Background
Matthew Joseph Bruccoli was born in 1931 into an ethnic Italian family in The Bronx, New New York
("F. Scott Fitzgerald on Authorship" assembles Fitzgerald'...)
"F. Scott Fitzgerald on Authorship" assembles Fitzgerald's public and private writings on his trade and craft. The 46 selections in this volume construct an autobiographical account of Fiztgerald's 20-year endeavour to maintain careers as a commercial writer and as a literary artist. In a substantial introduction to the volume, Matthew J. Bruccoli positions Fitzgerald as a case history for the profession-of-authorship approach to American literary history as formulated by William Charvat. Bruccoli challenges familiar myths about Fitzgerald's squandering of fortunes and literary genius, and he exposes the error of segregating Fitzgerald's magazine and movie work from his novels. In his own words, Fitzgerald corrects the most condescending and irksome notion about him - that he was a literary ignoramous who wrote brilliantly without knowing what he was doing. As these letters, notebook entries, book reviews and articles indicate, Fitzgerald reached usable conclusions about the craft of writing, the discipline of authorship and the obligations of literature.
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( Working with the complete collection of Tender is the N...)
Working with the complete collection of Tender is the Night manuscripts in the Princeton University Library, Matthew J. Bruccoli reconstructs seventeen drafts and three versions of the novel to answer questions about F. Scott Fitzgerald’s major work that have long puzzled critics of modern literature. In 1934, nine years after the appearance of The Great Gatsby, Fitzgerald permitted publication of Tender is the Night. Disappointed by its critical reception, Fitzgerald suggested that the structure of the novel should be drastically rearranged. In 1951, eleven years after his death, Charles Scribner’s Sons brought out an edition that incorporated Fitzgerald’s changes. Controversy arose over the merits of the two published versions and over the “nine lost years” in Fitzgerald’s life between his two great novels, years of rewriting before publication of Tender is the Night that resulted in six cartons of notes and drafts. After analyzing this wealth of material, Bruccoli reconstructs every working stage in the novel and reaches his own conclusions about which edition is the most valid.
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( Re-creating the author’s intention from the manuscripts...)
Re-creating the author’s intention from the manuscripts, this study shows that Fitzgerald regarded none of his material as final but, rather, as material toward a novel quite possibly about the American Dreama respectful study of the American business hero. Mr. Bruccoli’s transcription and analyses of the manuscripts and notes for the unfinished novel serve two related purposes: they enable us to gauge the state of F. Scott Fitzgerald’s work-in-progress at the time of his death and thereby to reassess this work properly. Examination of Fitzgerald’s drafts reveal that he regarded none of this material as finished. There are no final draftsonly latest working drafts. After Chapter One there are no chapters, and even this is marked for rewrite. And Fitzgerald’s undated last outline provides only topics or ideas for the thirteen unwritten episodes. The Last Tycoon has always been read as a Hollywood novela novel about the movies. It is far from certain that the title was final, but it is clear that Fitzgerald conceived Monroe Stahr as a tycoon.” Fitzgerald’s tentative title The Love of the Last Tycoon: A Western” is instructive: it connects Stahr with all the other poor boys who went West to seek their fortunes. I am the last of the novelists for a long time now,” Fitzgerald wrote in a note for The Last Tycoon. His statement does not refer to technique or to form, Mr. Bruccoli claims; it can be understood only in terms of theme and character. Stahr exemplifies Fitzgerald’s belief in the American Dreamdecency, honor, courage, responsibility, and the possibilities of the American lifeand Fitzgerald regarded himself as the last of the American novelists writing on this great theme.
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(Dust jacket design by Jack Ribik. Bruccoli reevaluates th...)
Dust jacket design by Jack Ribik. Bruccoli reevaluates these two authors and their friendship by examining their lives and correspondence.
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(A very extensive and thorough bibliography. Covers Separa...)
A very extensive and thorough bibliography. Covers Separate Publications, First-Appearance Contributions to Books and Pamphlets, First Appearances in Journals and Newspapers, and Later Collections of Dickey's Poems. The Appendices contain the compiler's notes and list major works about Dickey. Very well-illustrated and with a good index. xxii, 423 pages. cloth.. 8vo..
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(This award-winning multi-volume series is dedicated to ma...)
This award-winning multi-volume series is dedicated to making literature and its creators better understood and more accessible to students and interested readers, while satisfying the standards of librarians, teachers and scholars. Dictionary of Literary Biography provides reliable information in an easily comprehensible format, while placing writers in the larger perspective of literary history.Dictionary of Literary Biography systematically presents career biographies and criticism of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods.For a listing of Dictionary of Literary Biography volumes sorted by genre click here.
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(Joseph Heller (1923-1999) became a major American author ...)
Joseph Heller (1923-1999) became a major American author in 1961 with the publication of his first novel, "Catch-22". He subsequently published six more novels, three plays, and two volumes of nonfiction. This bibliography of Heller's works describes all printings of all editions of his books in the English language, including British publications. It also identifies Heller's contributions to books written or edited by other authors, his periodical appearances, and his published interviews.
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(The standard work on Fitzgerald, revised, enlarged, and u...)
The standard work on Fitzgerald, revised, enlarged, and updated; Since its first publication in 1981, Some Sort of Epic Grandeur has stood apart from other biographies of F. Scott Fitzgerald for its thoroughness and volume of information. It is regarded today as the basic work on Fitzgerald and the preeminent source for the study of the novelist. In this second revised edition, Matthew J. Bruccoli provides new evidence discovered since its original edition. This new edition of Some Sort of Epic Grandeur improves, augments, and updates the standard biography of F. Scott Fitzgerald.
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Matthew Joseph Bruccoli was born in 1931 into an ethnic Italian family in The Bronx, New New York
He graduated from the Bronx High School of Science in 1949. He studied at Cornell University, where one of his professors was noted Russian author Vladimir Nabokov, and at Yale University. He completed graduate work in English at the University of Virginia, earning a master"s degree and doctorate in 1960.
He was the preeminent expert on F. Scott Fitzgerald. He also wrote about writers such as Ernest Hemingway, Thomas Wolfe and John O"Hara, and was editor of the Dictionary of Literary Bruccoli"s interest in F. Scott Fitzgerald began in 1947 when he heard a radio broadcast of Fitzgerald"s short story "The Diamond as Big as the Ritz". That week he tracked down a copy of The Great Gatsby, "and I have been reading it ever since," he told interviewers.
Bruccoli taught at the University of Virginia and the Ohio State University early in his career.
He settled at the University of South Carolina, where he earned tenure and taught for four decades. He lived in Columbia, South Carolina, where, according to his New York Times obituary, he "cut a dash on campus, instantly recognizable by his vintage red Mercedes convertible, Brooks Brothers suits, Groucho mustache and bristling crew cut that dated to his Yale days.
His untamed Bronx accent also set him apart."
Over the course of his career, Bruccoli wrote more than 50 critical books on F. Scott Fitzgerald and other literary figures. His 1981 biography of Fitzgerald, Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald, is considered the standard Fitzgerald biography.
He has edited many of Fitzgerald"s works, from This Side of Paradise to Fitzgerald"s unfinished final novel, The Last Tycoon.
lieutenant had first been published posthumously in 1941. Edited by Bruccoli, it was published in a new version in 1993 as The Love of the Last Tycoon, part of a collection by Cambridge University Press. Bruccoli also edited Zelda Fitzgerald"s only novel Save Maine the Waltz.
She was married to Scott.
Bruccoli owned the artist"s copy of Celestial Eyes, the cover art by Francis Cugat which appeared on the cover of the first edition, and most modern editions, of The Great Gatsby. In 1969, Bruccoli befriended Frances "Scottie" Fitzgerald, the daughter of the Fitzgeralds.
In 1976, Bruccoli and Scottie Fitzgerald Smith published The Romantic Egoists, from the scrapbooks that F. Scott and Zelda had maintained. These had included numerous photographs and book reviews.
The collection is valued at nearly $2 million.
Bruccoli was general editor of the "Pittsburgh Series in Bibliography," published by the University of Pittsburgh Press. As part of this series, he produced F. Scott Fitzgerald: A Descriptive Bibliography and, with Richard Layman, Ring West. Lardner: A Descriptive Bibliography (1976). Bruccoli had written a working draft of the Lardner book in the summer of 1973 before giving it to" his then-graduate-research-assistant Layman to work on checking lieutenant
Layman displayed so much aptitude for the assignment that a collaboration seemed obligatory."
Along with Layman, who became recognized as a Dashiell Hammett scholar, and businessman C. East. Frazer Clark, Junior., Bruccoli launched the Dictionary of Literary The 400-volume reference work contains biographies of more than 12,000 literary figures from antiquity to modern times.
Bruccoli continued working at the University of South Carolina until being diagnosed with a brain tumor. He died on June 4, 2008.
( Re-creating the author’s intention from the manuscripts...)
(This award-winning multi-volume series is dedicated to ma...)
(The standard work on Fitzgerald, revised, enlarged, and u...)
( Working with the complete collection of Tender is the N...)
(Joseph Heller (1923-1999) became a major American author ...)
(Joseph Heller (1923-1999) became a major American author ...)
(A complete study of the book including holographic pages ...)
(A research archive documenting Fitzgerald's career and li...)
(The dust jacket has a minor blemish at the heel of the sp...)
(Book by Bruccoli, Matthew Joseph, Baughman, Judith)
(Notes, photos, index, bibliography, appendixes.)
(Biography, American Studies, Literary Studies)
(A very extensive and thorough bibliography. Covers Separa...)
(Dust jacket design by Jack Ribik. Bruccoli reevaluates th...)
(Book by Matthew J. Bruccoli (Edited by))
(First edition. Definitive work to date. xvi, 149 pages. c...)
("F. Scott Fitzgerald on Authorship" assembles Fitzgerald'...)
(New)
There he was a founding member of the fledgling Manuscript Society, graduating in 1953.