Background
James Tissot was born on October 15, 1836 in Nantes, France. He was a son of Marcel Théodore Tissot, a successful drapery merchant, and Marie Durand, who assisted her husband in the family business and designed hats.
14 Rue Bonaparte, 75006 Paris, France
In 1856, James entered the École des Beaux-Arts in Paris.
In 1894, James attained the National Order of the Legion of Honour.
James Tissot was born on October 15, 1836 in Nantes, France. He was a son of Marcel Théodore Tissot, a successful drapery merchant, and Marie Durand, who assisted her husband in the family business and designed hats.
In 1856, James entered the École des Beaux-Arts in Paris. Also, he studied art under Jean-Auguste-Dominique Ingres, Jean-Hippolyte Flandrin and Louis Lamothe. Around this time, Tissot became friends with James Abbott McNeill Whistler, Edgar Degas and Édouard Manet.
In 1859, James Tissot exhibited his works in the Paris Salon for the first time. In 1860, the French government paid 5,000 francs for his depiction of "The Meeting of Faust and Marguerite". The following year, in 1861, this work and other paintings were exhibited at the Salon. Also, in the early 1960's, the painter's works were displayed at the gallery of Ernest Gambart in London.
In 1863, James abandoned medieval style and shifted his focus to the depiction of modern life through portraits. At that time, Tissot received high critical acclaim for his works and quickly became a successful painter. Also, it was at that time, that he explored "japonisme", including Japanese objects and costumes in his pictures.
Tissot fought in the Franco-Prussian War as part of the improvised defence of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. Either because of the radical political associations, related to the latter (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. There, in London, he learned etching techniques from Francis Seymour Haden and served as a caricaturist for the Vanity Fair magazine.
Between 1875-1876, James met Kathleen Newton, who would become his companion and a subject for Tissot's works. After Kathleen's death in 1882, the painter came back to Paris. There, he held a major exhibition of his works at the Galerie Sedelmeyer in 1885. Also, from 1885 till the end of his life, James depicted Biblical events. Many of his artist friends were skeptical about his conversion, as it conveniently coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic.
In 1886, 1889, and 1896, James visited the Middle East in order to make studies of the landscape and people. Tissot spent the last year of his life, working on the series of paintings, depicting subjects from the Old Testament, but the work was never finished.
Caricature of Charles Darwin
(Caricature from Vanity Fair magazine)
Caricature of Lionel Dawson Damer M.P.
Caricature of Admiral Sir Hastings Reginald Yelverton
Caricature of Percy William Doyle C.B.
Caricature of Henry William Eaton M.P.
Caricature of Mr Lionel Lawson
Caricature of General Sir Frederick Paul Haines
Caricature of William Henry Gregory
Caricature of Edward, Prince of Wales
Caricature of Mr Washington Hibbert
Caricature of Mr George Leeman M.P.
Caricature of Thomas Egerton, 2nd Earl of Wilton
Caricature of George Cavendish Bentinck
Caricature of Matthew Arnold
Caricature of Henry Cole
Caricature of William Bathurst, 5th Earl Bathurst
Caricature of James Delahunty M.P.
Caricature of Frederic Leighton
Caricature of John George Dodson M.P.
Mavourneen (Portrait of Kathleen Newton)
The Ladies of the Cars
Portrait of Miss L.
The Shop Girl
Hush! (The Concert)
Kathleen Newton in an Armchair
The Bunch of Lilacs
Chrysanthemums
At the Rifle Range
Transept of the Mosque of El Aksa
The Last Evening
The Return of the Prodigal Son
Spring
A Part of the Ancient Arch Called Ecce Homo
The Ruins (Inner Voices)
Berthe
The Round Stone Seen from the Exterior
Young Ladies Looking at Japanese Objects
Waiting
Going to Business
Portrait of M. B.
Portrait of M.N. (Portrait of Mrs. Newton)
The Stairs
The Summer
The Dreamer (Summer Evening)
Trafalgar Tavern
The Tedious Story
The Circle of the Rue Royale
During the Service
A Luncheon
The Inn of the Three Ravens
The Latin Patriarch of Jerusalem
Portsmouth Dockyard
Tombs In the Valley of Hinnom
The Apparition
A Dandy
Holyday
A Widow
The Hammock
London Visitors
Young Ladies Looking at Japanese Objects
In the Sunshine
Etude
An Interesting Story
The Confidence
Waiting for the Ferry
The Ball
Spring
Older Sister
The Prodigal Son in Modern Life In Foreign Climes
Summer
The Tombs in the Valley of Hinnom
In the Conservatory
Staircase of the Court, Haram
A Convalescent
Quiet
Portrait of the Vicomtesse de Montmorand
A Corner of the Village of Siloam
Partie Carree
Foreign Visitors at the Louvre
Healing of the Lepers at Capernaum
The Political Lady
In the greenhouse
Remembrance Ball on Board
Kathleen Newton at the Piano
Portrait of Miss Lloyd
The Widower
On the Thames, a Heron
Site of the Antonia Tower
Supposed Site of the Temple
The Secret Rendez Vous
On the Thames
The Farewell
Journal
Algeron Moses Marsden
The Garden Bench
Crucifixion, seen from the Cross
Autumn on the Thames
The Fan
An Old Cistern
Bad News
The Woman of Fashion (La Mondaine)
Too Early
The Prodigal Son In Modern Life, the Fatted Calf
Louise
The Artist's Ladies
Reading the News
A Little Nimrod
The Prophet Zechariah
Faust and Marguerite in the Garden
The Captain and the Mate
The portico of the National Gallery London
In The Louvre
Quarrelling
In an English Garden
Women of Paris: The Circus Lover
The Departure Platform, Victoria Station
Portrait of Mlle. L.L. (Young Lady in a Red Jacket)
October
In full sun
Woman in an Interior
Goodbye, on the Mersey
Hide and Seek
Caricature of Anthony John Mundella
The Thames
A Girl in an Armchair
Beating the Retreat in the Tuileries Gardens
The Two Sisters Portrait
The Prodigal Son in Modern Life: The Departure
The Captain's Daughter
In Church
Rear of the Mosque of Omar
Colonel Frederick Gustavus Barnaby
At Marguerite Rempart
Gentleman In A Railway Carriage
Reading A Story
Young Lady In A Boat
A Fete Day at Brighton (Naval flags of various European nations seen In background)
Uncle Fred
Portrait of the Marquis and Marchioness of Miramon and their children
Boarding the Yacht
Without A Dowry, aka Sunday In the Luxembourg Gardens
The Traveller
Ball on Shipboard
Mrs. Newton with a Parasol
The Japanese Vase
Spring Morning
Valley of Jehoshaphat
Room Overlooking the Harbour
The Letter
Orphan
A Corner of the Haram
Prodigal Son, The Return
By the Thames at Richmond
A Passing Storm
Via Dolorosa
Croquet
The way
Emigrants
Behold He Standeth behind Our Wall
Marguerite in Church
Fountain of the Virgin at Ain Karim
Portrait of an Actress in Eighteenth Century Dress
Girl with a fan
The Warrior's Daughter, or The Convalescent
The Return from the Boating Trip
Children's Party
At The Louvre
Waiting for the Ferry
Portrait of M. N.
Metal Ornament Taken from the Mosque of Es Sakra
Phoenician Capital
Judaic Ornament
An Armenian
Type of Jew
Jew and Armenian
Metal Ornament Taken from the Mosque of Es Sakra
Type of Jew
Vases of Judea
Armenians
Two frontispiece (Sitting on the globe)
Judaic Ornament
Type of Jew
Capital from the Mosque of El Aksa
Judaic Ornament (Rosette)
Premier frontispiece
Metal Ornament Taken from the Mosque of Es Sakra
The Round Stone Seen from the Interior
Type of Jew
Type of Jew
Type of Jew
In 1875 or 1876, James met Kathleen Newton, who would later move into his house. In 1876, she gave birth to a boy, Cecil George Newton, who is believed to be Tissot's son. In 1886, Kathleen committed suicide because of complications of tuberculosis.