Background
He was born at Limoges.
(Leopold is delighted to publish this classic book as part...)
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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(This historic book may have numerous typos and missing te...)
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1882 Excerpt: ...your husband who will ever present to the Chambers a law in favor of divorce." "Who knows?" answered Sulpice. "I am, I assure you, in favor of divorce." "And so am I," said Adrienne, "for I do not understand how a woman can belong to two men at once." "You reason from yourself, my child. The unhappy creatures who suffer--and--. The actual law allows separation, and this separation is the same as divorce, except that it is more cruel and more unjust, i divorce without liberty, a divorce that perpetuates and only lengthens the chasm." "Sulpice is right, Madame, and sooner or later France will have this frightful divorce law." "After all," answered Adrienne, "what does it matter to me?" And she threw the journal into the waste paper basket with its Vauthier versus Vauthier. "We have no concern with it, either he or I. He loves me, I love him. I am sure of him as he is of me. He may demand all the laws he chooses; he will not be selfish in doing so for he will not profit by them." "Not I, indeed!" said Sulpice laughing, only too glad to escape from Adrienne's strange and almost intuitive uneasiness. There was an unnatural sound in his laugh, for Sulpice felt an acute pang of remorse at the expression of his wife's entire confidence. He thought of Marianne, and was impatient to see her, but this conversation had made him uncomfortable. He was in haste to go back to la Rue Prony. The Hotel Beauvan weighed upon his spirits--it was like a prison, from which he escaped with eagerness. Yes, it was a prison to him as well as to Adrjenne, a prison from which he fled to Marianne's boudoir. And while he was there the woman he had disdained and abandoned, who was sad w...
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("Prince Zilah - Volume III" from Jules Claretie. Jules Ar...)
"Prince Zilah - Volume III" from Jules Claretie. Jules Arsène Arnaud Claretie (3 December 1840 – 23 December 1913) was a French literary figure and director of the Théâtre Français.
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(Le prince Zilah: roman parisien (14e A(c)d.) / par Jules ...)
Le prince Zilah: roman parisien (14e A(c)d.) / par Jules Claretie Date de l'A(c)dition originale: 1884 Ce livre est la reproduction fidAle d'une oeuvre publiA(c)e avant 1920 et fait partie d'une collection de livres rA(c)imprimA(c)s A la demande A(c)ditA(c)e par Hachette Livre, dans le cadre d'un partenariat avec la BibliothAque nationale de France, offrant l'opportunitA(c) d'accA(c)der A des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont A(c)tA(c) numA(c)risA(c)es par la BnF et sont prA(c)sentes sur Gallica, sa bibliothAque numA(c)rique. En entreprenant de redonner vie A ces ouvrages au travers d'une collection de livres rA(c)imprimA(c)s A la demande, nous leur donnons la possibilitA(c) de rencontrer un public A(c)largi et participons A la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherchA(c) A concilier la reproduction fidAle d'un livre ancien A partir de sa version numA(c)risA(c)e avec le souci d'un confort de lecture optimal. Nous espA(c)rons que les ouvrages de cette nouvelle collection vous apporteront entiAre satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
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(Work from the late nineteenth century French literary fig...)
Work from the late nineteenth century French literary figure and director of the Théâtre Français.
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(Excerpt from Camille Desmoulins and His Wife: Passages Fr...)
Excerpt from Camille Desmoulins and His Wife: Passages From the History of the Dantonists The following history of the most dramatic and touching episodes of the French Revolution has cost the author many years of labour, which he regards as the best employed period of his life. Just as he had terminated his researches into the life and character of the men on whom he proposed to form a judgment, the late war between France and Prussia broke out, and the terrible days which led France for a moment to the brink of destruction ensued. Not until after those dark days of cruel trial had come to an end did the historian resume his interrupted task, bringing to its fulfilment greater calmness of mind and increased certitude of experience; for, by the light of events of which he has been the sorrowful eyewitness, he has contemplated the facts of an eventful past not yet a century old. Such periods of national trouble as that through which we have just passed have one element of consolation amid their bitterness; they force the least reflective minds into attention and thought. They are the hours of 'examination of conscience' for peoples. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from Les Muscadins Sur la place Vendome, ou l'he...)
Excerpt from Les Muscadins Sur la place Vendome, ou l'herbe poussait, haute et drue, entre les paves, on voyait une cage de fer ou, de temps a autre, le gouvernement faisait solennellement bruler les faux assignats. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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( Title: Camille Desmoulins and his Wife. Passages from t...)
Title: Camille Desmoulins and his Wife. Passages from the history of the Dantonists ... Translated ... by Mrs. Cashel Hoey. With a portrait. Publisher: British Library, Historical Print Editions The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Clarétie, Jules; Desmoulins, Camille; Hoey, Frances Cashel; 1876. xiii, 480 p. ; 8º. 9225.g.4.
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(Leopold is delighted to publish this classic book as part...)
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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(Leopold is delighted to publish this classic book as part...)
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Les Muscadins, Volume 2; Les Muscadins; Jules Claretie 3 Jules Claretie E. Dentu, 1876 History; General; History / General
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(Excerpt from Les Muscadins: Drame en Cinq Actes Et Huit T...)
Excerpt from Les Muscadins: Drame en Cinq Actes Et Huit Tableaux Muscadins, combien il etait important, en matiere de litterature et d'art, de realiser, sur-le-champ, toute pensee qui vous vient au cerveau, pourvu qu'on la croie bonne. Il y a plus de huit ans, en effet, que les Muscadins etaient concus, et ils eussent peut-etre alors donne le ton et le la a cette mode qui s'est tour nee si completement vers le Directoire. Epoque amusante et bizarre, que ce Directoire, dont le thea tre, le roman, la peinture, le joujou, le commerce ont tant use, tour a tour, depuis quatre ans et dont la foule chose etrange n'est point lasse, et pour quoi? Parce que les costumes, les excentricites, les ridicules et les elegances de ce temps ont et gardent, en depit de la profusion, je ne sais quel charme gai et seduisant. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
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("Prince Zilah - Volume II" from Jules Claretie. Jules Ars...)
"Prince Zilah - Volume II" from Jules Claretie. Jules Arsène Arnaud Claretie (3 December 1840 – 23 December 1913) was a French literary figure and director of the Théâtre Français.
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(Les Muscadins, drame en 5 actes et 8 tableaux, par Jules ...)
Les Muscadins, drame en 5 actes et 8 tableaux, par Jules Claretie. (Paris, Theatre historique, 16 septembre 1875.) Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
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(This book (hardcover) is part of the TREDITION CLASSICS. ...)
This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.
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( This work has been selected by scholars as being cultur...)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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("Prince Zilah - Volume I" from Jules Claretie. Jules Arsè...)
"Prince Zilah - Volume I" from Jules Claretie. Jules Arsène Arnaud Claretie (3 December 1840 – 23 December 1913) was a French literary figure and director of the Théâtre Français.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(Leopold is delighted to publish this classic book as part...)
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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(SfeNE ARNAUD CLARETIE (commonly called Jules), was born o...)
SfeNE ARNAUD CLARETIE (commonly called Jules), was born on December 3, 1840, at Limoges, the picturesque and smiling capital of Limousin. He has been rightly called the Roi de la Chronique and the Themistocle de la Litterature Contemporaine. In fact, he has written, since early youth, romances, drama, history, novels, tales, chronicles, dramatic criticism, literary criticism, military correspondence, virtually everything! He was elected to the French Academy in 1888. Claretie was educated at the Lycee Bonaparte, and was destined for a commercial career. He entered a business-house as bookkeeper, but was at the same time contributing already to newspapers and reviews. In 1862 we find him writing for the Diogene; under the pseudonym, Olivier de Jalin, he sends articles to La France; his nom-de-plume in UI llustration is Perdican ;he also contributes to the Figaro, UI ndependence Beige, Opinion Nationale (1867-1872); he signs articles in the Rappel as Candide ;in short, his fecundity in this field of literature is very great. He is to-day a most popular journalist and writes for the Presse, Petit Journal, Temps, and others. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org
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(Webster's edition of this classic is organized to expose ...)
Webster's edition of this classic is organized to expose the reader to a maximum number of synonyms and antonyms for difficult and often ambiguous English words that are encountered in other works of literature, conversation, or academic examinations. Extremely rare or idiosyncratic words and expressions are given lower priority in the notes compared to words which are ¿difficult, and often encountered¿ in examinations. Rather than supply a single synonym, many are provided for a variety of meanings, allowing readers to better grasp the ambiguity of the English language, and avoid using the notes as a pure crutch. Having the reader decipher a word's meaning within context serves to improve vocabulary retention and understanding. Each page covers words not already highlighted on previous pages. If a difficult word is not noted on a page, chances are that it has been highlighted on a previous page. A more complete thesaurus is supplied at the end of the book; synonyms and antonyms are extracted from Webster's Online Dictionary. PSAT¿ is a registered trademark of the College Entrance Examination Board and the National Merit Scholarship Corporation neither of which sponsors or endorses this book; SAT¿ is a registered trademark of the College Board which neither sponsors nor endorses this book; GRE¿, AP¿ and Advanced Placement¿ are registered trademarks of the Educational Testing Service which neither sponsors nor endorses this book, GMAT¿ is a registered trademark of the Graduate Management Admissions Council which is neither affiliated with this book nor endorses this book, LSAT¿ is a registered trademark of the Law School Admissions Council which neither sponsors nor endorses this product. All rights reserved.
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(Excerpt from The Immortals Prince Zilah, Vol. 6: By Comte...)
Excerpt from The Immortals Prince Zilah, Vol. 6: By Comte D'haussonville and Illus, by Herman Rountree Arsène Arnaud Claretie (commonly called Jules), was born on December 3, 1840, at Limoges, the picturesque and smiling capital of Limousin. He has been rightly called the "Roi de la Chronique" and the "Thémistocle de la Litterature Contemporaine." In fact, he has written, since early youth, romances, drama, history, novels, tales, chronicles, dramatic criticism, literary criticism, military correspondence, virtually everything! He was elected to the French Academy in 1888. Claretie was educated at the Lycee Bonaparte, and was destined for a commercial career. He entered a business-house as bookkeeper, but was at the same time contributing already to newspapers and reviews. In 1862 we find him writing for the Diogene; under the pseudonym, "Olivier de Jalin," he sends articles to La France; his nom-de-plume in L'Illustration is "Perdican"; he also contributes to the Figaro, L'Indépendence Belge, Opinion Nationale (1867-1872); he signs articles in the Rappel as "Candide"; in short, his fecundity in this field of literature is very great. He is to-day a most popular journalist and writes for the Presse, Petit Journal, Temps, and others. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Prince Zilah - Complete is presented here in a high quali...)
Prince Zilah - Complete is presented here in a high quality paperback edition. This popular classic work by Jules Claretie is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Jules Claretie then we highly recommend this publication for your book collection.
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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(Leopold is delighted to publish this classic book as part...)
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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(, xiii, 480 pages, with portrait frontispiece and facsimi...)
, xiii, 480 pages, with portrait frontispiece and facsimile letter
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(Webster's edition of this classic is organized to expose ...)
Webster's edition of this classic is organized to expose the reader to a maximum number of synonyms and antonyms for difficult and often ambiguous English words that are encountered in other works of literature, conversation, or academic examinations. Extremely rare or idiosyncratic words and expressions are given lower priority in the notes compared to words which are ¿difficult, and often encountered¿ in examinations. Rather than supply a single synonym, many are provided for a variety of meanings, allowing readers to better grasp the ambiguity of the English language, and avoid using the notes as a pure crutch. Having the reader decipher a word's meaning within context serves to improve vocabulary retention and understanding. Each page covers words not already highlighted on previous pages. If a difficult word is not noted on a page, chances are that it has been highlighted on a previous page. A more complete thesaurus is supplied at the end of the book; synonyms and antonyms are extracted from Webster's Online Dictionary. PSAT¿ is a registered trademark of the College Entrance Examination Board and the National Merit Scholarship Corporation neither of which sponsors or endorses this book; SAT¿ is a registered trademark of the College Board which neither sponsors nor endorses this book; GRE¿, AP¿ and Advanced Placement¿ are registered trademarks of the Educational Testing Service which neither sponsors nor endorses this book, GMAT¿ is a registered trademark of the Graduate Management Admissions Council which is neither affiliated with this book nor endorses this book, LSAT¿ is a registered trademark of the Law School Admissions Council which neither sponsors nor endorses this product. All rights reserved.
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(HIGH QUALITY FACSIMILE REPRODUCTION: Claretie, Jules: Bri...)
HIGH QUALITY FACSIMILE REPRODUCTION: Claretie, Jules: Brichanteau, Actor; : Facsimile: Originally published by Boston : Little, Brown and company in 1897. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text.
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(This is an EXACT reproduction of a book published before ...)
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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historian journalist librettist novelist playwright writer
He was born at Limoges.
He was a newspaper correspondent during the Franco-Prussian War, and during the Paris Commune acted as staff-officer in the National Guard. In 1885 he became director of the Théâtre Français, and from that time devoted his time chiefly to its administration until his death. During the battle for Octave Mirbeau"s comedy Les affaires sont les affaires (Business is business), the Comité de Lecture is abolished, in October 1901, and Jules Claretie becomes the only responsible for choosing the modern plays to be performed.
(Excerpt from Camille Desmoulins and His Wife: Passages Fr...)
(Webster's edition of this classic is organized to expose ...)
(Webster's edition of this classic is organized to expose ...)
(Excerpt from Les Muscadins: Drame en Cinq Actes Et Huit T...)
(Excerpt from Les Muscadins Sur la place Vendome, ou l'he...)
(This book was originally published prior to 1923, and rep...)
(This book was originally published prior to 1923, and rep...)
(HIGH QUALITY FACSIMILE REPRODUCTION: Claretie, Jules: Bri...)
(SfeNE ARNAUD CLARETIE (commonly called Jules), was born o...)
( This work has been selected by scholars as being cultur...)
(Leopold is delighted to publish this classic book as part...)
(Leopold is delighted to publish this classic book as part...)
(Leopold is delighted to publish this classic book as part...)
(Leopold is delighted to publish this classic book as part...)
(Leopold is delighted to publish this classic book as part...)
(Work from the late nineteenth century French literary fig...)
(Prince Zilah - Complete is presented here in a high quali...)
(Les Muscadins, drame en 5 actes et 8 tableaux, par Jules ...)
(, xiii, 480 pages, with portrait frontispiece and facsimi...)
(This is an EXACT reproduction of a book published before ...)
(This historic book may have numerous typos and missing te...)
(This book (hardcover) is part of the TREDITION CLASSICS. ...)
(This is a reproduction of a book published before 1923. T...)
(This is a reproduction of a book published before 1923. T...)
("Prince Zilah - Volume III" from Jules Claretie. Jules Ar...)
("Prince Zilah - Volume II" from Jules Claretie. Jules Ars...)
("Prince Zilah - Volume I" from Jules Claretie. Jules Arsè...)
(Excerpt from The Immortals Prince Zilah, Vol. 6: By Comte...)
(Le prince Zilah: roman parisien (14e A(c)d.) / par Jules ...)
( Title: Camille Desmoulins and his Wife. Passages from t...)
Académie française]
He was elected a member of the Académie française in 1888, and took his seat in February 1889, being received by Ernest Renan.