Background
She is the daughter of Australian author Jessica Anderson.
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Laura Jones
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Jones started her career writing teleplays for the Australian Broadcasting Corporation. Her first feature film cr was the original screenplay for High Tide (1987), directed by Gillian Armstrong and starring Judy Davis. This was followed by her adaptation of the Janet Frame autobiography, An Angel at My Table (1990), which was directed by Jane Campion.
She collaborated again with Campion, this time on The Portrait of a Lady (1996).
The following years saw her team up with Armstrong on Oscar and Lucinda, as well as work on other literary adaptations for Hollywood. Jones is a strong supporter of Australian filmmaking and during the 1990s served on the Australian Film Commission.
Laura Jones spent the beginning of her adult life doing odd jobs. In her mid-twenties she bought her first television and after watching many shows she thought that writing for television “would be a way of making money without going to work”.
Jones’ screenwriting career began after she sent a play to Australian screenwriter Tony Morphett.
Morphett got Jones her first screenwriting job for the Australian Broadcasting Corporation’s Certain Women series in 1975. Jones continued to work in television for a time and she that: "you learn a great deal writing for soaps". Jones’ career in film began with her original screenplay for High Tide in 1987 that was directed by Gillian Armstrong and “garnered high praise”.
Following her success, Jane Campion hired Jones for a television miniseries that turned into the film Angel at my Table, an adaptation of Janet Frame"s autobiography.
After this Jones" career turned into adaptation after adaptation. Her films are generally about women and feature strong female characters and she is now “considered one of the world’s best movie adapters”.
Jones has never been interested in being a director, however "in interviews Jones has stated how closely she likes to work with directors, and how strongly she believes in the importance of having the writer on the set". She sees the importance of working with directors who share her passion, for example she has a "strong commitment to collaborative working with female directors, notably Jane Campion and Gillian Armstrong".
She was especially fortunate in her film Hight Tide as Armstrong and Sandra Levy (the film"s producer) continued to let her take part in the film during production.
Jones states that Armstrong and Levy "regarded me as very much part of the process and when some minutes had to be cut out, I was asked about it". Jones served on the Australian Film Commission during the 1990s and is "very active in encouraging women"s (and alternative) women"s cinema".
