Career
Spitz"s writings on rock and roll and popular culture have appeared in Spin (where he was a Senior Writer) as well as The New York Times, Maxim, Blender, Harp, Nylon and the New York Post. He is a contributing music writer for Vanity Fair. Spitz is the author of the novels, How Soon Is Never, and Too Much, Too Late and the biographies We Got the Neutron Bomb: The Untold Story of Los Angeles Punk (with Brendan Mullen), Nobody Likes You: Inside the Turbulent Life, Times and Music of Green Day, Bowie: A Biography and Jagger: Rebel, Rock Star, Rambler, Rogue.
He appears in the anthologies: The Encyclopedia of Ex-es, Howl: A Collection of the Best Contemporary Dog Wit and Rock North’ Roll Cage Match: Music’s Greatest Rivalries Decided.
His books have been translated and published in French, Danish, German and Dutch. Spitz has been a "Downtown" playwright since emerging from the Ludlow Street scene around Todo Con Nada in 1998. was selected and anthologized as one of New York Theatre’s Best of 2001, and its opening monologue appears in the Applause anthology One One One: Best Men's Monologues of the 21st Century, published in October, 2008.
Spitz has spoken at Columbia University (on playwrighting) and DePaul University (on journalism), and appeared as a "talking head" on Music Television, Video Hits One, Microsoft and National Broadcasting Company.