Background
Bernard was born on July 30, 1888 in Enghien-les-Bains, the son of the dramatist Tristan Bernard.
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(This scarce antiquarian book is a facsimile reprint of th...)
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(The purpose in presenting this edition of a characteristi...)
The purpose in presenting this edition of a characteristic play of Jean-Jacques Bernard is to introduce to American students one of the most original talents among contemporary writers for the theater in France. The play's very unpretentiousness, its uncluttered plot, its clearly etched characters, its delightfully simple, unaffected dialogue make it readily comprehensible even to students whose knowledge of French may not have progressed beyond the elementary stage. The play can be read with comparative ease as early as the second semester. To stimulate oral use of the language as well as to permit practice in aural comprehension, a questionnaire in French has been provided. It is hoped that the play may also be read in more advanced courses in the contemporary French theater.
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Bernard was born on July 30, 1888 in Enghien-les-Bains, the son of the dramatist Tristan Bernard.
Bernard was a contributor to Figaro, Le Matin, Gil Blas, and La Revue Française. Two of his early plays, Le Voyage à deux (1909; "Journey for Two") and La Joie du sacrifice (1912; "The Joy of Sacrifice"), attracted attention when produced in Paris before World War I. After the war he emerged as one of the most promising of a group of young playwrights who were infusing new life into the French theater. In his plays he avoids direct exposition, preferring to dramatize the delicate nuances of human experience and emotion through a language of suggestion. His style has been called the "art of the unexpressed. " The plays show a remarkable insight into feminine nature and a rare understanding of the tragic undercurrents of life. He also published an account of his imprisonment in the Royallieu concentration camp at Compiègne, Compiegne, Le Camp de la mort lente (1944; The Camp of Slow Death, 1945). His memoirs, entitled Mon ami, le théâtretheatre ("My Friend, the Theater"), appeared in 1958. Bernard died on Sept. 12, 1972, in Paris.
Bernard's most noteworthy plays are: Le Feu qui reprend mal (1921; The Sulky Fire, 1926), Martine (1922; Martine, 1927), L'Invitation au voyage (1924; Glamour, 1927), Le Printemps des autres (1924; The Springtime of Others, 1926), and L'Ame en peine (1926; The Unquiet Spirit, 1928). In Martine, perhaps the best example of his work, emotions are implied in gestures, facial expressions, fragments of speech and silence.
(The purpose in presenting this edition of a characteristi...)
(This book was digitized and reprinted from the collection...)
(This scarce antiquarian book is a facsimile reprint of th...)