Grapes and Apples by James Peale - 25" x 34" Framed Giclee Canvas Art Print Walnut Finish - Ready to Hang
(This 25" x 34" framed giclee art print on canvas of Grape...)
This 25" x 34" framed giclee art print on canvas of Grapes and Apples by James Peale is created on the finest quality artist-grade canvas, utilizing premier fade-resistant archival inks that ensure vibrant lasting colors for years to come. Every detail of the artwork is reproduced to museum quality specifications by our talented graphic artists. This magnificent canvas print is custom framed by one of our professional framers in a 2" wide walnut frame for that ultimate designer look. Your framed canvas print will arrive to your door ready to hang with all necessary hanging hardware. Our huge selection of over 150,000 magnificent works of art, along with an exclusive collection of handcrafted frames, makes Canvas Art USA your one stop source for the finest art for sale at direct wholesale prices.
Tile Mural Still Life Vegetables Tomato Pumpkin Cabbage Pepper by James Peale Kitchen Bathroom Shower Wall Backsplash Splashback 3x2 6" Marble, Matte
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Since 2003 FlekmanArt has helped customers worldwide to decorate their homes, apartments and offices. Using the latest in sublimating technology, we can transfer artworks onto stone, marble or ceramic tiles to create gorgeous murals suitable for kitchen backsplashes, bathrooms, fireplaces and bar lounges. We use regular tiles from Lowe's store. All murals are durable enough to stand up to most household cleaning chemicals. Our line of images gives you an idea of what is available, but you need set no limitation on your wishes. We make custom! Just email us any digital image that you can find. All images can be altered to meet your request. Keywords: ceramic accent tiling patterns pattern design art decoration decor interior project picture marble stone images decorative artwork photo gallery back splash shower murals painted scenes Tile Mural Kitchen Bathroom Wall Backsplash Behind Stove Range Sink Splashback
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James Peale was an American portrait painter in miniature and oils.
Background
James Peale was born in 1749 in Chestertown, Kent County, Maryland, United States. He was the fifth and youngest son of Margaret (Triggs) Mathews and Charles Peale and the brother of Charles Willson Peale. His father, the eldest son of a Rutlandshire family, had come to the colonies, taught school in Maryland, married, and then kept the Free School in Chestertown. There he died in 1750. The family moved to Annapolis and several years later Charles Willson, who was apprenticed to a saddler, took James under his care to learn the saddlery trade.
Education
About 1770, following Charles' example and under his guidance, James Peale gave up his trade to become a painter. His brother taught him the technique of water-color and oil painting and the principles of portraiture.
Career
During the Revolution James Peale rendered active service until June 3, 1779, when he resigned. He was first with Smallwood's Maryland Regiment (ensign, Jan. 14, 1776) and later with the 16t Maryland, in which he was commissioned captain March 1, 1778. After the war he went to Philadelphia to reside with his brother Charles. Apart from occasional painting trips to the Southern cities he lived most of his life in Philadelphia. James Peale left an abundant pictorial record of himself and of his family.
In the Pennsylvania Academy of the Fine Arts may be seen "James Peale and His Family, " painted in 1795; "Mary Claypoole Peale, " his wife, and a "Portrait of the Artist. " He has also left several portraits and miniatures of himself and of his family. His achievement in oil painting is uneven; in general the later work is much finer than the early pieces. Portrait groups painted around 1795 are stiff and awkward, both in arrangement and treatment. Ten years later he had mastered technical difficulties and had developed his own style.
Such a picture as that of his two daughters, Anna and Margaretta, in the Pennsylvania Academy, shows James Peale at his best. Naturalness of pose, good drawing, and a sympathetic understanding of both his subject and his medium distinguish the work. James Peale copied the head of Charles Willson Peale's 1787 life portrait of Washington to make a half-length figure with a sword. This he did several times, varying the background. Examples may be seen in the New York Public Library and in Independence Hall, Philadelphia. There is evidence that he was interested in painting still life, landscapes, and even historical subjects. Several of his paintings of fruit are in New York.
James Peale sometimes painted landscape detail in the background of his portraits as for instance in the "Ramsay-Polk family. " The "View of the Battle of Princeton, " "A View of Belfield Farm, Near Germantown" (1811), and "A Rencontre between Col. Allen McLane and Two British Horsemen" (1814) are attributed to him. But it is as a miniature painter that he is justly best known. He began by closely following the style of his brother and the miniatures of his first period to about 1795 are on similar small oval or circular pieces of ivory. He was most active in miniature painting between 1782 and 1812. In the former year he painted miniatures of Martha and of George Washington, and again in 1788 he painted another miniature of Washington. Probably both are from life. In the autumn of 1795 when his brother and two nephews were painting portraits of Washington, he also made a small water-color portrait on paper. From about 1795 his prolific brush produced miniatures which are the work of a finished artist.
The drawing is surer, the portraits are developed in fewer and broader strokes, though his lines are always delicate. "Mollie Callahan" (1799) is typical of this period. The size of the ivory is somewhat larger, the color diversified and harmonious, the effect delicate and beautiful. His technique and talent were particularly suited to portrayal of feminine subjects. A mannerism of tucking in the corners of the mouth and drawing the lips in a definite cupid's bow pattern is so common in his miniatures as to become a point of identification. The signature is usually I. P. or J. P. in very small letters with the date.
James Peale died on May 24, 1831.
Achievements
James Peale was best known for his miniature and still life paintings. From 1780 until his eyesight failed in 1810, Peale executed over 200 miniature portraits, over 100 still-lifes, and a number of historical paintings pertaining to the Revolutionary War.
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Personality
Quotes from others about the person
Art historian Edgar P. Richardson once described Peale’s work, stating that his paintings “combined precise drawing, bright, clear colors, and simple effects of luminosity. ”
Connections
About 1785 James Peale married Mary Claypoole (1753 - 1829), daughter of James Claypoole, the artist. He had one son, James, Jr. , who became a banker but who in his leisure painted marines and landscapes. Of his five daughters two were Sarah Miriam and Anna Claypoole Peale.
