In 1987 she received scholarships from the Lee Foundation and Shaw Foundation to study in the Yehudi Menuhin School, where she attended lessons and masterclasses conducted by Lord Menuhin himself and collaborated with him in chamber and orchestral performances at the age of 11. She graduated from the Cleveland Institute of Music with a Masters of Music Degree and an Artist Diploma in 2001, under the tutelage of Donald Weilerstein.
Born in Singapore in 1975, she was given violin lessons at the age of six by the elder Kam, and had her early education at the Methodist Girls" School. In her second year at the school, she played at the Royal Festival Hall with the Wren Orchestra of London, and her debut performance to a packed Victoria Concert Hall in Singapore. In 1993, Kam furthered her music education at the Curtis Institute of Music to study with Jaime Laredo and Yumi Scott and received her bachelor"s degree there.
The young Kam appeared in an episode of the popular British television programme Blue Peter when she was eight, playing Paganini"s Caprice Number.5 in a segment featuring students from the Yehudi Menuhin School.
She was awarded the Young Artist Award by the National Arts Council in 2000. In 2001 her performance took the second place Prix du Gouvernement Fédérale Belge Eugéne Ysaye in the Queen Elisabeth Music Competition in Belgium in 2001.
Kam Ning has since performed with many world-class orchestras like the Royal Liverpool Philharmonic, the National Orchestra of Belgium, the Singapore Symphony Orchestra, the City of London Sinfonia and the Luxemburg Philharmonic, Malaysian Philharmonic, Helsinki Philharmonic, and Toronto Symphony, just to name a few. In her performance with the Orchestra della Svizzera Italiana under Menuhin in Switzerland in 1991, she was praised by critics as a "brilliant young violinist from Singapore" for her outstanding performance of Mendelssohn"s East-minor Violin Concerto.
Kam Ning counts her father Kam Kee Yong, and mentor Yehudi Menuhin as her most important sources of influence.
To her, Menuhin remains "the most imaginative man she has ever met" for his repertoire in violin-playing. Her father"s strict teaching instilled a sense of discipline in her, as he set high expectations from her.
