productions but also Opera Productions: 2003/2006 Christoph Willibald Gluck’s “Armide” in Wiesbaden and Tel-Aviv, and 2013 Leoš Janáček’s “The Cunning Little Vixen” in Bergen.
In 2007 Inbal and Avshalom were invited by Robby Barnett Artistic Director of Pilobolus Dance Theatre to collaborate and creating "Rushes" together. Inbal together with Avshalom is responsible not only for the Choreography but also for the Stage Direction and the Secretariat and Costumes Design.
In 2013 Pinto and Pollak Directed, Choreographed and Design the Secretariat and Costume for the Musical “The Cat That Lived a Million Times” an adaptation for a book by Yoko Sano In Tokyo.
2000 Bessie Award for "Wrapped" 2000 Israeli Theater Academy award for "Oyster" 2004 The landau Award for the Arts of the Stage 2007 The Israeli Ministry of Education and Culture award for creation 2011 The Israeli Ministry of Education and Culture awards for Artistic achievements and performance 2014 The Israeli Dance Critics Circle award "Best Dance Show” for "Wallflower".