Background
Martin Brennan was born in 1942 to Irish parents in Brooklyn, New York.
200 Willoughby Ave, Brooklyn, NY 11205, United States
At Pratt Institute Martin Brennan was educated at the faculty of visual communication.
(In this book, Martin Brennan presents an entirely new int...)
In this book, Martin Brennan presents an entirely new interpretation of these monuments, one which challenges the conclusions of earlier studies and offers conclusive evidence which radically changes our knowledge of megalithic culture in Ireland. The Boyne Valley Vision is a personal step-by-step account of a quest that has resulted in some of the most astounding and profound archaeological decipherments of our time. Martin Brennan demonstrates in his text and in some ninety drawings and figures from his pen the vision of the universe transmitted by the artists of megalithic Ireland in their designs carved in naked rock. He shows that the ideas expressed by these artists are more substantial than the stones on which they are incised. His study exposes for the first time an entire cosmology, a vocabulary of symbols, the sundials, the calendar and other scientific tools of the oldest culture known to us. Although The Boyne Valley Vision is not strictly an archaeological work, it proposes some of the most far-reaching archaeological discoveries of our time. As a study of the earliest manifestations of art in Ireland, Martin Brennan's book provides new insights into these enigmatic designs and points the way to an understanding which was never possible before, an understanding of a message that justifies the wonder with which past ages have regarded them. Our view of Ireland's past can never remain the same.
https://www.amazon.com/Boyne-Valley-vision-Martin-Brennan/dp/0851053629/?tag=2022091-20
1980
(Martin Brennan examines stone age carvings in Ireland, di...)
Martin Brennan examines stone age carvings in Ireland, discusses their astronomical significance and looks at how ancient mounds were oriented towards the rising sun of the solstice and equinox.
https://www.amazon.com/Stars-Stones-Ancient-Astronomy-Ireland/dp/0500012954/?tag=2022091-20
1984
(This revealing text describes the exciting discovery and ...)
This revealing text describes the exciting discovery and deciphering of the 5,000-year-old stone chambers and standing stones of pre-Celtic Ireland. At midwinter sunrise, Martin Brennan and his research partner observed a beam of light shining into the central chamber at Newgrange, illuminating a series of glyphs on the back wall. They went on to observe significant solar and lunar events at other chambers and stone complexes in the Boyne Valley and Loughcrew Mountains. Through a combination of careful observation, analysis of the astronomical alignment of the sites, and personal insight into the meanings of megalithic symbols and carvings, Brennan demonstrates conclusively that the passage mounds and chambers are actually sophisticated calendar devices, and that the abstract wheels, spirals, zigzags, and wavy lines are symbols of solar and lunar timekeeping.
https://www.amazon.com/Stones-Time-Calendars-Sundials-Chambers/dp/0892815094/?tag=2022091-20
1994
(Brennan uses Plains Indian handsigns and other communicat...)
Brennan uses Plains Indian handsigns and other communication symbols to decipher Maya inscriptions, revealing hidden messages that have not been understood for hundreds of years.
https://www.amazon.com/Hidden-Maya-New-Understanding-Glyphs/dp/187918124X/?tag=2022091-20
1998
Martin Brennan was born in 1942 to Irish parents in Brooklyn, New York.
In early ages, Martin Brennan was educated at Pratt Institute at the faculty of visual communication.
For many years Martin has been a student of prehistoric rock inscriptions and structures, particularly the ancient Irish structures known as chambered mounds, or passage graves. These structures consist of a passageway into the earth, leading to a stone cavern, under a large mound of earth and stone. These graves are decorated on the inside with carvings of spirals and other symbols, inscribed markings that archaeologists had long considered to be mere doodles.
One winter solstice sunrise, Brennan and his research partner were standing in the ancient stone chamber at Newgrange, and they noticed that exactly at sunrise, a beam of light shone into the central chamber and lit some symbols on the back wall. They wondered if other sites were astronomically aligned to the sun, and visited other ancient sites in the Boyne Valley and Loughcrew Mountains of Ireland to investigate this idea. The Stars and the Stones, later reissued as The Stones of Time: Calendars, Sundials, and Stone Chambers of Ancient Ireland is an account of their observations at the sites. They found that all of the sites were aligned to the sun and moon so that, on certain crucial dates in the ancient ritual calendar, the inner chambers and the symbols in them were lit by the rays of the sun or moon. Brennan contends that the structures were not originally intended to be graves, but that they were immense and accurate calendars, and that the carved symbols represent specific solar and lunar periods. As John Michell wrote in Britannia Internet Magazine, “This interplay of light and darkness with the carved symbols on the walls of the inner chamber suggests that the buildings were used for purposes other than burials: for recording seasons and astronomical cycles and as places of vigil and initiation. Rather than tombs, perhaps, they might be called temples.”
The Stars and the Stones explores the history of the structures and other theories about their origins and use, as well as Martin’s interpretations of the meaning of the monuments and their associated art. In Archaeology, Ronald Hicks wrote that this last section is flawed because Martin draws conclusions that are not supported by any available data, and because he claims that archaeologists are not interested in these sites. “More serious,” Hicks wrote, “is the fact that my observations at some of the sites this past summer simply do not support his claims. Nonetheless, the book is worthwhile reading for anyone interested in Old World archaeoastronomy.”
In The Hidden Maya: A New Understanding of Maya Glyphs, Brennan examines the hand signs shown in Maya pictorial writing and art and attempts to form a system of interpretation of the complex signs, which have been studied by many scholars over the centuries.
(In this book, Martin Brennan presents an entirely new int...)
1980(Martin Brennan examines stone age carvings in Ireland, di...)
1984(Brennan uses Plains Indian handsigns and other communicat...)
1998(This revealing text describes the exciting discovery and ...)
1994Brennan believes that the Maya used a system of gestural hand signs similar to the sign language used by the Plains tribes of North America, and draws parallels between the two systems that allow him to decipher texts that have not been understood for hundreds of years.