(The first book in the famine trilogy. Ireland in the 1840...)
The first book in the famine trilogy. Ireland in the 1840s is devastated by famine. When tragedy strikes their family, Eily, Michael and Peggy are left to fend for themselves. Starving and in danger of the dreaded workhouse, they escape. Their one hope is to find the great aunts they have heard about in their mother's stories. With tremendous courage they set out on a journey that will test every reserve of strength, love, and loyalty they possess.
(The second book in the famine trilogy. At seven, Peggy ma...)
The second book in the famine trilogy. At seven, Peggy made a terrifying journey through famine-stricken Ireland. Now thirteen, and determined to make a new life for herself, she sets off alone across the Atlantic to America. Will she ever see her family again? An extraordinary story of courage, independence, and adventure.
(The final book in the famine trilogy. For Eily, Michael a...)
The final book in the famine trilogy. For Eily, Michael and Peggy the memory of the famine is still strong. But Mary-Brigid, Eily's first child, has the future to look forward to. What kind of future is it? Ireland is in turmoil, with evictions, burnings, secret meetings, fights over land. Eily and her family may be thrown off their farm. Michael may lose his job in the big house. And Peggy, in America, feels trapped in her role as a maid. Will they ever have land and a home they can call their own? Eily, Michael, and Peggy have once shown great courage. Now this courage is called on again.
(Sophie and Hugh are left homeless when their house is bom...)
Sophie and Hugh are left homeless when their house is bombed during the London Blitz. Their mother is seriously injured and their Dad is away fighting, so the children are sent to their grandfather in Ireland. Sophie is scared - they have never met grandfather but his letters cause such trouble in the house, and their Dad never speaks of him.
(It's hard to pretend that everything is normal when your ...)
It's hard to pretend that everything is normal when your whole life has been turned upside down. "She's gone!" The letter said she needed time to be herself again. But what does that mean? Greg and Lucy, at fourteen and twelve, act cool and responsible when their mother leaves. Six-year-old Grace is just bewildered. Conor, a troubled ten-year-old, takes drastic action to show how he feels. And behind it all, there is hope and the beginnings of a plan to bring their mother back.
(The mysterious arrival of Bella Blackwell, "The Bird Woma...)
The mysterious arrival of Bella Blackwell, "The Bird Woman," to the village of Ballyglen disturbs the peace and quiet of the Murphy household next door. Granny Rose is suspicious of Bella, and Rory doesn't trust her, but ten-year-old Mia falls under the old woman's spell. Bella tells Mia of a faraway place, a world where dragons and giants and ancient magic still exists and asks Mia to become her apprentice and learn the old ways. One dark night Mia disappears and Rory, determined to find his sister, follows her to a world he does not believe in. Riding the "Shadow Hound," he journeys to a strange land of legendary creatures and terrible dangers. Bella uses all her powers to prevent the brother and sister from finding each other, but Rory begins a brave quest to rescue his sister, break the strange enchantment that Bella has over her and find a way home.
(The wide-open spaces of Connemara, filled with nothing bu...)
The wide-open spaces of Connemara, filled with nothing but sea and sky, are all lost to Esther Doyle when she is betrayed by her lover, Conor. Rejected by her family, she is sent to join the "fallen women" of the Holy Saints Convent in Dublin where, behind high granite walls, she works in the infamous Magdalen laundry while she awaits the birth of her baby. At the mercy of nuns, and working mostly in silence alongside the other "Maggies," Esther spends her days in the steamy, sweatshop atmosphere of the laundry. It is a grim existence, but Esther has little choice - the convent is her only refuge, and its orphanage will provide shelter for her newborn child. Yet despite the harsh reality of her life, Esther gains support from this isolated community of women. Learning through the experiences and the mistakes of the other "Maggies," she begins to recognize her own strengths and determination to survive.
(Larch Hill is the only home Blue knows. She arrived there...)
Larch Hill is the only home Blue knows. She arrived there just a few days old, wrapped in a blue blanket. Her one hope is to find her mother or father and have a family of her own. Fostered out several times, Blue finds it difficult to fit in. Is there no one out there who really wants her? No one who can really love her? Blue must put up with the orphanage, with the distant and strict care of the nuns. She does have her friends, Mary and Jessie and Molly and Lil, but they're not family. They're not enough. In her heart, Blue is desperate to find out who she really is. The closed file in stern Sister Regina's office holds the secret of her identity.
(Molly's perfect life comes crashing down following the un...)
Molly's perfect life comes crashing down following the unexpected death of her husband David. She is left alone with a big old house to maintain, finances in disarray, and her hopes for happiness in a heap. But Molly is a survivor. Despite objections from her two daughters, Molly fears that the only solution will be to sell their beloved home. But as she finds herself drawn to the old neglected and overgrown walled rose garden and the dilapidated gardener’s cottage attached, she suddenly sees a future as she decides to restore them. As the rose garden takes on a new life and starts to bloom again, Molly finds that she can look to the future with new confidence and hope.
Marita Conlon-McKenna is an Irish award-winning writer of adult and children's fiction whose books are enjoyed by readers all across the world. She is best known for her "Children of Famine" series, a trilogy of young adult novels about the Irish Potato Famine and its effects on three young children.
Background
Marita Conlon-McKenna was born on November 5, 1956, in Dublin, Irelan. She is a daughter of Patrick J. Conlon, a businessman, and Mary Conlon, maiden name Murphy. She grew up in Dublin, with much of her childhood spent in a house overlooking the sea in Greystones, Co Wicklow. She began to write books and stories when at about eight or nine.
Education
Marita Conlon-McKenna went to school at the Convent of the Sacred Heart, Mount Anville. She was good at English, Art, and History but was bad at Algebra and Gymnastics. She didn't go to college, because her father had a stroke and she was looking after him. She attended courses at University College Dublin, such as Women in Literature, Anglo Irish Literature, Children's Literature.
Career
Marita Conlon-McKenna wrote articles and stories for newspapers and magazines after she left school. Then she began writing stories and making books for her children. Marita Conlon-McKenna worked in the family business, the bank, and a travel agency. When she heard a radio report of an unmarked children's grave from the Famine period being found under a hawthorn tree, she decided to write a book, called Under the Hawthorn Tree. She started to write a story at University College Dublin and showed it to Pat Donlon, a director of the course on Children's Literature, and she told Marita Conlon-McKenna to take it to O'Brien Press. Her editors at O'Brien Press, meanwhile, helped Conlon-McKenna deal with the practicalities of being a professional writer. She said: "Under the Hawthorn Tree was written in long-hand, but when it was published O'Brien Press bought me a computer, and they came over to my house, and set it up, and showed me how to turn it on. Even if I was still writing at the kitchen table half the time, I began to feel like a real writer."
Under the Hawthorn Tree became the first book of the Children of Famine trilogy of young adult novels about the Irish Potato Famine and its effects on three young children. In this first book, Under the Hawthorn Tree, the O'Driscoll family faces starvation when their potato crop fails. After burying her dead baby, the mother sets out to find the father, who has left the farm to seek work as a roadbuilder. When Mother fails to return, twelve-year-old Eily is forced to take on the responsibility of her younger brother, Michael, and their younger sister, Peggy. In the sequel, Wildflower Girl, the children have survived the famine, but poverty still haunts them, and when the passage to the United States is offered, the youngest sister, Peggy, takes advantage of it. In the concluding volume of the trilogy, Fields of Home, the original children have grown up, and Eily has children of her own. Still, life is not settled. In addition to this historical trilogy, Marita Conlon- McKenna has written a number of other children's books, including Little Star, about a star that gets trapped in a little boy's room and starts to dim until the boy figures out what he must do to save it. Returning to historical fiction, Conlon-McKenna published Safe Harbor, the story of two children caught in the London Blitz of World War II, who must flee to their paternal grandfather in Ireland.
Marita Conlon-McKenna's first novel for children, Under the Hawthorne Tree, sold over 250,000 copies in the Irish market alone. Published in May 1990, the book was an immediate success and become a classic. It has been translated into over a dozen languages, including Arabic, Bahasa, French, Dutch, German, Swedish, Italian, Japanese, and Irish. The book has been read on RTÉ Radio and is very popular in schools, both with teachers and pupils. It has been made a supplementary curriculum reader in many schools and is also used by schools in Northern Ireland for Education through Mutual Understanding projects. It was also filmed by Young Irish Film Makers, in association with RTÉ and Channel 4. Her debut adult novel, The Magdalen, was a number one bestseller. During her career as a writer, McKenna has received a number of awards due to her contribution to literature. On Bloomsday 16th June 16, 2012, she was one of the writers that helped break The Guinness World Record for The Most Authors Reading Consecutively From Their Own Work.
Marita Conlon-McKenna addressed the question of censorship in children’s literature. She once was asked in a radio interview if children should be reading about people dying and responded with her belief that children should be told the truth. While she does like to include a sense of hope in her children's book, Conlon McKenna does not see this as creating a clichéd happy ending. Rather, her books aim to empower children. They show that "the worst things in the world can happen to them, but they can survive it." Conlon-McKenna also acknowledged that the publishing world has changed immensely, stating her belief that it has become much more professional and it is harder to get a break. Editors expect a manuscript to be completed before they will hold talks and an agent is now essential. "The glory days of publishing are gone," - she said, concurring that writing was certainly not a career that guarantees money or fame. Marita Conlon-McKenna firmly believes that luck is a huge part of finding success as an artist.
Membership
Marita Conlon-McKenna is a former chairperson of Irish Pen, the organization for writers. She has been involved actively for many years promoting arts and literature and the position of Irish writers.
Irish Pen
,
Ireland
Personality
Marita Conlon-McKenna loves to meet readers and enjoys talking at book festivals, libraries, and schools where she encourages everyone to read and to write. As a writer Marita is always curious: she enjoys exploring Ireland's history and writes about issues that interest her.
Interests
Famine period in Irish history
Writers
Laura Ingalls Wilder, Eve Garnett, Enid Blyton, Hans Christian Anderson
Connections
Marita Conlon married James David McKenna on August, 26, 1977. They have four children: Amanda, Laura, Fiona, James.
In 2016, Marita Conlon-McKenna received the Burke Medal for Outstanding Contribution to Public Discourse through the Arts from the College Historical Society in Trinity College Dublin.
In 2016, Marita Conlon-McKenna received the Burke Medal for Outstanding Contribution to Public Discourse through the Arts from the College Historical Society in Trinity College Dublin.
Reading Association of Ireland Award,
Ireland
1991
1991
Irish Arts Council Bursary Award,
Ireland
1991
1991
Bisto Book of the Year Award,
Ireland
1993
1993
Irish Children's Book Trust Award,
Ireland
1992 - for historical fiction.
1992 - for historical fiction.
Österreichische Kinder- und Jugendbuchpreis,
Austria