Joe Fine

1924 (age 85)

Philadelphia School of Industrial

His work appeared for decades in a wide variety of publications, including The American Magazine, Cartoon Spice, Collier"s, Good Housekeeping, Look. National Enquirer, National Lampoon, The Saturday Evening Post and Woman"s World. Foreign a year in the mid-1960s, he entered into newspaper syndication with Art Linkletter"s Kids, a daily gag panel featuring a cast of child characters—Klunkhead, Powder Puff, Specs Webster and Terry the Terror. Distributed by Syndicate, the series began November 4, 1963 and continued until October 1964. He also worked on the syndicated Hazel, as recalled by Ted Key"s son, Peter Key: My father hired cartoonist Stan Fine to ink his drawings. I wrote gags for him for an eight-year period, but he still turned out six new Hazel cartoons a week until he retired in 1993. still syndicates Hazel to newspapers, but the cartoons are ones that appeared before. Between sessions at the drawing board, Fine found time for his hobbies, woodworking, golf and reinventing himself as a cartoonist. Fine used the services of several gagwriters, including Terry Wampler. In later years, Fine"s most prolific work appeared in the pages of several men"s magazines, most notably Hustler. The days of old school cartoonists had passed and Fine found a new home in the "adult" market - Hustler in particular, where the perfect medium came into play with Fine regularly drawing single page cartoons depicting (among other things) devious little kids, a far cry from the familial tapestry woven into Hazel. The other side of Stan"s iconic humor was found in Wampler"s contributions, acknowledged in one National Enquirer cartoon showing kids in Halloween costumes, outside a darkened house, saying, "We know you"re in there, Mr. Wampler, so turn on the light and come out with your hands full.".

Joe Fine

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gag cartoonist

Education

Born in Pittsburgh, Fine studied at the Philadelphia School of Industrial Art and then launched his cartoon career.

Career

His work appeared for decades in a wide variety of publications, including The American Magazine, Cartoon Spice, Collier"s, Good Housekeeping, Look. National Enquirer, National Lampoon, The Saturday Evening Post and Woman"s World. Foreign a year in the mid-1960s, he entered into newspaper syndication with Art Linkletter"s Kids, a daily gag panel featuring a cast of child characters—Klunkhead, Powder Puff, Specs Webster and Terry the Terror.

Distributed by Syndicate, the series began November 4, 1963 and continued until October 1964.

He also worked on the syndicated Hazel, as recalled by Ted Key"s son, Peter Key:

My father hired cartoonist Stan Fine to ink his drawings. I wrote gags for him for an eight-year period, but he still turned out six new Hazel cartoons a week until he retired in 1993. still syndicates Hazel to newspapers, but the cartoons are ones that appeared before.

Between sessions at the drawing board, Fine found time for his hobbies, woodworking, golf and reinventing himself as a cartoonist. Fine used the services of several gagwriters, including Terry Wampler.

In later years, Fine"s most prolific work appeared in the pages of several men"s magazines, most notably Hustler.

The days of old school cartoonists had passed and Fine found a new home in the "adult" market - Hustler in particular, where the perfect medium came into play with Fine regularly drawing single page cartoons depicting (among other things) devious little kids, a far cry from the familial tapestry woven into Hazel. The other side of Stan"s iconic humor was found in Wampler"s contributions, acknowledged in one National Enquirer cartoon showing kids in Halloween costumes, outside a darkened house, saying, "We know you"re in there, Mr. Wampler, so turn on the light and come out with your hands full.".

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Joe Fine

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