Background
Jackson was born on November 5, 1825, in Bath, Maine. His parents were Thomas Jackson and Susan (Smith) Hale Jackson, daughter of Ebenezer and Susan Smith of Woolwich, Maine.
(Excerpt from The History of American Sculpture No more c...)
Excerpt from The History of American Sculpture No more composite nation than the United States has existed in modern times. The influx of foreign elements has been enormous; yet, despite the varied antecedents and the wide affinities of the American people, our language remains English and our traditions (such as exist) are and always have been English. In matters of religion and law, the inheritance was adequate, and familiar princi ples were readily harmonized with a new environment. In our literature, likewise, the ancestral traditions have been positive and potent; but in regard to the other fine arts they have been negative, though not less significant, since they explain, in large measure, the unpromising conditions amid which our national art was cradled. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Jackson was born on November 5, 1825, in Bath, Maine. His parents were Thomas Jackson and Susan (Smith) Hale Jackson, daughter of Ebenezer and Susan Smith of Woolwich, Maine.
In youth Jackson was a pupil of D. C. Johnston, of Boston; later, having become expert in linear and geometrical drawing, he turned to crayon drawing, in which field he made creditable portraits; and in Paris he studied anatomy and drew from life under Charles Suisse, a portrait painter.
In 1851, the year before Daniel Webster's death, Jackson modeled a bust of that statesman, not from life, but from information and portraits furnished by the Webster family. In 1853, he was in Florence, Italy, where he made portrait busts of Miss Adelaide Phillips, and of Thomas Buchanan Read, the poet afterward famous for his "Sheridan's Ride. " Both of these works by Jackson were shown in the United States, the Union League Club of Philadelphia buying the "Read. " In 1854, he was again in Paris, where he made a bust of John Young Mason, the United States minister to France. His fame in portraiture was established; it is said that his sitters numbered a hundred. In 1858, Jackson set up a studio in New York City, where he produced both portraits and ideal figures until in 1860, fortified by a commission from the Kane Monument Association (New York City) to make a post-mortem statue of Dr. Elisha Kent Kane, the explorer, he returned to Florence, which was thenceforth his home. Both in England and in Italy, the sculptor's marble group of "Eve and the Dead Abel" (1867), a composition of the familiar "Pietâ" type, met high praise from the critics; its anatomy was favorably analyzed in a surgeon's essay. Among numerous ideal themes were "Autumn, " "Cupid Stringing his Bow, " "Cupid on a Swan, " "Titania and Nick Bottom, " "The Culprit Fay, " "Peace, " and "Dawn. " A medallion called "Morning Glory" was fourteen times reproduced in marble. Jackson visited New York in 1867, and designed for the Croton Water Board a group for the southern gatehouse of the reservoir in Central Park. In 1869, his figure of a "Reading Girl" was the subject of a laudatory article in the Berlin Zeitung. His "Musidora, " shown at the Vienna Exposition of 1873, won plaudits from the press both of Vienna and Boston. In 1874, a Soldiers' Monument from his hand was erected in Lynn, Massachusetts, the city being symbolized by a bronze female figure, flanked by bronze statues of "War" and "Justice, " supported on a large granite pedestal. With "Hylas" (1875) and "Il Pastorello, " he returned to ideal themes. Jackson died on August 30, 1879, in Pracchia, Italy.
(Excerpt from The History of American Sculpture No more c...)