Background
Marysa Demoor was born on January 15, 1965, in Belgium. She is a daughter of Hubert Demoor, a history teacher and headmaster, and Simone Demoor, a physical education teacher.
Ghent University, Ghent, Belgium
In 1983 Marysa Demoor received a Doctor of Philosophy degree from the University of Ghent.
(The place occupied by Lucy Lane Clifford (1846-1829) in H...)
The place occupied by Lucy Lane Clifford (1846-1829) in Henry James biographies has been quite modest. This edition aims to clarify the role she played in James's life and in London's cultural arena at the turn of the century.
https://www.amazon.com/Bravest-women-finest-friends-MONOGRAPH/dp/0920604676/ref=sr_1_1?keywords=%22Bravest+of+Women+and+Finest+of+Friends%22%3A+Henry+James%27s+Letters+to+Lucy+Clifford+Demoor&qid=1577176410&s=books&sr=1-1
1999
(Their Fair Share identifies and contextualises many previ...)
Their Fair Share identifies and contextualises many previously unknown critical writings by a selection of well-known turn-of-the-century women. It reveals the networks behind an influential journal like the Athenaeum and presents a more shaded assessment of its position in the field of cultural production, in the period 1870-1920. The Athenaeum (1828-1921) has often been presented as a monolithic institution offering its readers a fairly conservative, male oriented appreciation of a wide variety of contemporary publications. On the basis of archival and biographical material this book presents an entirely new analysis of the reviewing policy of this weekly from 1870, when it came into the hands of the politician Sir Charles Wentworth Dilke, up to and including 1919-1920 when John Middleton Murry became its editor. Dilke, and his editor Norman MacColl, are here revealed to have been committed feminists who enlisted some of the most influential women of their time as critics for their journal. The book looks more specifically at the contributions by, a.o., Millicent Garrett Fawcett, Emilia Dilke, Jane Harrison and Augusta Webster.
https://www.amazon.com/Their-Fair-Share-Criticism-Nineteenth-ebook/dp/B0725NX5XB/ref=sr_1_1?keywords=Their+Fair+Share%3A+Women%2C+Power%2C+and+Criticism+in+the+Athenaeum%2C+from+Millicent+Garrett+Fawcett+to+Katherine+Mansfield%2C+1870-1920&qid=1577176748&s=books&sr=1-1
2000
(Marketing the Author looks at the careers and the writing...)
Marketing the Author looks at the careers and the writings of a selection of authors writing in the period 1880-1930 (from the fairly unknown Emilia Dilke and Rosamund Watson to literary celebrities like Henry James, James Joyce and Virginia Woolf) who all impersonated identities which they had created for themselves. It argues that as a result of the socio-economic changes at the time authors had to remain in control of their public image in order to survive.
https://www.amazon.com/Marketing-Author-Authorial-Narrative-Self-Fashioning/dp/1403933294/ref=sr_1_1?keywords=Marketing+the+Author%3A+Authorial+Personae%2C+Narrative+Selves+and+Self-fashioning&qid=1577176883&s=books&sr=1-1
2004
(DNCJ is a large-scale reference work covering the journal...)
DNCJ is a large-scale reference work covering the journalism industry in nineteenth-century Britain. Its comprehensive representation of diverse facets of the industry provides a snapshot of the press, from journalist to reader. Its 1630 entries, by an international team of experts and researchers, reflect the range of the press, including art, children, illustration, literature, religion, sports, politics, local and regional titles, satire, and trade journals. DNCJ includes newspapers and periodicals in England, Ireland, Scotland and Wales.
https://www.amazon.com/Dictionary-Nineteenth-Century-Journalism-Britain-Ireland/dp/071235039X/ref=sr_1_1?keywords=Brake+Dictionary+of+Nineteenth-century+Journalism&qid=1577176980&s=books&sr=1-1
2009
(This volume tackles the subject of illustration, technica...)
This volume tackles the subject of illustration, technically, metaphorically and historically in nineteenth-century periodicals, displaying the ubiquity of the visual in the press: the articles cover material illustration, graphics, and design and metaphorical use of images in the letterpress, offering specific examples and theoretical approaches.
https://www.amazon.com/Lure-Illustration-Nineteenth-Century-Picture/dp/0230217311/ref=sr_1_1?keywords=Lure+of+Illustration+in+the+Nineteenth+Century%3A+Picture+and+Press&qid=1577177180&s=books&sr=1-1
2009
Marysa Demoor was born on January 15, 1965, in Belgium. She is a daughter of Hubert Demoor, a history teacher and headmaster, and Simone Demoor, a physical education teacher.
In 1983 Marysa Demoor received a Doctor of Philosophy degree from the University of Ghent.
From 1977 to 1989 Marysa Demoor was an assistant lecturer at the University of Ghent. From 1989 to 2000 she was a senior researcher at Flanders Science Foundation in Brussels, Belgium, after which she became a tenured research professor at Ghent University. She obtained a full professorship in 2004. She was a member of the University of Ghent research council from 1998 to 2013. She was the chair of the Humanities committee for the last seven years of that membership. Demoor is a life member of Clare Hall, Cambridge (United Kingdom) since 2001.
In 2011 she held the Van Dijck chair at the University of California, Los Angeles, United States. Until 2013, she was an advisor to the Rector on Diversity and Gender and she was the founder of the policy unit for gender and diversity. In 2014 she founded the peer-reviewed journal DiGeSt, a scholarly journal that publishes on diversity and gender studies. Since 2014 she is the Director of the Doctoral School, Arts, Humanities and Law. In 2016 she chaired the Literature and Arts committee of the Flemish Science Foundation (FWO).
Demoor has published widely on Victorian and modernist culture. Book publications include Their Fair Share. Women, Power, and Criticism in the Athenaeum, from Millicent Garrett Fawcett to Katherine Mansfield (2000), Marketing the Author: Authorial Personae, Narrative Selves, and Self-fashioning (2004), etc.
(This volume tackles the subject of illustration, technica...)
2009(Marketing the Author looks at the careers and the writing...)
2004(Their Fair Share identifies and contextualises many previ...)
2000(The place occupied by Lucy Lane Clifford (1846-1829) in H...)
1999(DNCJ is a large-scale reference work covering the journal...)
2009Marysa Demoor is a member of the Research Society of Victorian Periodicals, Société Française d'Etudes Victoriennes et Edouardiennes.
Marysa Demoor married Patrick Vanleene. They have three children: Dennis, Vanessa, Daphne and five grandchildren.