Background
Kerns was born in 1876 in Portland, Oregon. Her father was Samuel Irvine Kerns, and her mother was Elizabeth Claggett. They were married in 1868.
Kerns was born in 1876 in Portland, Oregon. Her father was Samuel Irvine Kerns, and her mother was Elizabeth Claggett. They were married in 1868.
Kerns enrolled in high school in 1891, at the prep school administered by the University of Oregon. She graduated from the University of Oregon in 1899 with a Bachelor of Arts. In 1900 she attended the Mark Hopkins Institute (now the California School of Fine Arts) in San Francisco.
She moved to New York City in 1904 to attend Columbia University, where she received a second degree in fine arts and education under the guidance of Arthur Wesley Dowager
Born in Oregon to pioneer parents, Kerns was raised in Portland, and went on to study fine arts at the University of Oregon and arts and education at Columbia University in New York City. She later taught art at the University of Oregon as well as at high schools in Corvallis and Seattle, Washington before her death in 1965. She had an older sister, born in 1874, named Edith (married name Edith Kerns Chambers), and two younger brothers, LeRoy Flemming born in 1884, and Harold Claggett, born in 1890.
The family moved to Eugene City in 1884.
Prior to moving to New York for school, Kerns taught in Corvallis, Lebanon, and Eugene, Oregon. Kerns taught art in Seattle high schools for fourteen years, after receiving her degree from Columbia.
She studied with William Merritt Chase in 1912. Kerns returned to teach art at the University of Oregon in Eugene.
She was the head of the art education program (also called the Normal Arts Department) from 1921 until 1947, her curriculum was inline with the beliefs and practices of William Morris.
She remained until her retirement in the 1940s. Many of her early works were destroyed during a fire at the art school. Her first exhibition of paintings was in 1925 at the Seattle Art Museum as part of their Northwest Annual Show.
From the 1930s through the 1950s, Kerns made a name for herself in the world of abstract art, painting in what was called at the time the "non-objective" art movement.
She exhibited work at the Museum of Non-Objective Painting in New New York A spiritual woman, she embraced the art-as-spiritual expression philosophy of Wassily Kandinsky.
She was also influenced by Asian art Her paintings were recognized and championed by Hilla von Rebay, chief advisor to Solomon R. Guggenheim, who purchased a number of her paintings, along with art from other standouts in the early American abstract art scene, for his Museum of Non-Objective Painting (later renamed Solomon R Guggenheim Museum) in New New York
Kerns died in 1965. The Eugene Art Center, to which she was a major donor, was renamed The Maude Kerns Art Center in her honor.