Background
Born in Barnsley, son of the manager of a glass factory, he was educated at Sedbergh School in Cumbria, King"s College, Cambridge and the Edinburgh College of Art, where he studied architecture.
(The modern English theatre has had its poets and it has h...)
The modern English theatre has had its poets and it has had its dramatists but in John Arden it has acquired its first dramatic poet since well, let's be rash the days of Shakespeare.' Sunday Times. The Waters of Babylon: 'This wild, acidly funny and oddly tragic story of London lowlife. . . reveals Arden's tough linguistic freedom and the freewheeling ease with which he switches from prose to verse and back again' Sunday Times Live Like Pigs: 'Thrilling theatre. . . a rumbustious delight, outrageously funny, powerfully dramatic and, when you least expect it, genuinely moving. . . a modern classic' Daily Telegraph The Happy Haven (written with Margaretta D'Arcy): 'This rare and excellent revival perfectly reflects the play's bizarre atmosphere, its potent mixture of farcical prose, rhymed poetry, its marked avoidance of schematic moral codes' Time Out Serjeant Musgrave's Dance: 'A modern classic. . . a whitehot piece of work. . . Since its first appearance in 1959, the play has advanced towards us as if in a slow prophetic march' The Times Also included in the volume is When is a Door not a Door?, a oneact 'industrial episode'.
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Born in Barnsley, son of the manager of a glass factory, he was educated at Sedbergh School in Cumbria, King"s College, Cambridge and the Edinburgh College of Art, where he studied architecture.
Bachelor, Sedbergh School, King's College, Cambridge, 1953. Diploma, Edinburgh College Art, 1955.
All Fall Down 1955, The Life of Manitoba 1956, The Waters of Babylon 1957, Live Like Pigs 1958, Sergeant Musgrave’s Dance 1959, Soldier, Soldier 1960, The Happy Haven (with Margaretta Doctorate’Arcy) 1960, The Business of Good Government (with Margaretta Doctorate’Arcy) 1960, Wet Fish 1962, The Workhouse Donkey 1963, Ironhand 1963, Ars Longa Vita Brevis (with Margaretta Doctorate’Arcy) 1964, Armstrong’s Last Goodnight 1964, Left Handed Liberty 1965, Friday’s Hiding (with Margaretta Doctorate’Arcy) 1966, The Royal Pardon (with Margaretta Doctorate’Arcy) 1966, Muggins is a Martyr (with Margaretta Doctorate"Arcy and C.A.S.T.) 1968, The Hero Rises Up (musical with Margaretta Doctorate’Arcy) 1968, two autobiographical plays 1972, The Ballygombeen Bequest (with Margaretta Doctorate’Arcy) 1972, The Island of the Mighty (with Margaretta Doctorate’Arcy) 1972, Keep These People Moving (with Margaretta Doctorate’Arcy) 1972, The Non-Stop Connolly Show (with Margaretta Doctorate"Arcy) 1975, Pearl 1977, Vandaleur’s Folly (with Margaretta Doctorate"Arcy) 1978, The Little Gray Home in the West (with Margaretta Doctorate’Arcy) 1978, The Making of Muswell Hill (with Margaretta Doctorate’Arcy) 1979, The Ingenious Gentleman, Don Quixote de la Mancha (adapted from Cervantes) 1980, Garland for a Hoar Head 1982, The Old Manitoba Sleeps Alone 1982, The Manchester Enthusiasts (with Margaretta Doctorate’Arcy) 1984, Whose Is The Kingdom? (with Margaretta Doctorate’Arcy) 1986. Television documentary: Profile of Sean O’Casey (with Margaretta Doctorate’Arcy) 1973. Essays: ToHe first gained critical attention for the radio play The Life of Manitoba in 1956 shortly after finishing his studies. Arden was initially associated with the English Stage Company at the Royal Court Theatre in London. His 1959 play, Serjeant Musgrave"s Dance, in which four army deserters arrive in a northern mining town to exact retribution for an act of colonial violence, is considered to be his best.
His work was influenced by Bertolt Brecht and Epic Theatre.
Other plays include Live Like Pigs, The Workhouse Donkey, and Armstrong"s Last Goodnight, the last of which was performed at the 1963 Chichester Festival by the National Theatre after it was rejected by the Royal Court. His 1978 radio play Pearl was considered in a Guardian survey to be one of the best plays in that medium.
He was an advocate of civil liberties, and opposed anti-terror legislation, as demonstrated in his 2007 radio play The Scam. He was elected to Aosdána in 2011 before dying in Galway in 2012.
He was waked in a wicker casket.
(The modern English theatre has had its poets and it has h...)
Aosdána]
He was a member of the Royal Society of Literature. In Ireland, he was for a while a member of Official Sinn Féin.
Married Margaretta Ruth D'Arcy, 1957. 5 children.