Background
Lizbeth L. Goodman was born on December 15, 1964, in the United States. She is the daughter of Alan and Beverly Alice (Harrington) Goodman.
Rochester, NY, USA
University of Rochester
1 Brookings Dr, St. Louis, MO 63130, USA
Washington University, St. Louis
The Old Schools, Trinity Ln, Cambridge CB2 1TN, UK
Cambridge University
Walton Hall, Kents Hill, Milton Keynes MK7 6AA, UK
Open University
Belfield Downs, Dublin, D14 YH57, Ireland
University College of Dublin
(Literature and Gender combines an introduction to and an ...)
Literature and Gender combines an introduction to and an anthology of literary texts which powerfully demonstrate the relevance of gender issues to the study of literature. The volume covers all three major literary genres - poetry, fiction and drama - and closely examines a wide range of themes, including: feminity versus creativity in women's lives and writing the construction of female characters autobiography and fiction the gendering of language the interaction of race, class and gender within writing, reading and interpretation. Literature and Gender is also a superb resource of primary texts, and includes writing by: Sappho Emily Dickinson Sylvia Plath Tennyson Elizabeth Bishop Louisa May Alcott Virginia Woolf Jamaica Kincaid Charlotte Perkins Gilman Susan Glaspell Also reproduced are essential essays by, amoung others, Maya Angelou, Sandra Gilbert and Susan Gubar, Toni Morrison, Elaine Showalter, and Alice Walker. No other book on this subject provides an anthology, introduction and critical reader in one volume. Literature and Gender is the ideal guide for any student new to this field.
https://www.amazon.com/gp/product/B00CDUXVWY/?tag=2022091-20
1996
(Feminist Stages draws together the voices of more than fi...)
Feminist Stages draws together the voices of more than fifty women currently working in the theatres of England, Wales, Scotland and Ireland. It asks provocative questions: What is Feminism? Does gender matter in the theatre? Is there a "female" or "feminist" way of working in the theatre? Are things changing for women in the theatre today? These women speak across generations, sometimes at cross purposes. They speak from individual positions with regard to race, class, sexuality and regional identity, and approaches to performance. About the Author and Researcher Lizbeth Goodman is Lecturer (Theatre Studies/Gender Studies specialist) at the Open University. She also produces and directs comedy at the Gate Theatre, London. Jane de Gay is a Research Assistant working on the Gender, Politics, Performance Research Project (chaired by Lizbeth Goodman for the Open University). She is also completing at Ph.D. study about the work of Virginia Woolf.
https://www.amazon.com/gp/product/3718658720/?tag=2022091-20
1996
(A clear introduction to the idea of the canon, exploring ...)
A clear introduction to the idea of the canon, exploring the process by which certain works, and not others, receive high cultural status. The work of Shakespeare and Aphra Behn is used to illustrate and challenge this process.
http://www.amazon.com/gp/product/0415135761/?tag=2022091-20
1996
(Written and presented by Lizbeth Goodman and Angus Calder...)
Written and presented by Lizbeth Goodman and Angus Calder, this cassette includes a wide variety of readings of poems, followed by discussions about the way in which gender affects the reading and interpretation of poems. Among the poets covered are Emily Dickinson, Robert Browning, Sylvia Plath and Elizabeth Bishop. There are also interviews with contemporary female poets, including Gillian Clarke, Val Smith and Jackie Kay. Produced by Mags Noble.
http://www.amazon.com/gp/product/0415146631/?tag=2022091-20
1997
(First published in 1999, 'Women, Politics and Performance...)
First published in 1999, 'Women, Politics and Performance in South African Theatre Today' is an important contribution to Performance.
https://www.amazon.com/gp/product/B000OI0ZQC/?tag=2022091-20
1999
(A collection of 16 pieces by British and American women w...)
A collection of 16 pieces by British and American women writers comprising extracts from plays, poems and short stories chosen to examine the ways in which women are looked at and look at themselves, specifically relating to performance and writing. The collection will be a set text for an Open University course on Gender and Writing.
http://www.amazon.com/gp/product/0571191401/?tag=2022091-20
2000
(Contemporary Feminist Theatres is a major evaluation of t...)
Contemporary Feminist Theatres is a major evaluation of the forms feminism has taken in the theatre since 1968. Lizbeth Goodman provides a provocative and interdisciplinary study of the development of feminist theatres in Britain. She examines the treatment of key issues such as gender, race, sexuality, language and power in performance. Based on original research and fresh data, Contemporary Feminst Theatres is a fully comprehensive and admirably clear analysis of a flourishing field of practice and inquiry.
https://www.amazon.com/gp/product/B000P2XI1Q/?tag=2022091-20
2003
administrator advisor educator playwright author
Lizbeth L. Goodman was born on December 15, 1964, in the United States. She is the daughter of Alan and Beverly Alice (Harrington) Goodman.
Goodman graduated from the University of Rochester with a bachelor's degree (magna cum laude) in 1986 and the next year obtained her master's degree from Washington University at St. Louis. She then also received a doctorate from Cambridge University, graduating from it in 1991.
Goodman started her career as a lecturer in literature at Open University in London in 1990. She worked there for 8 years until she founded SMARTlab and the MAGIC (Multimedia and Games Innovation Centre) Centres, where she currently works as a president and director.
From 2007 to 2010, Goodman held the position of a Senior Advisor to the Innovation Academy and the Leonardo Panel of the Science Gallery and since 2010, Goodman holds the position of Professor of Inclusive Design and Chair of Creative Technology Innovation at University College Dublin.
During her career, Goodman also worked as an art director and producer at several women’s theatre companies during the 1990s.
Lizbeth Goodman is best known as the Founder/Director of the SMARTlab and the MAGIC (Multimedia and Games Innovation Centre), which was established in its first iteration in 1992 at the Open University BBC, and which has developed and delivered an award-winning practice-based PhD Programme and many major research projects since.
Lizbeth is also known both as an interdisciplinary advocate and expert in live and mediated arts and digital humanities and also in the emergent domain of Inclusive Design and Creative Technology Innovation as applied to the areas of Digital Inclusion, Assistive Technology and Lifelong Learning. She has written and edited/co-edited 14 books including the recent Inclusive Learning Handbook for the EC Leonardo Programme, and many peer-reviewed articles, has supervised 40 PhDs to successful completion, and has written and presented many broadcast and media programmes of repute (on television, radio, cd-rom, dvd and convergent media platforms).
In 2012 she was nominated to the Chair of the Social Sciences Committee of the Royal Irish Academy. She was also selected by a global panel of industry, academic and NGO experts as one of the CSR Global Top 50 Most Talented Social Innovators: awarded in Mumbai in February 2015. She came third nationally in the recent Global Enterprise Awards for Ireland, for her work in setting up and running virtual campuses and virtual training centres for learners of all levels of ability around the world. In this effort, she has recently secured a major award to design a global network of SMARTlab VR First Impact Labs.
(A collection of 16 pieces by British and American women w...)
2000(Written and presented by Lizbeth Goodman and Angus Calder...)
1997(Literature and Gender combines an introduction to and an ...)
1996(Feminist Stages draws together the voices of more than fi...)
1996(A clear introduction to the idea of the canon, exploring ...)
1996(First published in 1999, 'Women, Politics and Performance...)
1999(Contemporary Feminist Theatres is a major evaluation of t...)
2003Goodman is a member of the International Theatre Institute, International Shakespeare Association, Women’s International Studies Europe, British Theatre Writers Union, Association of University Teachers, New Playwrights Trust, Association of Women in the Arts and Education, Nineteenth-Century American Women Writers, American Association of University Women, Association of Theatre in Higher Education, American Society for Theatre Research and Phi Beta Kappa.