Background
Ludwig Tieck was born in Berlin, Germany on May 5, 1773. His intellectual and imaginative gifts were evident from early youth, when he considered himself a rationalist and follower of the Enlightenment.
(This selection features eight Novellen by leading German ...)
This selection features eight Novellen by leading German writers of the nineteenth century. Newly translated, each piece has an introduction which explores the many contradictions in the theory and practice of the novella, as well as analysis of the narrative devices of individual stories. Included here are Blond Eckbert, by Ludwig Tieck, The Marchioness of O..., by Heinrich von Kleist, Lenz, by Georg Büchner, The Jew's Beech, by Annette von Droste-Bülshoff, Tourmaline, by Adalbert Stifter, Mozart on the Way to Prague, by Eduard B "orike, Clothes Make the Man, by Gottfried Keller, and The White Horse Rider, by Theodor Storm. These carefully selected novellas provide a means of surveying an important and widely-studied genre in German literature.
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( Ludwig Tieck: Der blonde Eckbert / Der Runenberg Editi...)
Ludwig Tieck: Der blonde Eckbert / Der Runenberg Edition Holzinger. Taschenbuch Berliner Ausgabe, 2015, 5. Auflage Vollständiger, durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Michael Holzinger Der blonde Eckbert: • Erstdruck in: Volksmärchen, hg. von Peter Leberecht d.i. Tieck, Berlin (Nicolai) 1797. Der Runenberg: • Erstdruck in: Taschenbuch für Kunst und Laune, Köln 1804. Textgrundlage ist die Ausgabe: • Ludwig Tieck: Werke in vier Bänden. Nach dem Text der »Schriften« von 18281854, unter Berücksichtigung der Erstdrucke. Herausgegeben von Marianne Thalmann, Band 14, München: Winkler, 1963. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Umschlaggestaltung unter Verwendung des Bildes: Ludwig Tieck (Gemälde von Robert Schneider, um 1833) Gesetzt aus Minion Pro, 11 pt.
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(Provides a kind of handbook to this German Romantic movem...)
Provides a kind of handbook to this German Romantic movement...All the varieties are here: magical, musical, political and aesthetic...An excellent translation."" - TLS. ""These tales are hard to find in translation and this is a thoughtful grouping...one of the great strengths of these tales is their lack of inhibition: they risk gesture, idealism, passion and freely subvert the demands of naturalism. The power of the mind is compellingly dramatized."" - Literary Review. ""Will be of interest to students of Romanticism and philosophy in any language. General readers may also appreciate the fiction-writing skill of these 3 authors."" - Academic Library Book Review. ""Ably translated."" - Small Press. ""A nice compilation of representative German Romantic short fiction. It is eminently suitable for general readers and for undergraduate classroom use."" - Choice.
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(Dieses eBook wurde mit einem funktionalen Layout erstellt...)
Dieses eBook wurde mit einem funktionalen Layout erstellt und sorgfältig formatiert. Die Ausgabe ist mit interaktiven Inhalt und Begleitinformationen versehen, einfach zu navigieren und gut gegliedert. Ludwig Tieck (1773-1853) war ein deutscher Dichter, Schriftsteller, Herausgeber und Übersetzer der Romantik.
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(Johann Ludwig Tieck (1773-1853) was a German poet, transl...)
Johann Ludwig Tieck (1773-1853) was a German poet, translator, editor, novelist, and critic, who was part of the Romantic movement of the late 18th and early 19th centuries. Tieck's transition to Romanticism is seen in the series of plays and stories published under the title Volksmärchen von Peter Lebrecht (1797), a collection which contains the admirable fairy-tale Der Blonde Eckbert, and the witty dramatic satire on Berlin literary taste, Der Gestiefelte Kater. With his school and college friend Wilhelm Heinrich Wackenroder (1773-1798), he planned the novel Franz Sternbalds Wanderungen (1798), which, with Wackenroder's Herzensergiessungen (1798), was the first expression of the romantic enthusiasm for old German art. His writings between 1798 and 1804 include the satirical drama, Prinz Zerbino (1799), and Romantische Dichtungen (1799-1800). The latter contains Tieck's most ambitious dramatic poems, which were followed in 1804 by the remarkable "comedy" in two parts, Kaiser Oktavianus. These dramas, in which Tieck's poetic powers are to be seen at their best, are typical plays of the first Romantic school.
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(Terry Brooks. David Eddings. George R. R. Martin. Robin H...)
Terry Brooks. David Eddings. George R. R. Martin. Robin Hobb. The top names in modern fantasy all acknowledge J. R. R. Tolkien as their role model, the author whose work inspired them to create their own epics. But what writers influenced Tolkien himself? Here, internationally recognized Tolkien expert Douglas A. Anderson has gathered the fiction of authors who sparked Tolkiens imagination in a collection destined to become a classic in its own right. Andrew Langs romantic swashbuckler, The Story of Sigurd, features magic rings, an enchanted sword, and a brave hero loved by two beautiful women and cursed by a ferocious dragon. Tolkien read E. A. Wyke-Smiths The Marvelous Land of Snergs to his children, delighting in these charming tales of a pixieish people only slightly taller than the average table. Also appearing in this collection is a never-before-published gem by David Lindsay, author of Voyage to Arcturus, a novel which Tolkien praised highly both as a thriller and as a work of philosophy, religion, and morals. In stories packed with magical journeys, conflicted heroes, and terrible beasts, this extraordinary volume is one that no fan of fantasy or Tolkien should be without. These tales just might inspire a new generation of creative writers. Tales Before Tolkien: 22 Magical Stories The Elves by Ludwig Tieck The Golden Key by George Macdonald Puss-Cat Mew by E. H. Knatchbull-Hugessen The Griffin and the Minor Canon by Frank R. Stockton The Demon Pope by Richard Garnett The Story of Sigurd by Andrew Lang The Folk of the Mountain Door by William Morris Black Heart and White Heart by H. Rider Haggard The Dragon Tamers by E. Nesbit The Far Islands by John Buchan The Drawn Arrow by Clemence Housman The Enchanted Buffalo by L. Frank Baum Chu-bu and Sheemish by Lord Dunsany The Baumhoff Explosive by William Hope Hodgson The Regent of the North by Kenneth Morris The Coming of the Terror by Arthur Machen The Elf Trap by Francis Stevens The Thin Queen of Elfhame by James Branch Cabell The Woman of the Wood by A. Merritt Golithos the Ogre by E. A. Wyke-Smith The Story of Alwina by Austin Tappan Wright A Christmas Play by David Lindsay Once upon a time, fantasy writers were looked down upon by the literary mainstream as purveyors of mere escapism or, at best, bedtime tales fit only for children. Today fantasy novels stand atop the bestseller lists, while fantasy films smash box office records. Fantasy dominates the role-playing and computer gaming industries, and classic works in the genre are taught in schools and universities throughout the world. Credit for this amazing turnaround belongs to one man more than any other: John Ronald Reuel Tolkien, the beloved author of The Hobbit and The Lord of the Rings. Terry Brooks. Robert Jordan. Terry Goodkind. George R.R. Martin. The top names in modern fantasy all acknowledge J.R.R. Tolkien as their model and master, the author whose work first fired their imaginations and inspired them to create their own epics. But what writers influenced Tolkien? Sir Isaac Newton once wrote, If I have seen further, it is by standing on the shoulders of giants. As with the scientific genius of Newton, so, too, with the literary genius of Tolkien. Now internationally recognized Tolkien expert Douglas A. Anderson has gathered the fiction of some of those giants together for the first time in a collection destined to become a classic in its own right. In The Golden Key, the inspiration for Tolkiens short story Smith of Wootton Major, George Macdonald tells the tale of a boy whose quest for the end of the rainbow leads beyond the borders of the world. Andrew Langs romantic swashbuckler, The Story of Sigurd, features magic rings, an enchanted sword, and a brave hero loved by two beautiful womenand cursed by an evil dragon. Tolkien read E.A. Wyke-Smiths Marvelous Land of Snergs to his children, delighted with these charming tales of a pixieish people only slightly taller than the average table. Creatures with a fondness for human flesh are featured in Lord Dunsanys The Hoard of the Gibbelins, in which Alderic, a knight, sets out to rob the evil, man-eating Gibbelins of their fabled treasure-trove. In stories packed with magical journeys, conflicted heroes, and terrible beasts, this extraordinary volume is one that no fan of fantasy or Tolkien should be without. These tales just might inspire a new generation of creative writers.
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(Der blonde Eckbert ist ein Kunstmärchen. Es geht um ein E...)
Der blonde Eckbert ist ein Kunstmärchen. Es geht um ein Ehepaar, den blonden Eckbert und seine Frau Bertha, die in Zurückgezogenheit leben. Eckberts Freund Walther ist der einzige Kontakt zur Außenwelt. Der Runenberg: Ein melancholischer junger Jäger namens Christian trifft im Gebirge auf einen Fremden, der ihn ein Stück begleitet. Unterwegs erzählt er von seiner Herkunft. Sein Vater, ein Gärtner in einem Schloss, ist enttäuscht, weil sein Sohn nicht ähnliche Interessen zeigt, sondern sich vielmehr einzig von seiner Sehnsucht nach dem Gebirge und der Natur leiten lässt... Der getreue Eckart und der Tannhäuser: In einer Schlacht rettet der getreue Eckart das Leben des Herzogs Burgund und verliert seinen Sohn für ihn. Der Herzog belohnt ihn, misstraut ihm aber später seines hohen Ansehens wegen, das er ihm neidet. Er nimmt seinen zweiten Sohn gefangen und auch den Jüngsten, der zu ihm kam, um ihn umzustimmen. Liebeszauber: Der melancholische Emil streitet oft mit seinem lebenshungrigen Freund Roderich. Er will ihm seine Liebe zum Nachbarsmädchen gestehen, dieser will ihn aber zu einem Karnevalsball schleifen. Die Elfen: Abseits eines wohlhabenden Dorfes mit fruchtbaren Feldern und hellen Häusern liegt eine finstere Zigeunerhütte in einem Tannengrund, wo sich niemand hintraut. Die Nachbarskinder Marie und Andres machen einen Wettlauf um den Grund, und Marie nimmt die Abkürzung... Inhalt: Der blonde Eckbert Der getreue Eckart und der Tannhäuser Das jüngste Gericht Sehr wunderbare Historie von der Melusina Der Runenberg Liebeszauber Liebesgeschichte der schönen Magelone und des Grafen Peter von Provence Die Elfen Der Pokal Pietro von Abano Die Vogelscheuche Das alte Buch und die Reise ins Blaue hinein
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Ludwig Tieck was born in Berlin, Germany on May 5, 1773. His intellectual and imaginative gifts were evident from early youth, when he considered himself a rationalist and follower of the Enlightenment.
In 1792 he began his university studies, first at Halle and then at Göttingen, where he began his first novel, William Lovell, completed in 1796. This is the story of a young Englishman who begins as an idealist but falls into a life of sensuality and various misdeeds.
After he has seduced and abandoned the sister of a friend, the friend seeks him out and eventually kills him in a duel. In 1793 Tieck, together with the young writer Wilhelm Heinrich Wackenroder, began a wandering tour of southern Germany, where they discovered the riches of medieval German culture. On the basis of these experiences, Tieck and Wackenroder undertook joint authorship of a novel, Franz Sternbalds Wanderungen (Franz Sternbald's Wanderings). Wackenroder died in 1798, and Tieck completed the novel alone. The book is one of the first Künstlerromane, or novels about artists. Franz Sternbald is a pupil of the 16th-century painter Albrecht Dürer. He wanders about Europe learning and practicing his art, experiencing life, and seeking his mysterious Marie, whom he finally rejoins in Rome. The novel conveys much of Wackenroder's and Tieck's enthusiasm for older art. By 1794 Tieck had returned to Berlin, where he wrote treatises in the spirit of rationalistic philosophy but also showed his developing romantic tastes in his edition and adaptation of old German folktales. In addition he wrote fairy tales of his own, such as Der blonde Eckbert (1797; The Blonde Eckbert), a tale of guilt, incest, and supernatural happenings. About this time Tieck also wrote the experimental dramas Prinz Zerbino and Der gestiefelte Kater (Puss in Boots). In the latter play he uses the basic plot of the children's story as an occasion, or framework, for various satirical actions and comments. The play intentionally destroys theatrical illusion, and the poet and even the audience are given parts to speak; thus it may be regarded as a precursor of the 20th century's experimental theater. More conventional plays of the same period were the historical dramas Leben und Tod der heiligen Genoveva (1799; Life and Death of Holy Genoveve) and Kaiser Octavianus (1804). In 1799 Tieck established contact with the group of romantic writers living in Jena, principally Novalis and August Wilhelm and Friedrich von Schlegel. He collaborated with them in editing medieval poetry. He also translated Cervantes's Don Quixote and helped edit the literary remains of Wackenroder, Novalis, and the dramatists Heinrich von Kleist and Jakob Lenz. His most important work as a translator was his contribution to the complete German version of Shakespeare which had been begun by August Wilhelm von Schlegel. Completed in 1833, the Tieck-Schlegel Shakespeare became a standard work of German literature. During his later years Tieck's own creative work underwent a gradual change. His later novels and short stories show a more realistic attitude and depiction of life than his earlier, more romantic works. For example, the story Des Lebens Überfluss (1839; Life's Abundance) describes in accurate detail the life of an impoverished young married couple. In addition to such stories Tieck also wrote a historical novel, Vittoria Accorombona (1840), which shows the influence of Sir Walter Scott. After leaving Jena, Tieck spent several years at a country estate and then in 1819 moved to Dresden, where he became dramaturgical consultant for the city theater. In 1841 King Frederick William IV of Prussia summoned him to Berlin, where he remained as court author-in-residence.
(Johann Ludwig Tieck (1773-1853) was a German poet, transl...)
(This selection features eight Novellen by leading German ...)
(Dieses eBook wurde mit einem funktionalen Layout erstellt...)
( Ludwig Tieck: Der blonde Eckbert / Der Runenberg Editi...)
(Provides a kind of handbook to this German Romantic movem...)
( Briefe an Ludwig Tieck (4/4)Vierter Band by Ludwig Tieck)
(Der blonde Eckbert ist ein Kunstmärchen. Es geht um ein E...)
(Terry Brooks. David Eddings. George R. R. Martin. Robin H...)
Quotations: "The truly beautiful, the great and sublime, when it overpowers us with astonishment and admiration, still does not surprise us as a thing foreign, never heard of, never seen; but, on the other hand, our own inmost nature in such moments becomes clear to us, our deepest remembrances are awakened, our dearest feelings made alive. "