Background
Luca Giordano was born on October 18, 1634, in Naples, Italy. He was a son of Antonio Giordano, who was also a painter. It was Antonio, who imparted to Luca the first rudiments of drawing.
Luca Giordano was born on October 18, 1634, in Naples, Italy. He was a son of Antonio Giordano, who was also a painter. It was Antonio, who imparted to Luca the first rudiments of drawing.
At the age of eight, Luca painted a cherub into one of his father's pictures, a feat, which was at once noised abroad, and induced the viceroy of Naples to recommend the child to Jusepe de Ribera, with whom Giordano studied in around 1650.
At the age of twenty, Luca traveled to Rome, Parma and Venice, copying and imitating, with great speed and virtuosity, many and various styles. The most decisive influence on him at that time was the High Baroque art of Pietro da Cortona, who was Luca's mentor in Rome.
Between 1682-1683, Luca lived in Florence, where he created different fresco series, including one in the dome of Corsini Chapel of the Chiesa del Carmine. Also, it was at that time, that the painter decorated a ceiling in the Palazzo Medici Riccardi.
In 1692, Giordano went to Madrid at the invitation of Charles II, where he remained ten years and produced numerous works in oil and in fresco, achieving fame and wealth. He also painted many pictures for the court, private patrons and churches. As Luca became popular at the Spanish court, the king granted him the title of a "caballero".
In 1702, after the death of his patron Charles II, Luca accompanied Philip V to Naples, where he lived until his last day. His last great work in Naples was the ceiling of the Cappella del Tesoro in San Martino, begun on his return in 1702 and completed in April 1704.
Luca Giordano was the most celebrated and prolific Neapolitan painter of the late 17th century. He was particularly noted for his lively and showy use of colour. Giordano's greatest works include "Christ Expelling the Traders from the Temple" (1684), "The Triumph of Judith" (1704) and others.
Today, the painter's works are kept in the collections of different museums, art institutions and galleries, including the Art Institute of Chicago, State Hermitage Museum in Saint Petersburg, Liechtenstein Museum in Vienna, Metropolitan Museum of Art in New York City and others.
St. Sebastian
Philosopher
Virgin and Child with Souls in Purgatory
The Asumption of the Virgin
Lamentation
The Judgment of Paris
Dives and Lazarus
The Dream of Solomon
The Flight into Egypt
The Martyrdom of Saint Januarius
Messina Returning to Spain
Christ Led to Calvary
The Parable of the Prodigal Son. The Penitent Swineherd
San Gennaro Freed Naples from the Plague
The Holy Family
Allegory of Justice
Diogenes
Resurrection
Diana and Endymion
The Disarming of Cupid, an Allegory of Chastity
The Battle between Lapiths and Centaurs
Psyche Served by Invisible Spirits
Hagar and Ishmael in the Desert
Crucifixion of Saint Peter
Decorative Ceiling (Palazzo Medici Riccardi)
Allegory of Fortitude
The Forge of Vulcan
Jacob and Rachel at the Well
Pythagoras
Diana and Endymion
Venus Punishing Psyche with a Task
The Rape of Helen
Martyrdom of Saint Bartolomeo
Triumph of the Medici in the Clouds of Mount Olympus
Allegory of Temperance
The Holy Family with the Infant Saint John the Baptist
Samson and Delilah
Tarquin and Lucrece
The Death of Archimedes
Mythological Scene with the Rape of Proserpine
Christ and the Adulteress
The Rape of Europa
Socrates
The Judgement of Paris
The Devil Tempting Christ to Turn Stones into Bread
Saint Anthony of Padua miraculously restores the Foot of a Self-Mutilated Man
The Rape of Lucretia
Portrait of Maria Anna of Neuburg
Cybele
Cupid Visiting the Sleeping Psyche
The Triumph of David
The Parable of the Prodigal Son. The Fatted Calf
The Parable of the Prodigal Son. Riotous Living
Charles II, King of Spain, on Horseback
The Birth of the Virgin with the Virgin and Child in Glory
Pilate Washing His Hands
Plato
Xanthippe
Aristotle
Minerva as Protectress of the Arts and Sciences
The Triumph of Galatea
Allegory of Magnanimity
Mathematic
Adoration of the Shepherds
The Cave of Eternity
Bacchus and Ariadne
Crates
The Lamentation
The Annunciation
The Judas Kiss
The Defeat of Sisera
Psyche's Sisters Giving her a Lamp and a Dagger
Hercules and Omphale
Apotheosis of the Medici
A Homage to Velazquez
Lot and His Daughters
The Liberation of Saint Peter
Saint Michael
The Death of Seneca
The Birth of the Virgin
Judith Displaying the Head of Holofernes
Allegory of Prudence
The Sacrifice of Elijah Against the Prophets of Baal
Psyche Transported and Discovering Cupid's Palace
Heraclitus and Democritus. Right Panel
Heroclito
The Triumph of Judith
The Visitation
The Ecstasy of Saint Mary Magdalen
Ecce Homo
Psyche's Parents Offering Sacrifice to Apollo
Philosopher
Self Portrait
The Last Supper
Psyche Exposed on a Rock
The Fall of the Rebel Angels
Moses and the Brazen Serpent
Psyche Discovering the Sleeping Cupid
Saint John the Baptist Preaching
Expulsion of the Moneychangers from the Temple
Decorative Ceiling (detail) in the Palazzo Medici Riccardi
Cynic philosopher
The Parable of the Prodigal Son. Receiving His Portion
The Parable of the Prodigal Son. Received Home by His Father
Psyche Honoured by the People
The Discovery of the Body of Holofernes
The Judgement of Solomon
Flight into Egypt
The Judgement of Solomon
Raising of Lazarus
Cynic philosopher
Marriage of the Virgin
Heraclitus and Democritus. Left Panel
Perseus Fighting Phineas and His Companions
The Presentation of Mary at the Temple
The Entombment of Christ
Christ Cleansing the Temple
The Good Samaritan
Mythological Scene of Agriculture
Christ before Pilate
The Rape of the Sabine Women
The Creation of Man (detail of decorative ceiling)
Bacchus and Ariadne
Democritus
Young Bacchus Sleeping
Saint Sebastian Cured by Irene
The Triumph of Bacchus and Ariadne
Caton
Mars and Venus Caught by Vulcan
Allegory of Divine Wisdom
Democritus
The Parable of the Prodigal Son. Driven out by His Former Companions
Luca's speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two nicknames — "The Thunderbolt" (Fulmine) and "The Proteus".
Quotes from others about the person
"Giordano was the ideal rococo painter, speedy, prolific, dazzling in colour, assured in draughtsmanship, ever-talented and never touching the fringe of genius." — Michael Levey, an English art historian