He sang leading and supporting roles with Opera Australia and its predecessors for 41 years (1967–2008), and with some overseas companies. He was strongly associated with roles by Mozart, such as Figaro and Count Almaviva in The Marriage of Figaro. The title role and Leporello in Don Giovanni.
Guglielmo and Don Alfonso in Così fan tutte.
And Papageno in The Magic Flute. John Pringle started his adult life as a pharmacist for five years, with a degree from the University of Melbourne.
His debut was in the Australian Opera"s 1967 production of Die Fledermaus, at the Princess Theatre, Melbourne, alongside singers such as Robert Gard and June Bronhill. Gard also appeared in Pringle"s final performance in 2008.
In 1973 he was part of the company"s historic first season at the Sydney Opera House, singing the role of Count Almaviva in The Marriage of Figaro.
He did not appear in the very first opera production at the Opera House, Prokofiev"s War and Peace, but he sang Prince Andrei in later productions of that opera. John Pringle"s repertoire included the title roles in The Barber of Seville (Rossini), Don Giovanni (Mozart), Falstaff (Verdi), Gianni Schicchi (Puccini) and Eugene Onegin (Tchaikovsky). Other roles included Malatesta and Dulcamara (Donizetti).
Lescaut, Marcello, Sharpless, Ping (Puccini).
Beckmesser (Wagner); Nick Shadow (Stravinsky). Golaud (Debussy); Politician in The Eighth Wonder (Alan John).
Zurga (Bizet). And roles in Death in Venice and The Rape of Lucretia (Britten).
Capriccio and Intermezzo (Richard Strauss). Lady Macbeth of Mtsensk (Shostakovich).
The Tales of Hoffmann (Offenbach). And operas by Janáček, Cilea, Sullivan, Massenet and Gounod.
He also appeared in musicals, such as Melvyn Morrow"s and John Mallord"s one-man show Postcards from Provence, based on stories by Alphonse Daudet.
He sang at Glyndebourne (as Nick Shadow in The Rake"s Progress), the Teatro Regio in Turin, San Diego Opera. The Paris Autumn Festival and the Paris Theatre Musical. In Cologne and Brussels, and with the Australian state opera companies and symphony orchestras.
At the age of 65 in 2003, he learned what he considered his most difficult role, that of Doctor Schön/Jack the Ripper in Alban Berg"s Lulu.
His last major role was in Melbourne on 14 December 2007, as Leporello in Don Giovanni, a role with which he had become strongly associated. His final performance was in Sydney on 24 October 2008, a week after he turned 70, as Jaroslav Prus in Janáček"s The Makropoulos Secret, in a production directed by Neil Armfield.
After the performance, he was presented with the Opera Australia Trophy. Adrian Collette, Chief Executive Officer of Opera Australia, said "John Pringle is one of the artists on which our company has been built.
He has been there almost from the beginning and has stuck with us through thick and thin, a great actor, a magnificent singer and, above all, a real ensemble player loved and admired by colleagues and audiences alike.".