Background
He was the eldest son of the six children of James Faed, tenant of Barlay Mill, Galloway, and Mary Faed, née McGeoch.
He was the eldest son of the six children of James Faed, tenant of Barlay Mill, Galloway, and Mary Faed, née McGeoch.
Until the age of 11, John attended Girthon Parish School.
Two other sons, Thomas, and James, also became artists. The Castle Douglas Weekly Visitor for 19 August 1831 recorded that at the examination of Girthon school "the company present were shown a beautiful and correct book of maps, executed by John Faed, as a specimen of his many and varied drawings, which often ere now have elicited the admiration of all who have seen them". Faed primarily painted religious, literary, and historical scenes.
He exhibited at the Royal Scottish Academy and the Royal Academy almost continually.
When he was President of the Kirkcudbrightshire Fine Art Association in 1899, his portrait of Sir Isaac Newton (painted when Faed was 36) was shown in the Dalbeattie Loan and Industrial Exhibition which took place in July and August that year. Faed also had a following in the United States.
His portrait of George Washington taking the Salute at Trenten was so popular that it was selected to illustrate an article on Washington in the Magazine of American History in 1880. His paintings, popular in Victorian Britain, can today be found in private and public collections, including the National Gallery of Scotland.
Faed became seriously ill in the summer of 1902, and died on 22 October at the age of 83.
Of these, 241 were hung in the Royal Scottish Academy, twenty of which were exhibited in the Royal Academy, and nineteen were exhibited in the Royal Academy only. The list is thought to be incomplete.
He was an active member of the community where he finally made his home, Gatehouse of Fleet.