Background
He was born on October 4, 1800 on the island of St. Thomas, West Indies (now United States), of French parents. The family came to the United States in 1807 and settled in New York City.
( This work has been selected by scholars as being cultur...)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
https://www.amazon.com/Memoir-Rev-Henry-Martyn/dp/1379097517?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=1379097517
He was born on October 4, 1800 on the island of St. Thomas, West Indies (now United States), of French parents. The family came to the United States in 1807 and settled in New York City.
About 1814 the boy John Francis was apprenticed to his brother-in-law, Thomas Gimbrede, to learn the art of engraving.
By the time he was twenty-one, Prud'homme was signing engravings of his own. His first work was as a portrait engraver, in the stipple manner, but to extend his market he was soon doing general illustrative engravings. In 1831 when James Herring started The National Portrait Gallery of Distinguished Americans, Prud'homme engraved a number of plates for the work.
Some of his best engravings were done for annuals and other books during the period 1839-52. Catalogues of engravings of his period list numerous plates by him, among them portraits of Philander Chase, Fisher Ames, Fredrika Bremer, Horatio Nelson, and George Washington, others.
From 1834 to 1853 Prud'homme was curator of the National Academy of Design and was for a time instructor in a life class there. From 1852 to 1869 he was employed by a banknote engraving firm in New York as designer and engraver of decorative work.
After some years of failing health, he died at his home in Georgetown, District of Columbia.
John Francis Eugene Prud'Homme was considered excellent both as a draftsman and as an engraver. He engraved the title-page and frontispiece for Maria Edgeworth's Novels and Tales; "St. Patrick's Cathedral", designed as an advertisement for the Douai Bible; "The Declaration of Independence, " from the work of John Trumbull, and other famous works. During nearly 20 years he served with distinction in bureau of engraving and printing in Washington as a designer of the ornamentation of bank notes and securities.
( This work has been selected by scholars as being cultur...)
He had a daughter.