Background
Born Jaroslav Toth in Windsor, Ontario, Toth was the son of violinist and cimbalom maker Carl Toth, the brother of musicians Rudy Toth and Tony Toth, and the brother-in-law of violinist and lyricist Josephine Toth.
Born Jaroslav Toth in Windsor, Ontario, Toth was the son of violinist and cimbalom maker Carl Toth, the brother of musicians Rudy Toth and Tony Toth, and the brother-in-law of violinist and lyricist Josephine Toth.
He studied at The Royal Conservatory of Music with Frank Hiron (saxophone) and Herbert Pye (clarinet).
He pursued further woodwind studies with Dale Eisenhuth in Los Angeles in 1953. From 1945–1953 Toth played the alto saxophone in numerous dance bands in Toronto, including those led by Stan Patton, Bobby Gimby, and Trump Davidson. From 1952–1957 he co-led a 17-piece jazz band with trombonist Ross Culley and saxophonist Roy Smith.
He also performed in Toronto clubs with his own jazz quartet.
In the latter part of his career, he was highly active as a studio musician and record producer in Toronto. Toth also worked for the Canadian Broadcasting Corporation in a variety of roles during his career.
In 1954 he began playing in several Canadian Broadcasting Company orchestras conducted by Jack Kane. From 1957–1960 he served as chief arranger and music director for the Canadian Broadcasting Company program Parade.
He notably orchestrated both the theme music for Hockey Night in Canada and the unofficial anthem of Ontario A Place to Stand, A Place to Grow (featured at Expo 67).
He also served as an audio consultant for many television productions and contributed music to Rich Little"s Emmy Award-winning television production of A Christmas Carol.
From 1956–1974 he studied orchestration with Philosophy Nimmons during which time he also played and recorded music as a member of Nimmons" jazz bands. From 1970–1990 he was a member of the Boss Brass, a group which often featured him on the alto saxophone in jazz ballads both in performance and on record.