Background

Jenaro Taléns was born on January 14, 1946, in Tarifa, Spain.

Education

Jenaro attended the University of Madrid, Spain, where he got a Bachelor of Arts in 1968. He was drawn to architecture and economic science, but when he continuing his education at the University of Granada, Spain, he began focusing on philology, or the study of language. In 1971, he was awarded his Doctor of Philosophy in Romance languages. He wrote his thesis on the early-twentieth-century Spanish poet Luis Cernuda.

Career

Jenaro Taléns began teaching Spanish literature, literary theory, and communications at the University of Valencia and at University Carlos III of Madrid. Between 1983 and 2000 he split his time between Spain and the United States, where he had secured a position as a visiting professor at the University of Minnesota. While at Minnesota, he and a number of colleagues, including Nicholas Spadaccini, collaborated on a series of books, which were published by the University of Minnesota Press. Though they all centered on Spanish studies, they ranged in subject matter from an examination of Spanish films ("Modes of Representation in Spanish Cinema") to investigations of the seventeenth-century Spanish priest, writer, and moral philosopher Baltasar Gracián ("Rhetoric and Politics: Baltasar Gracián and the New World Order").

Having gained an international reputation from his publications, Taléns has been invited to teach at the university level throughout Europe and the Americas.

He has had professorships in countries that include Canada, Germany, Argentina, Denmark, and Italy. In addition to his position at the University of Minnesota, Taléns taught at the University of California at Irvine. Most recently he was appointed Professor of Hispanic Literature, Comparative Literature, and European Studies at the University of Geneva, a position he holds along with a professorship of literary theory and film at the University of Valencia.

Jenaro Taléns is also an accomplished poet and has published numerous volumes of poetry. His first book of poetry, "En el Umbral del Hombre," appeared in 1964 before he even graduated from university. Among his various volumes of poetry are his two anthologies, "Cenizas de Sentido: Poesía" (1962-1975) and "El Largo Aprendizaje: Poesía" (1975-1991). In 1994 he was awarded the Premio de la Critica de la Comunidad Valenciana for his volume Orfeo Filmada en el Campo de Batalla.

As a translator himself, Taléns has tackled the classics of Western literature, including William Shakespeare's "Hamlet," "The Tempest," and "Twelfth Night, or What You Will." Other translations include plays by Samuel Beckett, and poetry by Ezra Pound, Wallace Stevens, Derek Walcott, and Seamus Heaney. In addition, he has translated into Spanish works from the German (Johann Wolfgang von Goethe, Novalis, Friedrich Hölderlin, Georg Trakl, Hermann Hesse, Bertolt Brecht, Rainer Maria Rilke), French (Edmond Jabès, Yves Bonnefoy), Italian (Alda Merini and Nuno Judice), Portuguese (Fiama Hasse Pais Brandão), and Chinese (Lu Hsün).

As the editor of "Autobiography in Early Modern Spain," Taléns offered an examination of texts largely from the sixteenth and seventeenth centuries and included transcription and translation of the "curriculum vitae" of Cervantes.

Taléns founded and is a coeditor of the "Eutopías" series for the Spanish publisher Hiperión, which includes books on critical thought with an unusual mandate. "Eutopías" was devised to fill the enormous political and intellectual void existing by 2000. The aim of the series is to make a significant difference in the field of contemporary knowledge by encouraging a "rebirth of critical thought" free of dogmatism and the seeming indifference of much academic writing.

Taléns applies his background as a historian and theoretician to his understanding not only of literature but also to genres of popular culture, such as film and music. He has written numerous books and papers on Spanish film and film in general and co-authored the monumental "General History of Film," a twelve-volume endeavor. In "Modes of Representation in Spanish Cinema," Talens and Zunzunegui offer an examination of the period between 1930 and 1970 when Spanish filmmakers developed a signature style that transcended the repressive Franco years. Taléns has also written widely on the Spanish filmmaker and cinematic Surrealist Luis Buñuel. In "Music in the Digital Age and Rock Cultures," he examines the sociological aspects of contemporary music.

Achievements

• Jenaro Taléns is an outstanding and prolific author of more than thirty scientific books (in Spanish, French, and English) and about twenty books of poetry, collected in three volumes.
  
  He has won the Loewe International Poetry Prize (1997), the Villa de Madrid Poetry Prize (2002), twice the Valencian Community Critics Prize (1981 and 1994) and the Andalusian Critics Prize (2003). His poetry has been translated into French, English, German, Portuguese, Italian, Bulgarian, Lithuanian, and Hebrew.

Works

More photos

• book

  • Rhetoric And Politics: Baltasar Gracian and the New World Order

    (Considers current events through an examination of this s...)

    1997
  • Cantos rodados: Antología poética, 1960-2001 2002
  • Branded Eye: Bunuel’s Un Chien andalou 1993
  • Las Auroras de Otoño y otros poemas 2012
  • Autobiography in Early Modern Spain: Hispanic Issues 2 1988
  • Through the Shattering Glass: Cervantes and the Self-Made World 1992
  • De Que Color Son Las Princesas 1995
  • Escritos escogidos 1984
  • Viaje al fin del invierno 1997
  • Obra poética 2001
  • El sujeto vacio 2000
  • Modes of Representation in Spanish Cinema 1998
  • Five Ways to Finish August 1988
  • Escrito en la arena 1985

Connections

colleague:

Nicholas Spadaccini

References

• Contemporary Authors New Revision Series, vol. 212
  2011