Background
Tuttleton, James Wesley was born on August 19, 1934 in St. Louis. Son of Clarence M. and Nora Belle (Sutt) Tuttleton.
(In a time when the idea of literature has been dissolved ...)
In a time when the idea of literature has been dissolved by our academic critics into mere “discourse,” many readers seem unable to distinguish between art and ideology. “This book,” James Tuttleton writes, “is about the difference between the two and about the ways in which ideology has not merely entered the word of some of our best writers but even grossly disfigured it.” Mr. Tuttleton's new collection of fifteen essays focuses on what Henry James called “the imaginative faculty under cultivation,” the quality that makes for important literature. The subjects here range from Washington Irving to Louis Auchincloss, with stops along the way for considerations of Cooper, Poe, Howells, James, Henry Adams, Edith Wharton, Scott Fitzgerald, Sinclair Lewis, and Conrad Aiken. The effects of ideology are a dominant motif, supported by Mr. Tuttleton's customary banquet of information based upon his close reading of American literature and criticism. Of his most recent collection, Vital Signs, James Seaton wrote in the Hudson Review: "The ability to integrate analysis with celebration requires both intellectual entergy and generosity of spirit; James Tuttleton is one of those rare critics who possesses both.... He is a critic whose judgements can be trusted." A Fine Silver Thread further confirms Mr. Tuttleton's stature as one of our most respected critics.
http://www.amazon.com/gp/product/1566631815/?tag=2022091-20
(James Tuttleton's literary writings in such magazines as ...)
James Tuttleton's literary writings in such magazines as the New Criterion, the American Scholar, and the Yale Review have earned him a reputation as one of our most trenchant critics. Here he collects twenty essays derived from his long engagement with the masterworks of the American imagination. Discussions of Hawthorne and Emerson, Howells and James, Fuller and Chopin, and Fitzgerald and Anderson, among others, are counterpointed with an analysis of the effect of contemporary critical theory on the American canon. Mr. Tuttleton scrutinizes a century and a half of great American writing from the viewpoint of literature as an art rather than as a datum of "cultural studies" He is severe with those styles of criticism that in his view drain literature of its moral and social significance, or that manipulate literature to serve an ideological agenda. The essays in Vital Signs arise from a conviction that great literature is more than mere discourse or a semiotic freeplay of figurations. In Mr. Tuttleton's view, a great poem or novel is an ontological reality, has a living presence, and is a system of "vital signs" that, from generation to generation, illuminates the world and offers alternatives that might be our own.
http://www.amazon.com/gp/product/1566631009/?tag=2022091-20
(Judging by the frequency with which it makes an appearanc...)
Judging by the frequency with which it makes an appearance in television news shows and late night stand up routines, the frivolous lawsuit has become part and parcel of our national culture. A woman sues McDonald's because she was scalded when she spilled her coffee. Thousands file lawsuits claiming they were injured by Agent Orange, silicone breast implants, or Bendectin although scientists report these substances do not cause the diseases in question. The United States, conventional wisdom has it, is a hyperlitigious society, propelled by avaricious lawyers, harebrained judges, and runaway juries. Lawsuits waste money and time and, moreover, many are simply groundless.Carl T. Bogus is not so sure. In Why Lawsuits Are Good for America, Bogus argues that common law works far better than commonly understood. Indeed, Bogus contends that while the system can and occasionally does produce "wrong" results, it is very difficult for it to make flatly irrational decisions. Blending history, theory, empirical data, and colorful case studies, Bogus explains why the common law, rather than being outdated, may be more necessary than ever.As Bogus sees it, the common law is an essential adjunct to governmental regulation--essential, in part, because it is not as easily manipulated by big business. Meanwhile, big business has launched an all out war on the common law. "Tort reform"--measures designed to make more difficult for individuals to sue corporations--one of the ten proposals in the Republican Contract With America, and George W. Bush's first major initiative as Governor of Texas. And much of what we have come to believe about the system comes from a coordinated propaganda effort by big business and its allies.Bogus makes a compelling case for the necessity of safeguarding the system from current assaults. Why Lawsuits Are Good for America provides broad historical overviews of the development of American common law, torts, products liability, as well as fresh and provocative arguments about the role of the system of "disciplined democracy" in the twenty-first century.
http://www.amazon.com/gp/product/0814781837/?tag=2022091-20
Tuttleton, James Wesley was born on August 19, 1934 in St. Louis. Son of Clarence M. and Nora Belle (Sutt) Tuttleton.
Bachelor of Arts, Harding U., Searcy, Arkansas, 1955; Master of Arts, University North Carolina, 1957; Doctor of Philosophy, University North Carolina, 1963.
Instructor, Clemson U., South Carolina., 1956-1959; instructor, U. North Carolina, Chapel Hill, 1962-1963; assistant professor, University of Wisconsin, Madison, 1963-1968; associate Professor of English, New York University, New York City, 1968-1974; professor, New York University, New York City, since 1974; department chairman, New York University, New York City, 1974-1983; associate dean Grad School Arts & Sciences, New York University, 1988-1989.
(Judging by the frequency with which it makes an appearanc...)
(James Tuttleton's literary writings in such magazines as ...)
(In a time when the idea of literature has been dissolved ...)
(Book by Tuttleton, James W.)
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Served with United States Air Force Reserve, 1956-1963. Member Century Association.