Career
He has a doctorate in composition, electronic music and violoncello. He was selected to take part in the specialization courses in composition at the Music Academy of Fiesole held by G. Manzoni (1991–1992) and at the Academie d’Eté of the IRCAM held by T. Murail and P. Manoury (Paris, 1993–1994). He is interested in all contemporary arts and has focused his music research in particular on the interaction with these arts
This is the reason behind the ballets with the Chorea Dance Company: Espressione I (Bologna, 1994), Quintetto (Bergamo, 1994), Tarkìz (Bologna, 1995) and Cabaret selvaggio (Milan, 1999) with the Pierpaolo Koss Dance Company.
In 1994, together with the artist Doctorate. Carati, he organised in Bologna the artistic project – ipotesi di interazioni e coincidenze di Opere Prime di Pittori, Scultori, Compositori e Poeti and in 1996 the art book Reazioni Interattive (Doctorate Carati – M Messieri), curated by L. Pestalozza and P. Serra Zanetti, was published. In 1997, the International Festival Italian Mozart Association in Rovereto commissioned him, under the aegis of the Internationale Stiftung Mozarteum Salzburg, the work Don Giovanni, the redeemed rake (1998).
In 2000, the National Research Institute for Material Physics () commissioned him, for the eeting 2000, the work Leonids’ play (composition for 5 magnetic tapes based on the real sound of the Leonids provided by National Aeronautics and Space Administration). In 2002, the Kunstverein of Aschersleben commissioned him the work Sojour in Leipzig (12 music portraits for violoncello and piano).
In 2004, he was commissioned the opera, performed at the Ettersburg Castle (Weimar).
In the same year he founds, with the saxophonist M. Selva, the Messieri/Selva (saxophone and live electronics) in order to promote contemporary learning like South. Bussotti, John Cage, T. Riley, J.C. Risset, G. Scelsi, et cetera He recorded with Messieri/Selva two audio cd "Noises X" (Drycastle Records, 2007) and "Master of Arts$KEN" (Drycastle Records, 2009).
