Background
Irene Gammel was born on July 14, 1959, in Canada.
2008
Irene Gammel with her book Looking for Anne
2008
Irene Gammel
1280 Main St W, Hamilton, ON L8S 4L8, Canada
Irene Gammel studied at McMaster University. She got a Master of Arts and a Doctor of Philosophy.
66123 Saarbrücken, Germany
Irene Gammel studied at Universitat Des Saarlandes.
99 University Ave, Kingston, ON K7L 3N6, Canada
Irene Gammel studied at Queen's University.
75005 Paris, France
Irene Gammel studied at the University of Paris.
Irene Gammel
Irene Gammel
Irene Gammel
(Sexualizing Power In Naturalism sheds light on the functi...)
Sexualizing Power In Naturalism sheds light on the function of female sexuality in a predominantly male genre: naturalist fiction. Gammel reveals that naturalism is frequently implicated in the very power structures it critiques. Reading European and North American naturalism through the lens of feminist and Foucaultian theories of power, Gammel argues that twentieth-century naturalism increasingly deconstructs itself in its depiction of sexuality, inevitably exposing the genre's internal ideological contradictions. The book makes a special contribution to Canadian studies.
https://www.amazon.com/Sexualizing-Power-Naturalism-Irene-Gammel/dp/1895176395
1994
(Confessional Politics investigates the creative and strat...)
Confessional Politics investigates the creative and strategic ways in which women shape the telling of their sexual stories to resist and negotiate the confessional practices designed to position them in conventional sexual frameworks. Investigating the confessional politics of traditional forms of social life writing (including erotic diaries, journals, letters, and confessional fiction), this book significantly expands its focus beyond conventional forms to include practices affecting mass readerships and audiences. The collection addresses provocative general topics: talk shows, sexual harassment, sexual abuse, sexuality, self-help books, and cross-dressing, as well as expressive works such as contemporary Canadian women's poetry, lesbian fiction, performance art, Anne Frank's recently released complete diary, and memoirs.
https://www.amazon.com/Confessional-Politics-Self-Representations-Writing-Popular/dp/0809322536
1999
(The wide range of contributors represents views from acro...)
The wide range of contributors represents views from across disciplines and boundaries, including feminist, biographical, psychoanalytical, historical, and cultural approaches. The scholarly reflections are punctuated to great effect by creative pieces, personal reflections, and interviews.
https://www.amazon.com/Montgomery-Canadian-Culture-Elizabeth-Rollins/dp/0802044069
1999
(In Baroness Elsa, Irene Gammel traces the extraordinary l...)
In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato-soup can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between every day and the outrageous, between the creative and the dangerous. Her art objects were precursors to data objects of the teens and twenties, her sound and visual poetry was far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century.
https://www.amazon.com/Baroness-Elsa-Everyday-Modernity_A-Biography/dp/026257215X
2002
(Making Avonlea, the first study to focus on Montgomery an...)
Making Avonlea, the first study to focus on Montgomery and her characters as popular cultural icons bring together twenty-three scholars from around the world to examine Montgomery's work, its place in our imagination, and more specifically its myriad spin-offs including musicals, films, television series, t-shirts, dolls, and tourist industry. Invoking theories of popular culture, film, literature, drama, and tourism, the essayists probe the emotional attachment and loyalty of many generations of mostly female readers to Montgomery's books while similarly scrutinizing the fierce controversies that surround these books and their author's legacy in Canada. Twenty-five illustrations of theatre and film stills, artwork, and popular cultural artifacts, as well as snapshot pieces featuring personal reflections on Montgomery's novels, are interwoven with scholarly essays to provide a complete picture of the Montgomery cultural phenomenon.
https://www.amazon.com/Making-Avonlea-Montgomery-Popular-Culture/dp/0802035582
2002
(The eleven essays illuminate Montgomery's personal writin...)
The eleven essays illuminate Montgomery's personal writings and photographic self-portraits and probe the ways in which she actively shaped her life as a work of art. This is the first book to investigate Montgomery's personal writings, which filled thousands of pages in journals and a memoir, correspondence, scrapbooks, and photography. Using theories of autobiography and life writing, the essays probe the author's flair for the dramatic and her exuberance in costuming, while also exploring the personal facts behind some of her fiction, including the beloved Anne of Green Gables.
https://www.amazon.com/Intimate-Life-L-M-Montgomery/dp/0802086764
2005
(Looking for Anne is the untold story of a literary classi...)
Looking for Anne is the untold story of a literary classic and a writer who found inspiration in many places including the popular images of the era, such as beauty icons, fashion plates, and advertisements; a writer who quietly quarried her material from American mass-market periodicals; who consciously imitated formula fiction to create marketable stories for juvenile periodicals, religious newspapers, and glamorous women's magazines, and who ultimately, in the storm that brewed up the novel, also transcended these influences to create a twentieth-century literary classic that would conquer the world. Blending biography with cultural history, penetrating and uncensored, this is the definitive book on Anne of Green Gables.
https://www.amazon.com/Looking-Anne-Montgomery-Dreamed-Literary/dp/B005ZOF9NE
2008
(This new volume offers formerly unpublished material cull...)
This new volume offers formerly unpublished material culled from archives, including three new poems and Stettheimer's libretto for her ballet "Orphée of the Quat-z-arts." Gammel and Zelazo have re-situated this overlooked poet among her modernist sisters, presenting her as an important practitioner of modernism that integrates multiple art forms. Sixty years after it first appeared for a select few, her poetry shines for a new generation of readers ready to appreciate her irreverent camp aesthetic and her exuberant painterly style.
https://www.amazon.com/Crystal-Flowers-Libretto-Department-Reissue/dp/1897388721
2010
(The original essays in Anne's World offer fresh and timel...)
The original essays in Anne's World offer fresh and timely approaches to issues of culture, identity, health, and globalization as they apply to Montgomery's famous character and today's readers. In conversation with each other and with the work of previous experts, the contributors to Anne's World discuss topics as diverse as Anne in fashion, the global industry surrounding Anne, how the novel can be used as a tool to counteract depression, and the possibility that Anne suffers from Fetal Alcohol Syndrome.
https://www.amazon.com/Annes-World-Century-Green-Gables/dp/1442611065
2010
(The Baroness's biographer Irene Gammel and co-editor Suza...)
The Baroness's biographer Irene Gammel and co-editor Suzanne Zelazo have assembled 150 poems, most of them never before published. Many of the poems are themselves art objects, decorated in red and green ink, adorned with sketches and diagrams, presented with the same visceral immediacy they had when they were composed.
https://www.amazon.com/Body-Sweats-Uncensored-Writings-Freytag-Loringhoven/dp/0262529750
2011
Irene Gammel was born on July 14, 1959, in Canada.
Irene Gammel studied at McMaster University, where she got a Master of Arts in 1988 and a Doctor of Philosophy in 1992. Then she attended Universitat des Saarlandes in Germany in 1987. Irene was a DAAD (Deutscher Akademischer Austauschdienst) visiting student at Queen's University. Also, she was educated at the Sorbonne, the University of Paris, where she studied auditory libre (comparative literature).
After graduating, Irene Gammel served as a lecturer in English and comparative literature at the McMaster University in 1992-1993. In 1993 she worked as an assistant professor at the University of Prince Edward Island. In 1997 Irene became an associate professor, and, in 2000, she started to work as a professor. Since 2005, Irene worked at the Ryerson University. In 2005-2018 she held the position of Canada Research Chair in Modern Literature and Culture and a professor of English. Irene Gammel was a visiting scholar at the University of Toronto in 2004, and a visiting professor at the Friedrich-Schiller-Universität Jena and Erfurt Universität, Germany in 2001.
Specializing in the literature and culture of the modern era from 1900 to 1930, Irene Gammel is a professor of English who also speaks and reads German, French, and intermediate Latin. She often writes about women in literature and art from a feminist point of view. Irene's first book, Sexualizing Power in Naturalism: Theodore Dreiser and Frederick Philip Grove, came from her doctoral dissertation in English literature. Irene points out in the book that her primary purpose is "to provide a revisionary, gender-critical, reading of twentieth-century American and Canadian naturalism."
Irene Gammel is also the author of Baroness Elsa: Gender, Dada, and Everyday Modernity: A Cultural Biography. The work represents the first full biography of a woman whose outrageous lifestyle ultimately over-shadowed her efforts as a poet, sculptor, and painter. She provides readers with a look at Baroness Elsa's humble beginnings as Else-Hildegard Plötz, the German daughter of a harsh middle-class father and a mother who went insane. The baroness ran away from her small hometown in the Baltic to Berlin, where she survived primarily off the largesse of her various lovers. Baroness Elsa eventually ended up in America with her second husband, who left her. She then married German Baron Leopold von Freytag-Loringhoven, who later committed suicide and left his wife with only a title and no money.
Living in New York, the baroness became part of the dada art scene. The name dada comes from a French word meaning "hobbyhorse." Dada art usually contains non-traditional forms and is produced using unconventional methods. It uses everyday objects like bicycles and urinals and often reflects the cynicism of the period following World War I. The central theme is that there is no purpose and no meaning to art or life. The baroness's art included portraits and sculptures made from everyday materials, as well as costumes. Irene Gammel points out that the baroness, who once shaved her head and painted it red, became one of the first practitioners of body art. Her experimental poetry features odd syntax and phonetic sounds. The baroness, however, was never able to support herself financially. She also alienated many people with her anti-Semitism and homophobia, although she was bisexual herself. In the end, she returned to Europe and died destitute in Paris in 1926 from gas poisoning. No one is sure whether it was deliberate or accidental.
Irene currently served as a Director of the Modern Literature and Culture Research Center at Ryerson University beginning in 2006. Also, she keeps writing.
Irene Gammel is known as an educator and writer. She is the director of the Modern Literature and Culture Research Centre. As a writer, Irene is currently the author and editor of ten books, including the internationally-acclaimed Baroness Elsa: Gender, Dada and Everyday Modernity: A Cultural Biography. Irene Gammel also is well-known for her scholarship on gender and modernism.
Besides, Irene Gammel is an SSHRC (The Social Sciences and Humanities Research Council) Research Grant Holder in 1994-1995, 1997-2000, 2000-2003, and 2003-2006. In 1995 and 2002, she got Awards for Outstanding Scholarly Achievement from the University of Prince Edward Island. Also, she is a holder of the Government of Canada (World University Service of Canada) Award, 1989-1991.
(Looking for Anne is the untold story of a literary classi...)
2008(Making Avonlea, the first study to focus on Montgomery an...)
2002(Confessional Politics investigates the creative and strat...)
1999(In Baroness Elsa, Irene Gammel traces the extraordinary l...)
2002(The original essays in Anne's World offer fresh and timel...)
2010(The wide range of contributors represents views from acro...)
1999(This new volume offers formerly unpublished material cull...)
2010(The eleven essays illuminate Montgomery's personal writin...)
2005(Sexualizing Power In Naturalism sheds light on the functi...)
1994(The Baroness's biographer Irene Gammel and co-editor Suza...)
2011Irene Gammel's research on gender, identity, and modernism has helped uncover the earliest roots of modern and feminist performance art, contributed to the consolidation of L.M. Montgomery Studies as an academic field and claimed women's confessional discourses as a sub-discipline of autobiographical studies.