Background
Margaret Dickie was born on September 13, 1935, in Bennington, Vermont, United States. She is the daughter of Henry Dickie, an athletic director, and Dorothy (Sweet) Dickie, a librarian.
Middlebury, Vermont, United States
Middlebury College
Providence, Rhode Island, United States
Brown University
Champaign, Illinois, United States
University of Illinois
Athens, Georgia, United States
University of Georgia
(In Lyric Contingencies Margaret Dickie brings Wallace Ste...)
In Lyric Contingencies Margaret Dickie brings Wallace Stevens and Emily Dickinson together to explore the ways in which the lyric genre is eccentric to, even disruptive of, the Emersonian tradition that has shaped American literary history. Dickie contends that although Stevens and Dickinson represent different moments of cultural crises, different genders, and different and private lives, they faced similar problems of expression and similar formal and cultural restraints in their devotion to the lyric genre. Dickie considers those elements of the lyric that set it apart from both prose and narrative poetry: its speaker, its insistence on artifice, and its relation to an audience. By concentrating on these, she examines the radically experimental ways in which Dickinson and Stevens used the genre to question cultural certainties of gender, language, and the nature of the individual.
https://www.amazon.com/gp/product/0812230779/?tag=2022091-20
1991
(In an insightful and provocative juxtaposition, Margaret ...)
In an insightful and provocative juxtaposition, Margaret Dickie examines the poetry of three preeminent women writers--Gertrude Stein, Elizabeth Bishop, and Adrienne Rich--investigating the ways in which each attempts to forge a poetic voice capable of expressing both public concerns and private interests. Although Stein, Bishop, and Rich differ by generation, poetic style, and relationship to audience, all three are twentieth-century lesbian poets who struggle with the revelatory nature of language. All three, argues Dickie, use language to express and to conceal their experiences as they struggle with a censorship that was both culturally sanctioned and self-imposed. Dickie explores how each poet negotiates successfully and variously with the need for secrecy and the desire for openness. By analyzing each poet's work in light of the shared themes of love, war, and place, Dickie makes visible a continuity of interests between these three rarely linked women. In their very diversity of style and strategy, she argues, lies a triumph of the creative imagination, a victory of poetry over polemic.
https://www.amazon.com/gp/product/0807823082/?tag=2022091-20
1997
Margaret Dickie was born on September 13, 1935, in Bennington, Vermont, United States. She is the daughter of Henry Dickie, an athletic director, and Dorothy (Sweet) Dickie, a librarian.
Dickie graduated from the Middlebury College as Bachelor of Arts in 1956. In 1965 she received doctor's degree from the Brown University.
Dickie worked at the University of Illinois at Urbana-Champaign for a long period of time, beginning as an assistant professor, she became a professor of English, staying at that position for 20 years from 1967. She was a department head from 1983 till 1987.
At the University of Georgia, Dickie served as a distinguished professor, since 1987.
(In an insightful and provocative juxtaposition, Margaret ...)
1997(In Lyric Contingencies Margaret Dickie brings Wallace Ste...)
1991
Dickie was a member of a board of trustees of the University of Georgia Foundation.
She is a member of the Modern Language Association of America, the American Studies Association and the Athens Country Club.
Dickie married Benjamin Uroff on February 1961. They divorced in April 1978. Margaret has 2 children - Elizabeth Uroff Schrak and Catharine Uroff Brill.