Background
Christiansen, Keith was born on January 6, 1947.
(Catalogo di mostra: Roma, Palazzo Venezia 20 ottobre 2001...)
Catalogo di mostra: Roma, Palazzo Venezia 20 ottobre 2001 - 20 gennaio 2002; New York, The Metropolitan Museum of Art 14 febbraio - 12 maggio 2002; Saint Louis, The Saint Louis Art Museum 15 giugno - 15 settembre 2002. Con 147 figure in nero e a colori ne
http://www.amazon.com/gp/product/B00QCBLVTA/?tag=2022091-20
(A catalogue of the first comprehensive exhibition in a de...)
A catalogue of the first comprehensive exhibition in a decade of the work of Giambattista Tiepolo, the most brilliant artist of eighteenth-century Venice.
http://www.amazon.com/gp/product/0870998129/?tag=2022091-20
(This beautiful series lavishly illustrates the world's ma...)
This beautiful series lavishly illustrates the world's major fresco cycles from the early fourteenth through the seventeenth centuries. Each book also contains a comprehensive text, a biography of the artist, a bibliography, and a glossary.
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(New book never used. Box show some signs of shelf wear Th...)
New book never used. Box show some signs of shelf wear The book is in new condition.
http://www.amazon.com/gp/product/B00506VTVI/?tag=2022091-20
(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
http://www.amazon.com/gp/product/0810964155/?tag=2022091-20
( In this fascinating book, Fra Carnevaleheretofore a my...)
In this fascinating book, Fra Carnevaleheretofore a mysterious, quasi-legendary figureemerges as a well-defined and pivotal artist in Renaissance Florence. In presenting their case, the authors take the reader from the workshop of Filippo Lippi in Florence to Urbino, capital of Federico da Montefeltro’s duchy in the region of the Marches. It was a road most memorably traveled by Piero della Francesca, who worked in Florence in 1439 and became Federico’s favorite artist. This book shows that other lesser known artists like Fra Carnevale also took the same path. Among the many other artistspainters and sculptorscrucial to Fra Carnevale’s formation and discussed in this volume are Domenico Veneziano, Luca della Robbia, Pesellino, and Agostino di Duccio. Essays by Keith Christiansen, Andrea De Marchi, and Matteo Ceriana and a documentary appendix by Andrea Di Lorenzo and Matteo Mazzalupi transform our knowledge of this exciting moment in the history of Renaissance art.
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(From about 1425, artists in the region which is now Belgi...)
From about 1425, artists in the region which is now Belgium and The Netherlands created paintings which were startling in their realism and innovative approach. Published to accompany an exhibition at The Metropolitan Museum of Art, this book celebrates one of the great epochs of western art.
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( Few artists have managed to imprint their personality s...)
Few artists have managed to imprint their personality so indelibly on posterity as Andrea Mantegna (c. 1430–1506). Before he reached the age of twenty, Mantegna was already being praised for his alto ingegno (exalted genius), and he became the court artist for the Gonzaga family in Mantua before he was thirty. Yet, this book argues, Mantegna was not simply a great painter. Together with Donatello, he was the defining genius of the 15th century: the measure of what an artist could be. His highly original and deeply personal vision, the descriptive richness of his pictures, and his biting, hypercritical but always exalted mind gave Mantegna’s art an extraordinary edge and earned him a preeminent place in the Renaissance.
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(A Sweeping and comprehensive exploration of the work and ...)
A Sweeping and comprehensive exploration of the work and influence of Fra Carnevale. An indispensable reference for anyone interested in Italian Renaissance culture.
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(From Van Eyck to Bruegel Early Netherlandish Painting in ...)
From Van Eyck to Bruegel Early Netherlandish Painting in the Metropolitan Museum of Art
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(Father and daughter Orazio and Artemisia Gentileschi were...)
Father and daughter Orazio and Artemisia Gentileschi were unusual and gifted artists. Orazio Gentileschi (1563-1639) was the most talented follower of Caravaggio and a figure of international renown, active at the courts of Marie de' Medici in France, Charles 1 in England, and in Rome, Genoa, and Turin. Artemisia (1593-1652/3) was the first Italian woman artist who was not only praised for her art by her contemporaries but whose paintings influenced the work of later generations. She is today a key figure in gender studies. Essays by an international group of art historians not only explore the development of each of these two painters individually but also compare their work, showing how both were influenced by their times and milieus. The book also includes new transcriptions of key parts of the notorious rape trial of Artemisia. This beautiful book is the catalogue for the first full-scale exhibition of the works of Orazio and Artemisia Gentileschi, held at The Metropolitan Museum of Art from 14th February to 12th May 2002, travelling thereafter to the St Louis Art Museum and to Rome.
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Christiansen, Keith was born on January 6, 1947.
Bachelor in History and French Literature, University California, Santa Cruz, 1965—1969. Master of Arts in Art History, University California, Los Angeles, 1969—1972. Doctor of Philosophy in Art History, Harvard University, 1972—1977.
Assistant curator, European Paintings Metropolitan Museum of Art, New York City, 1977—1980, associate curator, European Paintings, 1980—1987, curator, European Paintings, 1987—1989, Jayne Wrightsman curator, since 1989. Clarence and Ruth Wedgewood Kennedy professor, Renaissance Studies Smith College, 1999. Member, Grants Committee Metropolitan Museum of Art, 1980—1983.
Adjunct associate professor, Art History and Archeology Columbia University, New York City, 1985, New York City, 86, New York City, 88, New York City, 1992—1994, New York City, 1990, New York City, 97. Adjunct professor Institute Fine Arts, New York University, 1991, 98, 2001. Board member Center for Advisory Study of Visual Arts, 1995—1998.
Member, Grants Board, I Tatti Harvard Center for Renaissance Studies, Florence, since 2002.
(Catalogo di mostra: Roma, Palazzo Venezia 20 ottobre 2001...)
(From about 1425, artists in the region which is now Belgi...)
( In this fascinating book, Fra Carnevaleheretofore a my...)
(A catalogue of the first comprehensive exhibition in a de...)
(This beautiful series lavishly illustrates the world's ma...)
( Few artists have managed to imprint their personality s...)
(From Van Eyck to Bruegel Early Netherlandish Painting in ...)
(Father and daughter Orazio and Artemisia Gentileschi were...)
(A Sweeping and comprehensive exploration of the work and ...)
(This is a reproduction of a book published before 1923. T...)
(Many black and white and color photos of paintings. Inclu...)
(Book by Christiansen, Keith, Kanter, Laurence B., Strehlk...)
(Book by Christiansen, Keith)
(New book never used. Box show some signs of shelf wear Th...)
Fellow: American Academy Art. & Sciences; member: Academy Clementina.