Background
Jiro Takamatsu was born on February 20, 1936 in Tokyo, Japan.
1966
Grand Army Plaza, New York, United States
Hi Red Center with Genpei Akasegawa, Natsuyuki Nakanishi, Jiro Takamatsu Street Cleaning Event performed during Fluxfest Presents Hi Red Center Street Cleaning Event.
1969
Tama River
From Documentation of Jiro Takamatsu 'Stone and Numeral'.
An official group portrait of Hi-Red Center members, 1963
Jiro Takamatsu in London.
Yusuke Nakahara talks with Jiro Takamatsu (at left) in his studio in the 1970s.
Tokyo National University of Fine Arts where Jiro Takamatsu finished in 1958.
次郎 高松
Jiro Takamatsu was born on February 20, 1936 in Tokyo, Japan.
Jiro studied at Tokyo National University of Fine Arts and Music (present-day Tokyo University of the Arts), graduating in 1958.
After finishing studies, Takamatsu worked in a range of mediums, including sculpture, photography, painting, drawing and performance, and probed the material and metaphysical foundations of artistic practice.
Inspired by images of shadows in the 19th-century Japanese painting and woodcuts as well as by real-life shadows cast on paper sliding-doors in domestic settings, Takamatsu’s Shadow Painting series investigated the formal underpinnings of painting through delicate depictions of shadows (of keys or human figures) in enamel and acrylic. The series also recalls figural imprints left on walls left after the nuclear destruction of Hiroshima. Takamatsu bridled at mid-century essentializations of material and medium, preferring instead an excess of the former and, akin to artists like Eva Hesse, created sculptures such as Slack of Net, that sagged and bowed due to gravity. His "Oneness of Concrete" took the form of a large block broken into hundreds of fragments, a monument-made-ruin, that challenged the supremacy of the Minimalist cube.
In 1966, the Tokyo Gallery held his first solo exhibition and later presented seven more solo shows between 1969 and 1987. Jiro represented Japan at the Venice Biennale in 1968 and exhibited at the Paris Biennial in 1969. He also took part in São Paulo Biennial in 1973.
During the period from 1968 to 1972, Takamatsu taught at Tama Art University in Tokyo.
Takamatsu gained prominence as a founding member of the Hi-Red Center collective and a key figure in the development of the Mono-Ha movement.
His most celebrated works are the "Shadow Paintings", in which he painted the isolated shadows of solitary figures and items in delicate grey.
In 1972, Jiro was awarded the Grand Prize at the Tokyo Print Biennial.
The artist's works were included at group shows at the Guggenheim Museum, Centre Pompidou, Paris, Yokohoma Art Museum, Japan, and the Guggenheim Museum SoHo.
Slack of Net
The Pole of Wave
Shadow (Mrs. Takamatsu with a Comb)
Photograph of Photograph
Double Shadow of a Woman
Compound #703
Maquettes of "The Poles and Space"
Untitled
Untitled
Untitled
Photograph of Photograph
1973Strings in Bottles
1963Oneness of Concrete
1971Untitled
Untitled
Untitled
Untitled
Compound
1971Photograph of Photograph
In the Form of Square
Jiro Takamatsu
Tape
Tape
In the Form of Square
In the Form of Square
Oneness of Paper
Oneness of Paper
Frame
Point No.15
Compound
Perspective
1969Space in Two Dimensions
1982Space in Two Dimensions, No. 946
1979Space
1981Compound
1978Space in Two Dimensions, No.1300
1986Space in Two Dimensions
1978Space in Two Dimensions
1977Overlapping
1983Takamatsu was a founding member of the Hi-Red Center collective alongside Genpei Akasegawa and Natsuyuki Nakanishi in 1963, and a key figure in the development of the Mono-Ha movement.