Education
He graduated from Wayne State University with a Bachelor of Arts in 1954, and with a Doctor of Philosophy in 1963, and from the University of Iowa with a Master of Arts
( Jerome Mazzaro examines Dante's Vita Nuova as an artist...)
Jerome Mazzaro examines Dante's Vita Nuova as an artistic correlative to what Dante conceived as an image of himself. Specifically, he explores the structure of the work in relation to medieval views of memory, self, music, form, and interpretation, and against the facts of Dante's life and culture as we have come to know them. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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He graduated from Wayne State University with a Bachelor of Arts in 1954, and with a Doctor of Philosophy in 1963, and from the University of Iowa with a Master of Arts
In 1956. He worked as a technical writer for General Motors from 1955 to 1956. He taught at the University of Detroit from 1958 to 1961, and at the State University of New York at Cortland from 1962 to 1964, and at the University at Buffalo, The State University of New New York He edited Fresco from 1960 to 1961, and Modern Studies from 1970 to 1979.
He was assistant editor for North American Review from 1963 to 1965, and Noetics from 1964 to 1965.
He contributed to Salmagundi, American Review, and Helios.
( Jerome Mazzaro examines Dante's Vita Nuova as an artist...)