Background
Justin O'Brien was born on November 26, 1906, in Chicago, Illinois, United States, the son of Quin O'Brien and Ellen (McCortney) O'Brien.
((Book Jacket Status: Jacketed) From one of the most bril...)
(Book Jacket Status: Jacketed) From one of the most brilliant and influential thinkers of the twentieth century–two novels, six short stories, and a pair of essays in a single volume. In both his essays and his fiction, Albert Camus (1913—1960) de-ployed his lyric eloquence in defense against despair, providing an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning. The Plague–written in 1947 and still profoundly relevant–is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters–from a renegade missionary to an adulterous wife –at decisive moments of revelation. Set beside their fictional counterparts, Camus’s famous essays “The Myth of Sisyphus” and “Reflections on the Guillotine” are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought.
https://www.amazon.com/Plague-Kingdom-Selected-Everymans-Library/dp/1400042550?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=1400042550
(One of the most influential works of this century, The My...)
One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.
https://www.amazon.com/Myth-Sisyphus-Other-Essays/dp/0679733736?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=0679733736
(Journal entries depict Andre Gide's feelings about litera...)
Journal entries depict Andre Gide's feelings about literature and philosophy and chronicle his efforts to create a unique writing style
https://www.amazon.com/Journals-Andre-Gide-1889-1949-1924-1949/dp/0810107651?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=0810107651
(Elegantly styled, Camus' profoundly disturbing novel of a...)
Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.
https://www.amazon.com/Fall-Albert-Camus/dp/0679720227?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=0679720227
(Madeleine is the story of a great writer's marriage, a de...)
Madeleine is the story of a great writer's marriage, a deeply disturbing account of André Gide's feelings towards his beloved and long-suffering wife. It was a relationship which Gide exalted―he termed it the central drama of his existence―yet deliberately shrouded in mystery. This was no ordinary marriage. Madeleine Rondeaux, two years older than her cousin André Gide, became his wife after Gide's first visit to Algeria. In his Journal, Gide refers to her as Emmanuèle or as Em. Only in this book, published a few months after his death, does Gide call her by her real name and painfully reveal the nature of their life together. All of Gide's vast work may be viewed as a confession, impelled by his need to write what he believed to be true about himself. In Madeleine this act of confession reaches a crowning point. It is a complex tale by a complex man about a complex relationship. “Ranks among the masterpieces of Gide's vibrating prose. It is also the most tragic personal document to have emanated from Gide's pen.”―New York Times.
https://www.amazon.com/Madeleine-Andre-Gide/dp/0929587197?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=0929587197
Justin O'Brien was born on November 26, 1906, in Chicago, Illinois, United States, the son of Quin O'Brien and Ellen (McCortney) O'Brien.
Justin O'Brien graduated from Phillips Exeter Academy in 1924 and the University of Chicago in 1927. He then studied French literature at Harvard, concentrating on adolescence in the French novel. O'Brien received his M. A. from Harvard in 1928, Ph. D. in 1936.
Later O'Brien was named Blanche W. Knopf Professor of French Literature at Columbia.
Justine O'Brien served in the United States Army during World War II and was decorated in 1945 with the Légion d'Honneur and the Croix de Guerre for his services in the French campaign and for his work as a liaison officer.
O'Brien's scholarship was based on a close reading of original texts and a firm sense of the moral and psychological issues raised by the authors. His translation of the Journals of André Gide, published in four volumes between 1947 and 1951, helped create a remarkably large English-speaking readership for this quintessentially French and occasionally elusive author.
In 1953, the same year that his Index des oeuvres complètes d'André Gide came out, O'Brien published his Portrait of André Gide. The latter work perhaps best illustrates O'Brien's ability to combine analysis with a sympathetic and intuitive understanding of a subtle and controversial writer. O'Brien's object in his Portrait was to do what Aristaeus does in one version of the myth of Proteus: oblige the wily old deity to reveal his true nature. If this endeavor was not entirely successful, it was because of the problems confronting any biographer of a subject who, in the last analysis, did not even know what he really thought or felt and could not anticipate what new changes might come over him. There was nevertheless a pleasing contrast between O'Brien's slightly dry, analytical approach and Gide's subtle personality. The book was thus a perfect introduction to two styles of writing: on the one hand, the style of the elusive artist and, on the other, that of the sharp-minded critic anxious to solve the questions of whether Gide was a Christian or a pagan, a mystic or a sensualist, an anguished puritan or a self-justifying homosexual. O'Brien's own moral concerns shone through and made his Gide, to some extent, a man of whom the New England Puritan tradition would not finally have disapproved.
O'Brien had the greatest impact on English-language readers through his translation of the essays and fiction of Albert Camus. While O'Brien was not invited to translate L'Étranger (The Stranger) or La Peste (The Plague), his renderings of Le Mythe de Sisyphe (The Myth of Sisyphus, 1955), La Chute (The Fall, 1957), and L'Exil et le royaume (Exile and the Kingdom, 1958) reveal a mastery of both languages and cultures. O'Brien knew Camus personally and had the good fortune of being able to discuss his translations with him.
In 1958, O'Brien also selected and translated what he called From the N. R. F. - an anthology of works from the most influential literary magazine in France (Nouvelle Revue Française) - and here again the qualities of this perspicacious but slightly self-effacing man came out clearly in his readiness to let the authors speak for themselves.
O'Brien's contribution to the intellectual life of mid-twentieth-century America was not limited to his books and translations. At Columbia, he chaired the Department of French from 1958 to 1963. From 1954 to 1961 he was the general editor of the Romanic Review, after having previously served as reviews editor. He received the Médaille d'Or du Rayonnement Français in 1965. Less than a week after he was named Blanche W. Knopf Professor of French Literature at Columbia, he died in New York City.
Justin O'Brien was decorated in 1945 with the Légion d'Honneur and the Croix de Guerre for his services in the French campaign and for his work as a liaison officer. O'Brien is famous through his remarkable translation of the Journals of André Gide and the essays and fiction of Albert Camus. He received the Médaille d'Or du Rayonnement Français in 1965.
((Book Jacket Status: Jacketed) From one of the most bril...)
(Madeleine is the story of a great writer's marriage, a de...)
(One of the most influential works of this century, The My...)
(Journal entries depict Andre Gide's feelings about litera...)
(Elegantly styled, Camus' profoundly disturbing novel of a...)
On January 24, 1931, Justine O'Brian married Isabel Ireland. They had no children.