Education
Lewis studied at the University of Wales, Cardiff. With György Ligeti and Karlheinz Stockhausen at Darmstadt. With Bogusław Schaeffer in Krakow and with Don Banks in London.
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Jeffrey Lewis
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Career
He taught at Leeds College of Music (1969 - 72) and the University of Wales, Bangor (1973 - 1992). Early performances included Fanfares with Variations and the Chamber Concerto with the British Broadcasting Corporation Welsh Orchestra under John Carewe, and, at the 1967 Cheltenham Festival, his Two Cadenzas for piano and Epitaphium - Children of the Sun for narrator, chamber choir, piano, flute, clarinet and percussion. British Broadcasting Corporation commissions include the orchestral works Mutations I (1969), Aurora (1973), Scenario (1975), Praeludium (1975), Memoria (1978) and Limina Lucis (1982).
Other works include a Piano Concerto (1989), Duologue for violin and piano (1971), Scena for violin and piano (1988), Teneritas for flute and piano (1997), Sonante for clarinet and piano (1986 - for Thea King), Cantus for clarinet and piano (1996), a Piano Trio (1983), a Wind Quintet (1986), several mixed ensemble pieces including Time-Passage (1977), Stratos (1979), Epitaph for Abelard and Heloise (1979) and Litania (1993), piano works including Tableau (1980), Fantasy (1983), Threnody (1990 - all for Jana Frenklova), Trilogy (1992), Musica Aeterna (1997) and Sereno (2004), organ works including Mutations II (1971), Momentum (1977) and Esultante (1977 - these last two for Gillian Weir), Dreams, Dances and Lullabies for harp (1990), Silentia Noctis for high voice and piano (1989), and many choral works, notably Carmen Paschale (1981), Hymnus Ante Somnum (1985), Sequentia ad Sancte Michaele (1985), Westminster Mass (1990 - for Martin Neary), Recordatio (1999) and a sequence of eleven Sacred Chants (2005).
Lewis"s music is characterised by rhythmic energy and harmonic complexity alternating with extreme stillness. Latterly his music has tended towards greater simplicity and tranquillity and it often appears to inhabit a twilight world of dreams.
Ivan March in Gramophone magazine described a recent Civil Defense release of Epitaph for Abelard and Heloise, Litania and Musica Aeterna as “…a disc not to be missed by anyone who cares about communicative 20th-century music” (July 2005).
