Background
London, Michael was born on August 24, 1951 in Columbus, Ohio, United States. Son of Oscar Basil and Jeannette Marie (Altiere) McGee.
(NOVEMBER 22, 2013, marks the fiftieth anniversary of the ...)
NOVEMBER 22, 2013, marks the fiftieth anniversary of the assassination of President John F. Kennedy, the thirty-fifth president of the United States. For all of us who lived through that great national tragedy we are now compelled to tell something to the next generation. I have a very unique, but perhaps many would say, insignificant personal story concerned going to his funeral. I am not a professional author. I am a retired high school biology teacher - one of over a million average citizens who went to Washington. At my age I still feel an emotional connection to John F. Kennedy. I was a college student when he was assassinated on that Friday, November 22, 1963. On Sunday night, after listening to the media coverage, three others and myself on a double date decided impulsively to go from Ohio to Washington to see the funeral. There were many unseen problems on this trip. It ended up being almost more than four naive students could handle - but we did make the trip and got back safely. Years later I have decided to tell the personal story of this trip. I still have detailed information from my diary, two letters that were written after the trip and other notes that I had. I have decided to put all of this information together and tell the story of a unique adventure I took as a young man. Please let me share this with you.
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(Studienarbeit aus dem Jahr 2002 im Fachbereich Anglistik ...)
Studienarbeit aus dem Jahr 2002 im Fachbereich Anglistik - Literatur, Note: 1,7, Eberhard-Karls-Universität Tübingen, Veranstaltung: PS Amerikanische Lyrik, 12 Quellen im Literaturverzeichnis, Sprache: Deutsch, Anmerkungen: In dieser Hausarbeit habe ich die Entwicklung eines Nervenzusammenbruchs nachvollzogen, die meiner Ansicht nach in diesem Gedicht dargestellt ist. Ein Großteil der Arbeit befasst sich auch mit Strukturanalyse. , Abstract: Begräbnisse zogen sich wie ein roter Faden durch das Leben von Emily Dickinson. Generell war der Tod im 19. Jahrhundert noch präsenter, die Menschen starben in jüngerem Alter. So erlebte auch Dickinson bereits in jungen Jahren das Sterben einiger ihr wichtiger Menschen (Ferlazzo 41). Vor allem aber grenzte das Familienanwesen an einen Friedhof, so dass Dickinson in regelmäßigen Abständen Trauergemeinden an ihrem Fenster vorbeiziehen sah (Ferlazzo 42). Wenn Dickinson auch fast 600 Gedichte dem Thema Tod widmete (Ferlazzo 41), ist "I felt a Funeral, in my Brain" nicht primär als eine Auseinandersetzung mit dem Tod zu verstehen; das Begräbnis dient hier lediglich als Metapher für einen sich vollziehenden Nervenzusammenbruch (vgl. Ferlazzo 91). Lange Zeit wurde diese Lesart von Kritikern gescheut, da sie befürchteten, ein schlechtes Licht auf die Künstlerin zu werfen, wenn sie ihr keine vollkommene geistige Gesundheit ausstellen würden (Ferlazzo 77). Theodora Ward argumentierte sogar wissenschaftlich falsch, dass "the insane cannot explain themselves".5 Da sich die Spannung von Strophe zu Strophe intensiviert und schließlich im letzten Vierzeiler entlädt, ist es sinnvoll, dieses Werk chronologisch anzugehen. Besonderen Wert lege ich hierbei auf die Klanganalyse, die sich in Anbetracht der vielen akustischen Merkmale und Stilmittel geradezu aufdrängt.
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(This collection of poems is an examination of the soul; t...)
This collection of poems is an examination of the soul; the fears, desires, sadness, and confusion experienced on the journey to find one’s self. It is a symphony composed with nothing more than words about ideal romantic love and the harsh truth sometimes behind it all; a waltz through the darkness when it all falls apart—the understanding of the song. This wanting—this needing for someone to make the disappearing a beautiful unknown But there is only eternal suffering with these thoughts waltzing in my head Gliding across the floor—floating on enchanting notes from my tears Holding her and knowing I will never love another As I love her dancing to my funeral song
http://www.amazon.com/gp/product/1424101158/?tag=2022091-20
(The guide to shortening your execution cycle down from on...)
The guide to shortening your execution cycle down from one year to twelve weeks Most organizations and individuals work in the context of annual goals and plans; a twelve-month execution cycle. Instead, The 12 Week Year avoids the pitfalls and low productivity of annualized thinking. This book redefines your "year" to be 12 weeks long. In 12 weeks, there just isn't enough time to get complacent, and urgency increases and intensifies. The 12 Week Year creates focus and clarity on what matters most and a sense of urgency to do it now. In the end more of the important stuff gets done and the impact on results is profound. * Explains how to leverage the power of a 12 week year to drive improved results in any area of your life * Offers a how-to book for both individuals and organizations seeking to improve their execution effectiveness * Authors are leading experts on execution and implementation Turn your organization's idea of a year on its head, and speed your journey to success.
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director playwright management consultant
London, Michael was born on August 24, 1951 in Columbus, Ohio, United States. Son of Oscar Basil and Jeannette Marie (Altiere) McGee.
Student, Ohio State University, 1969-1972, 83; student, Lamar U., 1975; Bachelor, Master of Arts, Columbia Pacific U., 1987; postgraduate, Sinclair College, 1989-1990; postgraduate, Wright State University, 1990-1991.
General manager, The Wright Place, Columbus, 1975-1977;
managing director, Dayton (Ohio) Contemporary Dance Company, 1977-1980;
executive director, Michael London Associations, Dayton, since 1980;
freelance playwright, Dayton, since 1982;
general partner, London Group I Prodns., Ltd., Dayton, 1985-1991;
artistic director, American Theatreworks Foundation, Dayton, since 1986. Member Ohio Minority Arts Task Force, Columbus, 1978-1985. Consultant Acclaim magazine, Columbus, 1987-1989.
Playwright Artists in Education program, Columbus, since 1987. Playwright-in-residence Grandparents Living Theatre, 1990-1991. Adjunct Professor Wright State University, since 1991.
(Studienarbeit aus dem Jahr 2002 im Fachbereich Anglistik ...)
(The guide to shortening your execution cycle down from on...)
(This collection of poems is an examination of the soul; t...)
(NOVEMBER 22, 2013, marks the fiftieth anniversary of the ...)
Chairman Jane Reece Neighborhood Association, Dayton, 1986-1988. Member N. River task force City of Dayton, since 1987. Trustee Ballet Metropolitan, Inc., 1975-1977.
Member Association Ohio Dance Companies (trustee 1977-1981, 83-84, Trustee award 1984), Dramatists Guild, Authors League of America, International Society Dramatists, Dayton Canoe Club, AFS International Intercultural Programs.